人物介紹
門紹宗先生自幼酷愛繪畫藝術,參加北京少年宮小美協活動,在馬躍華恩師啟蒙下,曾獲得齊白石、陳半丁、於非庵、李可染、王雪濤、王鑄九、李苦禪、黃胄等大師的親授。 1964年畢業於中央美術學院附屬美術學校,後畢業於中央美術學院徐悲鴻畫室。先生在藝術造詣修養上下功夫,通詩書畫印
、兼收並蓄,讀千卷書行萬里路,用藝術眼光觀察大千世界,使藝術源於生活高於生活,終於成為有思想內涵的藝術大師。
門紹宗先生精通國畫與油畫等多種造型藝術技法。80年代後作品主攻個性意境畫題,在五十年的書畫創作
生涯中集大成,內師古法、外師造化,揮毫中求氣韻、重意境,大器晚成、中得心源。先生的中國畫裡運
用潑墨與小寫相結合,繼承傳統、深入生活、不斷創新探索,在獨特的當代藝術語言中,表現出抒情、唯
美、開拓、天籟的空間,終於獨創出“潑寫空間”的當代繪畫手法。
他主要就兩種中國畫製作手法,一:是新的當代手法:潑寫空間(潑墨與寫意結合:構圖是飽滿與留
空簡約,色彩是濃厚與豐富)二是:傳統中國畫大小寫意手法。 門紹宗先生對自己的風格不拘一格,他
的藝術觀點是藝海無涯,不斷最求創新,中國繪畫藝術才可以發展,才可以有藝術生命力。
門紹宗先生作品曾入列國內外各級畫展並獲獎,被文博單位中外收藏
家收藏。先生的作品受到業內人士及
學生的讚揚,曾擔任北京與成都師範院校美術系教授和經貿大學美術客座講師,組織各種主題繪畫協會,
舉辦各種美術培訓與中國畫研究會,授美國ELGIN埃爾金學院 ELGIN CMMUNITY COLLEGE的邀請講學與中
美藝術交流。現桃李滿天下,很多學生在美術事業上取得成就。先生在中國繪畫藝術傳承上起到了重要作
用。
門紹宗英文介紹
Mr. Shaozong Men, artist pseudonym Mingshan, was born in Beijing in 1943. He served as a
military artist.
Mr. Men is a member of Chinese Artists Association, China Mainland Painters Association, Sichuan Artists Association, and Chengdu Artists Association.
Since his youth Mr. Shaozong Men loved drawing and joined the Youth’s Art Association of Children’s Palace in Beijing. Under the tutelage of Mr. MA Yaohua, Mr. Men was taught by famous artists such as QI Baishi, CHEN Banding, YU Fei’an, LI Keran, Wang Xuetao, Wang Zhujiu, Li Guchan, Huangzhou. Mr. Men finished study at the art school affiliated to China’s Central Academy of Fine Arts in 1964 and then graduated from Master XU Beihong’s Studio Academy. He worked to further his understanding of Art, developing his specialties in calligraphy and painting,absorbing experiences and teachings from others, engaging in his interest in reading, using the lenses of his life experiences and artist’s eyes to see the world and to find and develop art in daily life, and therefore gradually became a thoughtful artist.
Mr. Men’s main specialty is at Chinese painting, oil painting and other painting disciplines. He focused on these individual fields after the 1980s. During his fifty years of experience in painting and calligraphy, Mr. Men successfully utilized traditional painting skills yet constantly explored and innovated. Mr. Men combined the usage of broad strokes and fine strokes in his painting. He utilized modern artistic language to expresses emotions and feeling and pursued perfection by inheriting tradition, learning from daily life, and ever innovating and creating. His unique artistic language showed emotion and aesthetic style, which eventually formed his unique artistic style. His main painting methods include modern broad strokes and fine strokes as well as traditional broad strokes and fine strokes. Mr. Men is consistently developing his ways of painting. In his point of view, the world of art has no boundaries. He feels this is the way for Chinese painting to stay relevant, develop and thrive.
Mr. Men’s art works have been exhibited in China and internationally and won awards. A variety of his art works are frequently published and collected by Chinese and foreigner collectors. His work received many accolades from both artists and art connoisseurs. Mr. Men served as a professor in Beijing and
Chengdu Normal University Art College and as a visiting lecturer of Fine Arts in the Economics University. He has organized many art associations, held a variety of art courses and workshops on the art of Chinese painting. He has been invited to Elgin Community College in the U.S. for the purpose culture exchange. He
has a lot of students with achievements in their own art careers, and played an important role in the Chinese art painting tradition.