Basic Introduction
He Duoling, 1948 Born in Chengdu, China's contemporary lyric realism painter was one of the defining He Duoling, 1948 Born in Chengdu, China's contemporary lyric realism painter was one of the defining . 1973 graduated from the Chengdu Normal College of Art, 1977 into the Sichuan Academy of Fine Arts painting professional learning, since 1979 the Department of Painting in Sichuan Academy of Fine Arts painting professional seminary, in 1982 after graduating in Chengdu, Sichuan Academy of Painting in oil painting, now living in Chengdu 1973 graduated from the Chengdu Normal College of Art, 1977 into the Sichuan Academy of Fine Arts painting professional learning, since 1979 the Department of Painting in Sichuan Academy of Fine Arts painting professional seminary, in 1982 after graduating in Chengdu, Sichuan Academy of Painting in oil painting, now living in Chengdu .
1985 Massachusetts College of Art should be invited to give lectures in the U.S. at the beginning of the 1980s, he with canvas" The spring is awake "," Youth ", a comic book," The Snow Goose "and other works caused a sensation,have become a nation and the collective image of artist endorsements at the beginning of the 1980s, he with canvas" The spring is awake "," Youth ", a comic book," The Snow Goose "and other works caused a sensation,have become a nation and the collective image of artist endorsements .
1992, also spelled "Now evening what evening" subverting its persists on the focal point of the perspective rule, the first use of the dual space of the treatment, which works more Chinese classical painting with an 1992, also spelled "Now evening what evening" subverting its persists on the focal point of the perspective rule, the first use of the dual space of the treatment, which works more Chinese classical painting with an . He Duoling poetically evocative qualities of art, painting language, which is a beautiful, graceful, sentimental, his championing of unfettered freedom He Duoling poetically evocative qualities of art, painting language, which is a beautiful, graceful, sentimental, his championing of unfettered freedom .
his artistic skills of modeling a solid and comprehensive, that character, the scene of lively and his artistic skills of modeling a solid and comprehensive, that character, the scene of lively and . on formal language in his work portrayed in the simple sense with traditional Chinese ink and wash painting has, in a succinct and detailed in the see, alone in now complicated,show a kind of transcendent spirituality and deep artistic pursuit on formal language in his work portrayed in the simple sense with traditional Chinese ink and wash painting has, in a succinct and detailed in the see, alone in now complicated,show a kind of transcendent spirituality and deep artistic pursuit .
1 is now a member of Chinese Artists Association, director of Chengdu Academy of Arts as a stage painter 1 is now a member of Chinese Artists Association, director of Chengdu Academy of Arts as a stage painter . "Scar art" is the representative figure of the early 1980s to "spring breeze is awake", "Youth", a comic book, "The Snow Goose", "now", "we used to sing this song with artists like blockbuster "Scar art" is the representative figure of the early 1980s to "spring breeze is awake", "Youth", a comic book, "The Snow Goose", "now", "we used to sing this song with artists like blockbuster .
oil painting," Youth "won the Bronze Award at the 6th National Art Exhibition, and also won the Bronze Award in the 7th National Art Exhibition, etc oil painting," Youth "won the Bronze Award at the 6th National Art Exhibition, and also won the Bronze Award in the 7th National Art Exhibition, etc . Monaco Award for" The Snow Goose "was the third country won Second Honorable Mention for Monaco Award for" The Snow Goose "was the third country won Second Honorable Mention for .
painting painting.
Art Career
In 1984, the last being "youth" in "the Sixth National Art Exhibition;" won the Bronze Prize in 1987, the twenty - second session of the International Art Exhibition in Monte Carlo, Monaco; in 1988, China - - The Realism of deep in Japanese (Fukuoka Art Museum); in 1996, the shanghai biennale, shanghai art museum (96); after sildenafil (China Art Gallery, Edinburgh, UK fruit market), and in 1997, the Chinese art world (the Czech Republic, Prague, National Gallery); Lisbon, Portugal, the National Gallery); China (Beijing, National Art Museum of China centenary portraiture); in 2000,century, Herman (1979 - 1999 Chinese art invitational exhibition (Chengdu Modern Art Museum); Centennial (Chinese Oil Painting in Beijing, National Art Museum of China; Chengdu motion (Amsterdam, Netherlands) canvas art foundation; in 2001, Sichuan Academy of Fine Arts Exhibition, Kassel (Germany); 2002, 77. 78 (Sichuan, Chongqing and Sichuan Fine Arts Institute); and fantasy artist, Milan (Italy); 2003, 50 Chinese painting at China Millennium Monument (Beijing); Chongqing chili U.S. tour in the United States (Ohio University Art Gallery; and the performance concept (Shanghai Eye Level Gallery);Chinese Oil Painting Exhibition of Chinese Oil Paintings (which won the award), 2004, He Duoling and Mao Yan Chinablue Gallery (Beijing); in 2004, He Duoling and Mao Yan Chinablue Gallery (Beijing); in 2006, publishing "house", a total of 44 paintings, dates from the end of 1986; in January 2008, in Beijing for the exhibition; in May 2008, "Blood May 2008," painting large works 2 2.
Artistic Style
In the contemporary Chinese painting, He Duoling is a compelling character In the contemporary Chinese painting, He Duoling is a compelling character . 1982 introduced oil painting "The spring is awake" since he has come out, are quietly changing, in the form of a gradual improvement in language, but he was a painter of landscape is distinctive, and its image is the integral of the 1982 introduced oil painting "The spring is awake" since he has come out, are quietly changing, in the form of a gradual improvement in language, but he was a painter of landscape is distinctive, and its image is the integral of the .
He is believed to have a great talent for the Realist Painter He is believed to have a great talent for the Realist Painter . this realism, I want to call it "a sad lyricism on this realism, I want to call it "a sad lyricism on .
, He Duoling is this sad, lyrical realism oil painting of representative realism , He Duoling is this sad, lyrical realism oil painting of representative realism ., , .
faction has a variety of critical realism, social realism, socialist realism,Revolutionary realism like faction has a variety of critical realism, social realism, socialist realism,Revolutionary realism like . mainland China's art development, since the period of "May 4th", to realistic style as mainland China's art development, since the period of "May 4th", to realistic style as .
Russian and Soviet influence, China's actual, heedless of the infiltration of the contemporary Chinese political culture to have a comparable Russian and Soviet influence, China's actual, heedless of the infiltration of the contemporary Chinese political culture to have a comparable . Chinese characteristics since it is the realism, must be a real - life, at the source of the real - life drawing; in this sense, those pure conceptual character, from a political concept, opposed to the objective reality and in disregard of the whitewash of the works, and not due to genuine realism, while the "pseudo - realism" Chinese characteristics since it is the realism, must be a real - life, at the source of the real - life drawing; in this sense, those pure conceptual character, from a political concept, opposed to the objective reality and in disregard of the whitewash of the works, and not due to genuine realism, while the "pseudo - realism" .
mainland China during the Cultural Revolution - - some of the popular nature of the works.this is the pseudo - realism scorn during the Cultural Revolution, the Chinese as one of the most important tasks is to study on the artistic thoughts, as well as the realistic art creation of the concept and basic features, added realism to the "fake" word scorn during the Cultural Revolution, the Chinese as one of the most important tasks is to study on the artistic thoughts, as well as the realistic art creation of the concept and basic features, added realism to the "fake" word .
artistic concepts and ideas are of guiding practice, but practice often walk in front of the theory and idea system artistic concepts and ideas are of guiding practice, but practice often walk in front of the theory and idea system . because practice itself put forward of problem, which can naturally correct and denies that doesn't accord with the actual situation of the theory and practice to achieve a breakthrough idea because practice itself put forward of problem, which can naturally correct and denies that doesn't accord with the actual situation of the theory and practice to achieve a breakthrough idea .
those first people, undoubtedly is from the life of the underlying, influenced by their rich, full life, the content of the impact,And feel strongly, forcing them to speak those first people, undoubtedly is from the life of the underlying, influenced by their rich, full life, the content of the impact,And feel strongly, forcing them to speak . Art in the early 1980s, a group of young people of Sichuan Fine Arts Institute, Luo Zhongli, Cheng Conglin and He Duoling, as a representative, are eventually came out on creating a lot of emotions; on the Realism oil painting works Art in the early 1980s, a group of young people of Sichuan Fine Arts Institute, Luo Zhongli, Cheng Conglin and He Duoling, as a representative, are eventually came out on creating a lot of emotions; on the Realism oil painting works .
they observe, and experience life from different perspectives, and artistic impression and performance methods vary, but they all have in common: loyal for life, a new they observe, and experience life from different perspectives, and artistic impression and performance methods vary, but they all have in common: loyal for life, a new . of the prisoner or to the new school of thought emerged, they must possess the qualifications: objective aspect and subjective aspect and objective aspect of the prisoner or to the new school of thought emerged, they must possess the qualifications: objective aspect and subjective aspect and objective aspect .
refer to domestic and international environment of refer to domestic and international environment of . during the Cultural Revolution, the Gang of Four "implement a far - left policies of literature and art, literature and stifle any viable was created, and inward - looking, foreign literature and information of the information was almost cut off during the Cultural Revolution, the Gang of Four "implement a far - left policies of literature and art, literature and stifle any viable was created, and inward - looking, foreign literature and information of the information was almost cut off .
in this case, as shown in FIG. 16B, an innovative and hard for of the overthrow of the Gang of Four Chinese literary and artistic policy of disarming, stable, and the AC recovered gradually, out of current of of the overthrow of the Gang of Four Chinese literary and artistic policy of disarming, stable, and the AC recovered gradually, out of current of .
subjective is advantageous from the aspect of talents cultivation of subjective is advantageous from the aspect of talents cultivation of . "Wenge" clogging of a large number of talents while talents of gush, seems also to comply with the law of indestructibility of "Wenge" clogging of a large number of talents while talents of gush, seems also to comply with the law of indestructibility of .
after the Cultural Revolution, a large number of outstanding young talent to emerge,They're bathed in the Cultural Revolution of the younger generation that after the Cultural Revolution, a large number of outstanding young talent to emerge,They're bathed in the Cultural Revolution of the younger generation that . storm they were sent to the countryside, working, learning, thinking, from the actual live to accept many of the new knowledge, given the chance, just for a chance to break through their gates as the floodwaters are pouring out storm they were sent to the countryside, working, learning, thinking, from the actual live to accept many of the new knowledge, given the chance, just for a chance to break through their gates as the floodwaters are pouring out .
zhongli, Cheng Conglin and He Duoling were born around 1950, they had come of age during the Cultural Revolution, and began painting, after the Cultural Revolution more avid, organizations of the data, zhongli, Cheng Conglin and He Duoling were born around 1950, they had come of age during the Cultural Revolution, and began painting, after the Cultural Revolution more avid, organizations of the data, . they enrich themselves in the 1980s when beach - goers to appear in the painting circles, was about thirty people they enrich themselves in the 1980s when beach - goers to appear in the painting circles, was about thirty people .
coterie of young adventurers from Sichuan Province because of "becoming out was not an accident.This not only because of its inhabitants in the whole mainland China's known as the National Fine Arts Institute, in oil - painting teaching excellence experienced teacher Wei Chuanyi, etc, but also because of the densely populated Sichuan Province, the local economy, 100 million, which is in the draft of a local Sichuan and shortage of hard - working people of the spirit is very strong, especially in mountainous areas, the peasant has a hard life and shortage of hard - working people of the spirit is very strong, especially in mountainous areas, the peasant has a hard life .
in these rural and mountainous areas" for a living. "The youth, from here was to educate and enlighten the Sichuan farmers simple and hardworking spirit that" Man ", the method of the present invention exerts a subtle influence on the younger generation that Sichuan farmers simple and hardworking spirit that" Man ", the method of the present invention exerts a subtle influence on the younger generation that .
this group in the late 1970s into the Sichuan Academy of Fine Arts of youth,Although the profession is at the immature stage, artistic goals vague but, because of the rich soil of the life, to art with a sincere heart, and finally in painting during the budding this group in the late 1970s into the Sichuan Academy of Fine Arts of youth,Although the profession is at the immature stage, artistic goals vague but, because of the rich soil of the life, to art with a sincere heart, and finally in painting during the budding . in October 1980, which will be held at the Sichuan Youth Art Exhibition ", He Duoling and Luo Zhongli, Cheng Conglin, Gao Xiaohua, Wang Hai, Zhu Yiyong, Long Quan, Wang was a strange name, attention is being paid to a in October 1980, which will be held at the Sichuan Youth Art Exhibition ", He Duoling and Luo Zhongli, Cheng Conglin, Gao Xiaohua, Wang Hai, Zhu Yiyong, Long Quan, Wang was a strange name, attention is being paid to a .
He Duoling and Tang Wen, Li Xiaoming, the cooperation of Pan Ling Yu's painting" we used to sing this song ", appeared in the exhibition commentary He Duoling and Tang Wen, Li Xiaoming, the cooperation of Pan Ling Yu's painting" we used to sing this song ", appeared in the exhibition commentary . in this painting was an art lt gt - CHIEF He Rong wrote:"Regardless of what there is plenty of scope for the Life of Educated Youths in their thoughts and feelings on much of their pain, they know about their past lives, for their labor and land are the treasure of in this painting was an art lt gt - CHIEF He Rong wrote:"Regardless of what there is plenty of scope for the Life of Educated Youths in their thoughts and feelings on much of their pain, they know about their past lives, for their labor and land are the treasure of .
" This painting is the expression of complex emotions, He Duoling, and said, 'They're painting "We used to sing this song", depicting the Life of Educated Youths" is keeping people, cherish life "," to enable different people to get a different perspective, and sometimes is the very opposite of "," We wanted to show the youth of the fuzzy idea, everything is hazy and not very sentimental " This painting is the expression of complex emotions, He Duoling, and said, 'They're painting "We used to sing this song", depicting the Life of Educated Youths" is keeping people, cherish life "," to enable different people to get a different perspective, and sometimes is the very opposite of "," We wanted to show the youth of the fuzzy idea, everything is hazy and not very sentimental . because of the excessive suffering was not a typical because of the excessive suffering was not a typical .
"(Art, Gerald.In January 1981, Sichuan young artists talking about creation) tried to work in non - expressing single theme, the expression of complex concepts, He Duoling seems consistent to pursue, "we used to sing this song" might be good places to start! He Duoling independently complete the initial works is" The spring is already awake, This is to reflect the style of his debut He Duoling independently complete the initial works is" The spring is already awake, This is to reflect the style of his debut .
works of him and the Life of Educated Youths works of him and the Life of Educated Youths . he said to himself: in the winter of 1969, in Daliang Mountain in southwestern Sichuan province and the endless blue of the Peaks between, I was lying in a also did not wither even in winter, after the break on the ground, the sky he said to himself: in the winter of 1969, in Daliang Mountain in southwestern Sichuan province and the endless blue of the Peaks between, I was lying in a also did not wither even in winter, after the break on the ground, the sky .
ten years later that I realised, was among those who have much to do,drift through the years, my life has been minutely woven into the piece of the grassland ten years later that I realised, was among those who have much to do,drift through the years, my life has been minutely woven into the piece of the grassland . "for it is my painting in" The spring is awake as his most original works in the "for it is my painting in" The spring is awake as his most original works in the .
in a mindless frenzy is driven by prudence, I gradually to find own in a mindless frenzy is driven by prudence, I gradually to find own . "(He Duoling: on my much - loved art, Japan's Fukuoka Art Museum, He Duoling exhibition catalog) on the screen, we see is a carefully delineated subtilis, sitting on the grass; the figure for something - - looking, thoughtful, resting on the floor of the buffalo and the grass on the bottom of the dog is her friend "(He Duoling: on my much - loved art, Japan's Fukuoka Art Museum, He Duoling exhibition catalog) on the screen, we see is a carefully delineated subtilis, sitting on the grass; the figure for something - - looking, thoughtful, resting on the floor of the buffalo and the grass on the bottom of the dog is her friend .
this extremely ordinary rural scene,In the author's expression that gets very lyrical poetic this extremely ordinary rural scene,In the author's expression that gets very lyrical poetic . painting in the owners are girls, animals, meadows of the depiction of teenage sidekick persona and painting in the owners are girls, animals, meadows of the depiction of teenage sidekick persona and .
lonely girl, bathed in the spring breeze, was apparently a comprehension, the heart has been something of a budding lonely girl, bathed in the spring breeze, was apparently a comprehension, the heart has been something of a budding . people, animals and natural harmony are integral to people, animals and natural harmony are integral to .
here is a desolate, poverty, here again there is life and life here is a desolate, poverty, here again there is life and life . is the nature of life and the promise of your spring, (he) tightly linked to is the nature of life and the promise of your spring, (he) tightly linked to .
author depicted all full of emotions: pity, sympathy and love author depicted all full of emotions: pity, sympathy and love . as the writers say, he did not want to depict the overextension of the suffering and that perhaps,Instead of giving the portrait makes the reader more sympathetic to as the writers say, he did not want to depict the overextension of the suffering and that perhaps,Instead of giving the portrait makes the reader more sympathetic to .
as is also the author, that he didn't want to be on the screen clearly speak their intent, perhaps, if they allow the reader to more in - depth thinking on this subject of the painting's theme is as is also the author, that he didn't want to be on the screen clearly speak their intent, perhaps, if they allow the reader to more in - depth thinking on this subject of the painting's theme is . composite of, different readers may, according to his own life and which can be felt in the main body of an aspect of composite of, different readers may, according to his own life and which can be felt in the main body of an aspect of .
Spring "awake" in the strict sense, although He Duoling's debut, but treatment is fairly mature Spring "awake" in the strict sense, although He Duoling's debut, but treatment is fairly mature .; his skillfully solves the simplistic language of painting this subject on the screen ; his skillfully solves the simplistic language of painting this subject on the screen .
may focus on a single person, with background, rendering emotions and atmosphere environment;subtle details of the depicted subject to screen the effect of form and color and, for comparison and contrast of colors, with a soft intermediate hues may focus on a single person, with background, rendering emotions and atmosphere environment;subtle details of the depicted subject to screen the effect of form and color and, for comparison and contrast of colors, with a soft intermediate hues . creation year of the "old wall", and "The spring is awake", except in a crumbling old strong behind the wall reaches out its head and hands of the rural adolescents, and the side walls on the cat, increasing the screen of a certain mystique. And
juvenile expression of gaze for the viewer's eyes, what gives people not peace, not a feeling of calm juvenile expression of gaze for the viewer's eyes, what gives people not peace, not a feeling of calm . this picture shows,the author is influenced by the work of contemporary American realist painter Andrew Wyeth, Andrew Wyeth painting influence of this picture shows,the author is influenced by the work of contemporary American realist painter Andrew Wyeth, Andrew Wyeth painting influence of .
Wise in the early 80 are introduced to China, they immediately attracted many young artists Wise in the early 80 are introduced to China, they immediately attracted many young artists . is Wyeth's art of humanitarian, human - interest and realism - - in the realm, even before the Cultural Revolution is in the circle of Chinese Paintingneglect of is Wyeth's art of humanitarian, human - interest and realism - - in the realm, even before the Cultural Revolution is in the circle of Chinese Paintingneglect of .
in the storm, having more sleep and Hee - sun, in the popular false and fraud after he felt himself to be sincere in the value of in the storm, having more sleep and Hee - sun, in the popular false and fraud after he felt himself to be sincere in the value of . of the cultural revolution - torn country's young, the most sensitive to premonitions of the social changes of of the cultural revolution - torn country's young, the most sensitive to premonitions of the social changes of .
"scar literature", which was first introduced by young writers, it is disclosed that the Cultural Revolution and people's suffering and sorrow, but many pieces with such kind of a subtle and tactful technique, there is a fair amount of emotion expression and "scar literature", which was first introduced by young writers, it is disclosed that the Cultural Revolution and people's suffering and sorrow, but many pieces with such kind of a subtle and tactful technique, there is a fair amount of emotion expression and . in Art, He Duoling et al from Wyeth's painting style, a lyrical realism expresses the experience of the Cultural Revolution, is a very natural in Art, He Duoling et al from Wyeth's painting style, a lyrical realism expresses the experience of the Cultural Revolution, is a very natural .
Here I was with"Inspired", they are meant to illustrate the importance of He duoling's skill - and other Chinese young artist's creative Here I was with"Inspired", they are meant to illustrate the importance of He duoling's skill - and other Chinese young artist's creative . they not transplanted Huai Rubens (any style also is not possible to transplant), but to borrow his techniques of expression to their own internal feelings they not transplanted Huai Rubens (any style also is not possible to transplant), but to borrow his techniques of expression to their own internal feelings .
due sincerity of feeling and expression of uniqueness, it is also because many of the common feeling, emotion and soul due sincerity of feeling and expression of uniqueness, it is also because many of the common feeling, emotion and soul . He Duoling's mentor and Wise, but not fulfilled by Wyeth's painting style He Duoling's mentor and Wise, but not fulfilled by Wyeth's painting style .
in "old wall", he began to develop his own in "old wall", he began to develop his own . Wise's influence at that time, "Wise wind" of Chinese painting has formed a tide Wise's influence at that time, "Wise wind" of Chinese painting has formed a tide .
rid yourself of this painting,Unit's rebellious spirit need rid yourself of this painting,Unit's rebellious spirit need . he said to himself, in "The spring is awake" after several years of work, he began to quietly, its difficult search for their own language, he said to himself, in "The spring is awake" after several years of work, he began to quietly, its difficult search for their own language, .
he said, will enable me to fads and fashions that have natural immunity of he said, will enable me to fads and fashions that have natural immunity of . .
But i feel lucky An enclosed by himself, for symbols of the system is not smoothly formed But i feel lucky An enclosed by himself, for symbols of the system is not smoothly formed . defied the trend might be easy, but it is difficult to transcend defied the trend might be easy, but it is difficult to transcend .
Author of Confessions of these shows, during which time the works with the characteristics, a new style to already sprout, not yet a mature Author of Confessions of these shows, during which time the works with the characteristics, a new style to already sprout, not yet a mature . in 1983 without several large oil painting "Winter", "spiny - land","Under the sky of the child", the author thinks: A new language of lyrical in 1983 without several large oil painting "Winter", "spiny - land","Under the sky of the child", the author thinks: A new language of lyrical .
new clues as to where?In the novel use of symbolic language of the original humanism of new clues as to where?In the novel use of symbolic language of the original humanism of ., readers can be generally recognised and understood, it is possible to cause the people widespread sympathy for the subject matter, a more intrinsic, obscure and indifferent of the theme replaced by , readers can be generally recognised and understood, it is possible to cause the people widespread sympathy for the subject matter, a more intrinsic, obscure and indifferent of the theme replaced by .
as this new style of logo, and the 1984 "youth" or "Samaia as this new style of logo, and the 1984 "youth" or "Samaia . educated youth life, painting directly depicting female intellectuals than the image the" Chunfeng is awake "and" old wall ", describes the countryside juvenile educated youth life, painting directly depicting female intellectuals than the image the" Chunfeng is awake "and" old wall ", describes the countryside juvenile .
the same animal (birds), but this bird meaning than that of the front of the paintings in cattle, dogs, cats and more allusive the same animal (birds), but this bird meaning than that of the front of the paintings in cattle, dogs, cats and more allusive . wearing" cadre "of intellectuals, female sits stands in the barren ridges,sloping land on the rocks, her facial expressions and movements, her surroundings and atmosphere, than in the previous two years of painting to appear cold and grim wearing" cadre "of intellectuals, female sits stands in the barren ridges,sloping land on the rocks, her facial expressions and movements, her surroundings and atmosphere, than in the previous two years of painting to appear cold and grim .
author said the painting, young women are exposed to the sunshine in the east of the ruins, and stylization of the land, and oblique horizons, soaring with the eagles constitute a crisis that is both stable and implied symbol of the " author said the painting, young women are exposed to the sunshine in the east of the ruins, and stylization of the land, and oblique horizons, soaring with the eagles constitute a crisis that is both stable and implied symbol of the "." symbol conforms to past events recalling, again with the more distant, uncaring of meaning, beyond time and society the dehumanization of the consciousness of god called from this property sheet.
Are you sure, there is a general sense of good paintings, the contents of which are beyond the specific theme of significance, but has a wider,Are you sure, there is a general sense of good paintings, the contents of which are beyond the specific theme of significance, but has a wider,. more profound connotation of "youth" has a painting could not be considered as simply animadversion and negation, also cannot be considered for the educated youth of sympathy and pity for more profound connotation of "youth" has a painting could not be considered as simply animadversion and negation, also cannot be considered for the educated youth of sympathy and pity for .
painting in the people and sights, including the implications of those hazy details, make the person produces broad Lenovo: human and human destiny, youth, life and the universe, past, present and future . Of course, this is mainly due to the portrait image is sent out to the countryside during the Cultural Revolution, fanatical following in a delusion state of young women, first seen this picture on the theme of understanding for the Cultural Revolution and denies the lost youth of a generation of sympathy and regret,It is all very well for
Carlisle also wrote 'lt gt reengineering of tailoring the third chapter, a symbol of the term as follows: what we call a symbol of the object, the less there is a clear and direct manifestation or revelation of the infinite things Carlisle also wrote 'lt gt reengineering of tailoring the third chapter, a symbol of the term as follows: what we call a symbol of the object, the less there is a clear and direct manifestation or revelation of the infinite things . infinite and finite intersection, as can be seen, can be reached by the infinite and finite intersection, as can be seen, can be reached by the .
symbol in this performance, the value is not only the author can be indicated by the character or the significance of the event, while more implications for the human soul a secret messages symbol in this performance, the value is not only the author can be indicated by the character or the significance of the event, while more implications for the human soul a secret messages . it by sense - objects, captures a fleeting moment,to to suggest another elusive world of infinite it by sense - objects, captures a fleeting moment,to to suggest another elusive world of infinite .
This genre is characterized by extremely meticulous and subtlety of the atmosphere and the mood of the performance, understand their readers need to have a keen sense of the force, in regard to the creation of their author, whose self - cultivation character and no more. Say He Duoling After years of research, particularly to western contemporary art after visiting the US, the choice of such a table will be limited to the method, creating his own satisfactory works" Bluebird "(1985), it is notable that the He Duoling After years of research, particularly to western contemporary art after visiting the US, the choice of such a table will be limited to the method, creating his own satisfactory works" Bluebird "(1985), it is notable that the .
this description, the author of a well, the" self "have a further knowledge;The art has made a further understanding of the this description, the author of a well, the" self "have a further knowledge;The art has made a further understanding of the . What Is Art?100 individuals have a hundred answers What Is Art?100 individuals have a hundred answers .
Art is about the author's own, life is about the author's fascination with the world in their own unique Art is about the author's own, life is about the author's fascination with the world in their own unique . 1985, Duoling He, US Government and the Massachusetts College of Art for a visit to the united states invited lectures 1985, Duoling He, US Government and the Massachusetts College of Art for a visit to the united states invited lectures .
unlike many young Chinese artists is that he has an innate sense to resist the tide of spiritual unlike many young Chinese artists is that he has an innate sense to resist the tide of spiritual . "Bluebird" artistic features what conciseness in language and simple "Bluebird" artistic features what conciseness in language and simple .
the whole screen, the human, bird and background, several large block face, without the whole screen, the human, bird and background, several large block face, without . just trivial details, which were never before as specific and detailed depiction,snow - covered the earth and full of sorrow And leaden sky background is rather simplified just trivial details, which were never before as specific and detailed depiction,snow - covered the earth and full of sorrow And leaden sky background is rather simplified .
teenage personality is much weakened, is one of the girls (such as" young "people in the picture), rather a" modern girl "in a brief background on internal agitation state, all - year - old girl in and flying the Blue Jays, giving people a more clear - cut and impressed teenage personality is much weakened, is one of the girls (such as" young "people in the picture), rather a" modern girl "in a brief background on internal agitation state, all - year - old girl in and flying the Blue Jays, giving people a more clear - cut and impressed . He Duoling says: the girl with the flying of the bird between constitute some kind of bizarre metaphor and symbolism in the painting are different, this symbol does not have a conventional, fixed meaning - it are misplaced, obscure, and were thus the polysemy of the He Duoling says: the girl with the flying of the bird between constitute some kind of bizarre metaphor and symbolism in the painting are different, this symbol does not have a conventional, fixed meaning - it are misplaced, obscure, and were thus the polysemy of the .
In This polysemy, human beings, life, youth's thinking,should occupy an important position In This polysemy, human beings, life, youth's thinking,should occupy an important position . the author as a strong sense of loneliness, grief and even a certain sense, is also at a glance to the feeling of the author as a strong sense of loneliness, grief and even a certain sense, is also at a glance to the feeling of .
except in very specific life experiences that drove him to choose such art language and art process as such, his artistic sense of isolation (my heart is always in the isolated state), and certainly the painting of except in very specific life experiences that drove him to choose such art language and art process as such, his artistic sense of isolation (my heart is always in the isolated state), and certainly the painting of . in the play of the language, with the "Bluebirds" beauty is a" little girl "(1982) in the play of the language, with the "Bluebirds" beauty is a" little girl "(1982) .
likewise having a sense of symbolism, and also to the people to feel a certain unease, but the author seems to be the damsel - in - shape and look of beauty obsessions, he slightly returned to the initial approach:depicts a teenage girl's face, especially your eyes likewise having a sense of symbolism, and also to the people to feel a certain unease, but the author seems to be the damsel - in - shape and look of beauty obsessions, he slightly returned to the initial approach:depicts a teenage girl's face, especially your eyes . Yes, He Duoling symbolic always are balanced between the reality and detaching reality, which was peculiar to him to the reality of American youth (especially girls) of which is sensitive to beauty, in all of the works held in the Yes, He Duoling symbolic always are balanced between the reality and detaching reality, which was peculiar to him to the reality of American youth (especially girls) of which is sensitive to beauty, in all of the works held in the .
In his 1987 show in Chinese oil painting exhibition "Little Zhai" and the 1988 book "The roadie is beautiful", he strengthened the surreal atmosphere of mystery, but the reality of beauty is still the important factor to attract his In his 1987 show in Chinese oil painting exhibition "Little Zhai" and the 1988 book "The roadie is beautiful", he strengthened the surreal atmosphere of mystery, but the reality of beauty is still the important factor to attract his . just, in his works in these mournful and plaintive mood is quite strong while the just, in his works in these mournful and plaintive mood is quite strong while the .
is the girl in the picture that the unique charm of youth,with the death of the environment ("Little Zhai") with the ominous symbols (Raven) and rendering the foiling of mood and atmosphere is the girl in the picture that the unique charm of youth,with the death of the environment ("Little Zhai") with the ominous symbols (Raven) and rendering the foiling of mood and atmosphere . the powerful modern Western art trends in front, it's a little panicky and confused the Chinese mainland art community to ponder and strong perseverance of the people to display their best chance of swimming against the tide, to make their own way, the powerful modern Western art trends in front, it's a little panicky and confused the Chinese mainland art community to ponder and strong perseverance of the people to display their best chance of swimming against the tide, to make their own way, .
The path overgrown with brambles and over the distance of Yaoyao The path overgrown with brambles and over the distance of Yaoyao . Chinese saying "Lonely Road" to all searcher etiquette to courage and inspiration of the Chinese saying "Lonely Road" to all searcher etiquette to courage and inspiration of the .
He Duoling also in hard - to explore, but he has made,Chinese is proud of the He Duoling also in hard - to explore, but he has made,Chinese is proud of the . by He Duoling above a few representative works of analysis, we see his style is unique in this unique performance at by He Duoling above a few representative works of analysis, we see his style is unique in this unique performance at .
to the theme and content, which in turn is embodied in the formal language to the theme and content, which in turn is embodied in the formal language . in the subject and content, he does not like Luo Zhongli, Cheng Conglin and others that are so selected that criticism from the real - life subjects; nor with trendy artists are, and i enjoyed the oddities we imagine the scenes, his preference for a sober depiction of teenage girls, with the warmth of the pen to delineate their beauty and charm, but the arrangements in the almost surreal environment, consisting of heady,but even the thought - provoking panic in the subject and content, he does not like Luo Zhongli, Cheng Conglin and others that are so selected that criticism from the real - life subjects; nor with trendy artists are, and i enjoyed the oddities we imagine the scenes, his preference for a sober depiction of teenage girls, with the warmth of the pen to delineate their beauty and charm, but the arrangements in the almost surreal environment, consisting of heady,but even the thought - provoking panic .
these works are lyrical, but again is a grief - these works are lyrical, but again is a grief - . That's what I said at the beginning of the article of He Duoling's sad and lyrical realism That's what I said at the beginning of the article of He Duoling's sad and lyrical realism .
He Duoling painting formal language is also redirected to other painters of He Duoling painting formal language is also redirected to other painters of . as a painter, his style so solid and comprehensive skills, characters, scenes in his novels are, well, life and as a painter, his style so solid and comprehensive skills, characters, scenes in his novels are, well, life and .
More importantly, he reached only on formal language and traditional Chinese ink - wash - painting - much in common with the More importantly, he reached only on formal language and traditional Chinese ink - wash - painting - much in common with the . 'of the entire screen of the simple sense, it exhibited a more transcendent spiritual and artistic ideal 'of the entire screen of the simple sense, it exhibited a more transcendent spiritual and artistic ideal .
Still, he is alone in the meticulous and complex techniques, such as he had said, the external contour of the restrictive profile of paints and made full use of subtle), and also to have received from the Chinese traditional art inspired Still, he is alone in the meticulous and complex techniques, such as he had said, the external contour of the restrictive profile of paints and made full use of subtle), and also to have received from the Chinese traditional art inspired . 3 3.
Characters Viewpoints
Regarding the "Gunners" Of course I'm looking for one shooter, but I didn't find one, because I own some of the master - word that Regarding the "Gunners" Of course I'm looking for one shooter, but I didn't find one, because I own some of the master - word that . now anyone help me to do, and then he just started his career as a picture frame, and then put on the canvas, the color of base must be very fine, to do three or four times, each time with sandpaper now anyone help me to do, and then he just started his career as a picture frame, and then put on the canvas, the color of base must be very fine, to do three or four times, each time with sandpaper .
In addition, the screen is formed on each of the colors so I can do it by yourself, chance too many, I can control myself, I saw the picture of the process is more important than the result, this process is not for me to enjoy In addition, the screen is formed on each of the colors so I can do it by yourself, chance too many, I can control myself, I saw the picture of the process is more important than the result, this process is not for me to enjoy . auction on figurative painting, isn't yet too avant - garde affair, Zhang Xiaogang works at auction for $97,It was also credited with the creation of the new auction on figurative painting, isn't yet too avant - garde affair, Zhang Xiaogang works at auction for $97,It was also credited with the creation of the new .
Chinese collectors' tastes are very life - like, but also lots of details that Chinese collectors' tastes are very life - like, but also lots of details that . So, actually, a large number of merchant like me past painting, because it is much more refined, all of the angles are drawn to, and not in some place, there is nothing to the tune So, actually, a large number of merchant like me past painting, because it is much more refined, all of the angles are drawn to, and not in some place, there is nothing to the tune .
I feel pretty normal about it because this is the part of social culture phenomenon, but as time passes, I think a lot of people will increasingly accept something else about I feel pretty normal about it because this is the part of social culture phenomenon, but as time passes, I think a lot of people will increasingly accept something else about . nudes - - I feel nothing nudes - - I feel nothing .
women particularly suitable for the painting of objects, subtle and delicate women particularly suitable for the painting of objects, subtle and delicate . painting nudes,I think it was erotic relationship are also important painting nudes,I think it was erotic relationship are also important .
erotic nudes works just as well have been one of the things, say it's not erotic, and very hypocritical erotic nudes works just as well have been one of the things, say it's not erotic, and very hypocritical . I think it's very normal, because the Light is a very old story, I feel very strange is, from the 1960s onwards, all the critics tried nudes in terms of a healthy, without causing human evil things, I think that is unworthy of humanity, on the other hand, it is very hypocritical of I think it's very normal, because the Light is a very old story, I feel very strange is, from the 1960s onwards, all the critics tried nudes in terms of a healthy, without causing human evil things, I think that is unworthy of humanity, on the other hand, it is very hypocritical of .
painters but from the point of view, I painted the ceiling, feeling a bit of color which no painters but from the point of view, I painted the ceiling, feeling a bit of color which no . I think their is a light and color of the media, I considered them a reflector,I'm enamored of this I think their is a light and color of the media, I considered them a reflector,I'm enamored of this .
with respect to the frame in advance, has everything to do with the times, I feel pretty normal about it with respect to the frame in advance, has everything to do with the times, I feel pretty normal about it . Now is the age of multimedia, information sources have an omni - directional, so the lights are an "on", an early painting cannot meet the needs of the painting is the earliest recorded Now is the age of multimedia, information sources have an omni - directional, so the lights are an "on", an early painting cannot meet the needs of the painting is the earliest recorded .
is the image of the person exists, the camera appeared after it with this function, therefore, it is the plane of the drawing action has already been changed is the image of the person exists, the camera appeared after it with this function, therefore, it is the plane of the drawing action has already been changed . now a step closer to the camera, appears in the movie now a step closer to the camera, appears in the movie .
- - many of them this easel painting cannot be than I do, but I think easel painting of stationary, is a lot of things no - - many of them this easel painting cannot be than I do, but I think easel painting of stationary, is a lot of things no . it down there,You can always read in different people, different, he looks a different feeling, and this is its reason to exist and, therefore, I personally think, easel painting doesn't die, ' it down there,You can always read in different people, different, he looks a different feeling, and this is its reason to exist and, therefore, I personally think, easel painting doesn't die, '.
Character Evaluation
There's no way that most of the art there is a specific relationship, He Duoling years tried to force their way into the man - to - ideal practice There's no way that most of the art there is a specific relationship, He Duoling years tried to force their way into the man - to - ideal practice . how much Ling himself said, "My work is an individual rather than the people," "I'm on a red hot almost does not occur (or retained), one or more of the form how much Ling himself said, "My work is an individual rather than the people," "I'm on a red hot almost does not occur (or retained), one or more of the form .
" this painting stand almost makes it hard for him since the 1980s in Chinese contemporary art history and to find a true position " this painting stand almost makes it hard for him since the 1980s in Chinese contemporary art history and to find a true position . nearly two decades of contemporary painting, the painting on behalf of the people of a certain "class", or draw on a person and the collective of the relationship, which is 50,After 60 generations to theme and symbol is characterized by painting figures nearly two decades of contemporary painting, the painting on behalf of the people of a certain "class", or draw on a person and the collective of the relationship, which is 50,After 60 generations to theme and symbol is characterized by painting figures .
70 after generation of the painting is the outside - in "," fable ", but in their painting without in others, only himself and the other one's own 70 after generation of the painting is the outside - in "," fable ", but in their painting without in others, only himself and the other one's own . He Duoling doesn't want to face a collective, and does not want to face himself, he decided to choose another person's journey, in a one - to - one relationship, watching a person's face and body, he (she) on the screen of the image surface and depth He Duoling doesn't want to face a collective, and does not want to face himself, he decided to choose another person's journey, in a one - to - one relationship, watching a person's face and body, he (she) on the screen of the image surface and depth .
He Duoling is to have the opportunity to become a nation or the collective image of endorsement of the painters, he was the city at the beginning,He's in contemporary art history in favour in the first image in Spring "awake", and he was elected a representative of Scar art He Duoling is to have the opportunity to become a nation or the collective image of endorsement of the painters, he was the city at the beginning,He's in contemporary art history in favour in the first image in Spring "awake", and he was elected a representative of Scar art . but He Duoling painting seem to interpret and later art history and criticism of the center of assessment is a big gap, he admitted to having lots of details, a screen similar to Wise's style, but he later emphasized the fact that, more importantly, the painting of "mood is lyrical, poetic, mystical, unknowable but He Duoling painting seem to interpret and later art history and criticism of the center of assessment is a big gap, he admitted to having lots of details, a screen similar to Wise's style, but he later emphasized the fact that, more importantly, the painting of "mood is lyrical, poetic, mystical, unknowable .
" that he is concerned about images of poetic, isn't a nation scarred by the situation on the " that he is concerned about images of poetic, isn't a nation scarred by the situation on the . History He Duoling misreading?Now, 20 years later, his history shows that, although the history of art with his interpretation of a claim, but this painting of the painting is essentially a motive for one of the young women watching History He Duoling misreading?Now, 20 years later, his history shows that, although the history of art with his interpretation of a claim, but this painting of the painting is essentially a motive for one of the young women watching .
He Duoling later admitted, he always gives his paintings, especially women, in the plate on his own, something that's beautiful, graceful, sentimental He Duoling later admitted, he always gives his paintings, especially women, in the plate on his own, something that's beautiful, graceful, sentimental . Spring "awake" can also be read as giving his face a young girl, not a country of ideological liberation of fables Spring "awake" can also be read as giving his face a young girl, not a country of ideological liberation of fables .
this girl is the image of idealized points, because this desirable feature, so the paint as the emancipation of the mind and character to interpret the symbols this girl is the image of idealized points, because this desirable feature, so the paint as the emancipation of the mind and character to interpret the symbols . room but on the other hand,was able to use this picture on the screen seen He Duoling humanity caused by the characteristics of personalization, such as sitting on the grass of youth girl body, her skin the texture, and heat - exchanges the air blown by the wind subtle expressions of room but on the other hand,was able to use this picture on the screen seen He Duoling humanity caused by the characteristics of personalization, such as sitting on the grass of youth girl body, her skin the texture, and heat - exchanges the air blown by the wind subtle expressions of .
such portrayals of sensitive temperament at the time not only rare, as the result of his paranoia and even to the point of the such portrayals of sensitive temperament at the time not only rare, as the result of his paranoia and even to the point of the . to the mid - 1990s, the art world has largely ignored the He Duoling, and made his return to Chengdu in a genuine individual for life to the mid - 1990s, the art world has largely ignored the He Duoling, and made his return to Chengdu in a genuine individual for life .
he briefly painted March Cathedral "and" erotica "series,The series is about the individual and relative factors of desire between women he briefly painted March Cathedral "and" erotica "series,The series is about the individual and relative factors of desire between women . Maybe think this series is not one of the most ideal painting and the relationships between objects, He Duoling painting he knew well after the start of the women, of which he had a lover, and he admired woman, the familiar dressing and willing woman in a one - to - private context in the nude and depicts a woman watching Maybe think this series is not one of the most ideal painting and the relationships between objects, He Duoling painting he knew well after the start of the women, of which he had a lover, and he admired woman, the familiar dressing and willing woman in a one - to - private context in the nude and depicts a woman watching .
It was the period of He Duoling painting thinks are the fourth stage of the It was the period of He Duoling painting thinks are the fourth stage of the . start him at this stage almost re - forming a personal style, and considers various aspects of the painting idea start him at this stage almost re - forming a personal style, and considers various aspects of the painting idea .
with painting the relationships of the object is still the whole painting his concepts of core,He tried to object (and of course are mainly female) maintained a more mature relationship, early youth is neither desirable, nor in the early 1990s, the desire of viewing the influence factors for with painting the relationships of the object is still the whole painting his concepts of core,He tried to object (and of course are mainly female) maintained a more mature relationship, early youth is neither desirable, nor in the early 1990s, the desire of viewing the influence factors for . painting of viewing in his early paintings were in fact is a subjective view, This is an ideal and desires sex on screen in the character of subjective added; but He Duoling also don't want to end photographic realism pure and objective view of the painting of viewing in his early paintings were in fact is a subjective view, This is an ideal and desires sex on screen in the character of subjective added; but He Duoling also don't want to end photographic realism pure and objective view of the .
to the exclusion of subjective and objective perspective, He Duoling unique cited "bystander" to the exclusion of subjective and objective perspective, He Duoling unique cited "bystander" . he to the subject to the relationship defined as the "affectless gaze"one to one relationship to watch he to the subject to the relationship defined as the "affectless gaze"one to one relationship to watch .
excluding the overly literary and philosophical factors after the intervention, Duoling He, standing in front of the women become more realistic and complex series of excluding the overly literary and philosophical factors after the intervention, Duoling He, standing in front of the women become more realistic and complex series of . this early masterpiece is his ex - wife, the poet Zhai Yongming in the middle of the floor of a room, Don't nothing around this early masterpiece is his ex - wife, the poet Zhai Yongming in the middle of the floor of a room, Don't nothing around .
Zhai Yongming and melancholy which makes sensitive eyes in the empty room, with a look which has the appeal of her youth are fleeting physical Zhai Yongming and melancholy which makes sensitive eyes in the empty room, with a look which has the appeal of her youth are fleeting physical . This is also the importance of He duoling's skill - to be a demonstration of feminine qualities, he said, "I like women with delicate, sensitive, changeful and delicate," "I don't like sloppy,I'm always in the details of the aspects of interest, e.g. in very small things: the skin on the chest of the spots, pigment, blood vessels, together with some of the subtle colors, and the like, precisely those things that only women can embodied
"He Duoling gradually in the mid - 1990s, from plastic and the ideal character and female images to the secularization of real change, but he wants to achieve with the relationships between the objects is not a realistic relationship "He Duoling gradually in the mid - 1990s, from plastic and the ideal character and female images to the secularization of real change, but he wants to achieve with the relationships between the objects is not a realistic relationship . but an object image on the screen", "a poetic temperament of presenting but an object image on the screen", "a poetic temperament of presenting .
If Zhai Yongming and familiar Women series still has a realistic figurative features of He Duoling recent works like"Girls"," Baby "and" Dancers" series is a "spirit portrait paintings of transition If Zhai Yongming and familiar Women series still has a realistic figurative features of He Duoling recent works like"Girls"," Baby "and" Dancers" series is a "spirit portrait paintings of transition . He Duoling, looks after a series of substantially adopts the gray tone, like Chengdu for much of the year from the sky of the poetic feature in He Duoling, looks after a series of substantially adopts the gray tone, like Chengdu for much of the year from the sky of the poetic feature in .
but He Duoling's poetical remains only in the reality and characters of the surface of the body style, while" Girls" series began, the girl's face and the skin appears in the gradual elimination of a kind of inside and outside the boundaries of poetic image in gray is actually turning gray spirit but He Duoling's poetical remains only in the reality and characters of the surface of the body style, while" Girls" series began, the girl's face and the skin appears in the gradual elimination of a kind of inside and outside the boundaries of poetic image in gray is actually turning gray spirit . He Duoling He now believes the painting is still under the influence of modernism,His" lying girls" scrawny limbs still dismal near - nothingness into supreme eyes, has a sort of existential gray spirit of quasi - religious state in the presentation of the He Duoling He now believes the painting is still under the influence of modernism,His" lying girls" scrawny limbs still dismal near - nothingness into supreme eyes, has a sort of existential gray spirit of quasi - religious state in the presentation of the .
this series seems to make the literary and philosophical factors is back on the screen, contrary to He Duoling earlier made both attempts to exclude this series seems to make the literary and philosophical factors is back on the screen, contrary to He Duoling earlier made both attempts to exclude . but with "The spring is awake", the latter is supposed to mimic an existing mode of literature and philosophy, while "Girls" series he is trying to slip into an image of the body, found in the painterly image itself of the poetic form but with "The spring is awake", the latter is supposed to mimic an existing mode of literature and philosophy, while "Girls" series he is trying to slip into an image of the body, found in the painterly image itself of the poetic form .
in this series,He Duoling's ambition is not just for the spirit of the portrait image of the presentation, while also trying to find a more appropriate form of body language in in this series,He Duoling's ambition is not just for the spirit of the portrait image of the presentation, while also trying to find a more appropriate form of body language in . those painting He Duoling, rather more mature than before, he also pays more attention to skills but those painting He Duoling, rather more mature than before, he also pays more attention to skills but .
Wise with the early type of intricate details, now he is more "minimalist" Wise with the early type of intricate details, now he is more "minimalist" . He like Mies van der Rohe, Alessandro (Ludwig Mies Vdn Der Rohe) of "less is more" (Less Is More) He like Mies van der Rohe, Alessandro (Ludwig Mies Vdn Der Rohe) of "less is more" (Less Is More) .
adage, he said, "I'm white, luminous, and is kept as a record of the light reflecting surface, is coated with a pigment,immediately to various tools which are removed, and repeating said steps multiple times, resulting in the creation of a line constituted by the complexity of the simple surface adage, he said, "I'm white, luminous, and is kept as a record of the light reflecting surface, is coated with a pigment,immediately to various tools which are removed, and repeating said steps multiple times, resulting in the creation of a line constituted by the complexity of the simple surface . "with a picture of gray spirit of poetic modernism, He Duoling and language skills in the classical language areas of limited areas struggling to practice modern "with a picture of gray spirit of poetic modernism, He Duoling and language skills in the classical language areas of limited areas struggling to practice modern .
expressiveness of his image, of a grey peace techniques, almost no division of the image is a flat body expressiveness of his image, of a grey peace techniques, almost no division of the image is a flat body . although, He Duoling is still in a" lying girls" who appears to be a very delicate physical level, a skin color that is graded and body to the ups and downs, but two of theAnd so body - image having the face as the portrait of although, He Duoling is still in a" lying girls" who appears to be a very delicate physical level, a skin color that is graded and body to the ups and downs, but two of theAnd so body - image having the face as the portrait of .
expression at this point, with respect to the body of He Duoling painting concept is unique, he argues that "the body of the visual image (my opinion) in the human personality in the face, almost as much as expression at this point, with respect to the body of He Duoling painting concept is unique, he argues that "the body of the visual image (my opinion) in the human personality in the face, almost as much as .", "body - painting traditions in the face of the body as a sideshow, and whatever I paint is of a naked man regardless of clothing of the user or of the works, all belongs to ", "body - painting traditions in the face of the body as a sideshow, and whatever I paint is of a naked man regardless of clothing of the user or of the works, all belongs to .
portrait" to body's unique conception and his" baby "of the body view, others felt his baby picture a little scary, but he believes the infant of the female body is the culmination of the portrait" to body's unique conception and his" baby "of the body view, others felt his baby picture a little scary, but he believes the infant of the female body is the culmination of the . extend that doesn't have sex,even like the one we are difficult to understand him, somewhat like an alien creature extend that doesn't have sex,even like the one we are difficult to understand him, somewhat like an alien creature .
He Duoling appears to be somewhat less well behaved than his women is more like a spiritual anatomy of the object, and are trying to find an unknown person to the essence of He Duoling He Duoling appears to be somewhat less well behaved than his women is more like a spiritual anatomy of the object, and are trying to find an unknown person to the essence of He Duoling . while a woman is not like a grim view of anatomy, but he wanted to gaze and the close watch of baubles and while a woman is not like a grim view of anatomy, but he wanted to gaze and the close watch of baubles and .
therefore, Duoling He always used the style description language image in the form of important, he thinks, "If we appear to be nothing, nothing but want to hide some of this simple truth therefore, Duoling He always used the style description language image in the form of important, he thinks, "If we appear to be nothing, nothing but want to hide some of this simple truth . Truth is good to make a fetish of style, and doodle as Truth is good to make a fetish of style, and doodle as .
"For him, viewing women and enabling them to obtain a certain poetic image save is as important as this enables the "For him, viewing women and enabling them to obtain a certain poetic image save is as important as this enables the . He Duoling is always in a temper arrived and gain the skills, which he called a" natural, social, personal, thoughts and actions on the canvas surface and deep melting into one great whole capacity He Duoling is always in a temper arrived and gain the skills, which he called a" natural, social, personal, thoughts and actions on the canvas surface and deep melting into one great whole capacity .
"while this lies in the fact that he and the distance between the object - to - one, He Duoling, away from this ability draws closer "while this lies in the fact that he and the distance between the object - to - one, He Duoling, away from this ability draws closer . realist painter He Duoling pursuit of the essence of life, but at times the transcendental to outside, and therefore he is profound; he is the kind of the origin of life and fate,But can't put the youthful moments of doubt, therefore, he is sentimental; he fears that the life of aberrance and accidental, he is a symbol of sadness and grace of realist painter He Duoling pursuit of the essence of life, but at times the transcendental to outside, and therefore he is profound; he is the kind of the origin of life and fate,But can't put the youthful moments of doubt, therefore, he is sentimental; he fears that the life of aberrance and accidental, he is a symbol of sadness and grace of .
complicated mood which is outcoupled from the subtraction principle, this is He Duoling painting art an essential feature of a "window of the woman" with a thin and flexible and fluent brushwork, delicate details and large black deftly to the dilution of the painter's inner tensions, while the ego is hidden today complicated mood which is outcoupled from the subtraction principle, this is He Duoling painting art an essential feature of a "window of the woman" with a thin and flexible and fluent brushwork, delicate details and large black deftly to the dilution of the painter's inner tensions, while the ego is hidden today . is to be noted that the painted eyes of the woman's eyes, they are not deep and clear, tenderness without its own power, with a return to the tensions in the myth, the sadness in your escape,This is probably some sort of portrayal of painter heart is to be noted that the painted eyes of the woman's eyes, they are not deep and clear, tenderness without its own power, with a return to the tensions in the myth, the sadness in your escape,This is probably some sort of portrayal of painter heart .
regardless of how modern style, with innumerable vices, the realism of the painters it is always possible to find out his motive with headspring that regardless of how modern style, with innumerable vices, the realism of the painters it is always possible to find out his motive with headspring that . It's like to be writing about the contents of the poet, the painter will own Amicable, aware, fearless incorporates what you love and what we find ourselves where It's like to be writing about the contents of the poet, the painter will own Amicable, aware, fearless incorporates what you love and what we find ourselves where .
5 5.
Record Of Events
Solo Exhibition
In 1988, organized by the China Realism of the Deep ", and the Fukuoka Art Museum, Fukuoka, Japan; in 1994, held a solo exhibition of He Duoling," NAMOC, Beijing, China; in 1998, held a solo exhibition of He Duoling ", Art, Kaohsiung, Taiwan, China; 1999, One - man show" house ", Yibo Gallery, Shanghai, China; in 2005, organized by the" original house "," 2005 works exhibition ", Chinablue Gallery, Beijing, China; in 2006, One - man show," Sad Poetry ", National Art Museum of China (Beijing), Shanghai Museum (Shanghai, China),Sifang Museum of Contemporary Art, Nanjing, China); in 2008, hosting "He Duoling 2007 works exhibition", Chinablue Gallery, Beijing, China; group exhibitions in 1982, joined the "French Spring", the Louvre Museum, Paris, France; in 1984, "the Sixth National Fine arts Exhibition held at the National Museum of Fine Arts, Beijing, China; 1987, participated in the" Monte Carlo of the twenty - second session of the International Art Exhibition ", Monaco Monte Carlo; in 1990, at the" Chinese Art Exhibition ", Eagle Gallery, USA; 1994, china's critics Annual Exhibition, National Art Museum of China, Beijing, China;1996, 96 Shanghai Biennial ", Shanghai Art Museum, Shanghai, China; in 1996, joined the chase in the past of the Chinese art world, Fruit Market Gallery, Edinburgh; in 1997, at the" Chinese Art ", National Gallery, Prague, Czech Republic (Prague), Lisbon, Portugal, and in 1997, participated in the" Chinese Portrait Art Centennial Exhibition ", Art Museum, Beijing, China; in 2000, to participate in the" Gate of the century 1979 - 1999 Chinese art invitational exhibition "Modern Art Gallery of Chengdu, Chengdu, China; in 2000," 20th Century Chinese Oil Painting Exhibition ",National Art Museum of China (Beijing), Shanghai Museum (Shanghai, China); in 2000, to participate in the exhibition, such as the "motion", canvas and Arts Foundation, Amsterdam, The Netherlands; in 2001, "the Sichuan Academy of Fine Arts Exhibition, Kassel, Germany; in 2001, to participate in the exhibition" college and the college ", Yibo Gallery, Shanghai, China; 2001, participated in the exhibition" New Realism ", Liu Haisu Art Museum, Shanghai, China; 2001," The First Chengdu Biennale, Chengdu Museum of Modern Art; in 2002, to participate in the exhibition "77, 78, Sichuan Fine Arts Institute, Chongqing, China; in 2002,"to attend face - to - Chinese portrait art invitational exhibition", art center, Shanghai, China; in 2002, to participate in the exhibition "artists", Milan, Italy; in 2002," The First Triennial Exhibition of Chinese Art ", Art Museum of Guangzhou, Guangzhou, China; 2003, attend an exhibition of oil paintings and 50" at China Millennium Monument, Beijing, China; 2003, participating in "Chongqing chili U.S. touring exhibition", Ohio University Art Gallery, Lisson Gallery in Abilene, Vels University Art Museum, Museum of Fine Arts at The Ohio State University, USA; in 2003, to participate in the exhibition "concept and performance",Eye Level Gallery, Shanghai, China; 2003, attend "the 3rd Chinese Oil Painting", National Art Museum of China, Beijing, China, 2004 participated in "He Duoling and Mao Yan Painting Exhibition", Chinablue Gallery, Beijing, China; in 2004, participated in the exhibition "4 + 1", Asia Art Center, Taipei, Taiwan; In 2004, "He Duoling, Guo Wei Exhibition of Chinese Art Centre Manchester, Manchester, England; in 2004, participated in the exhibition" shaping ", Yibo Gallery, Shanghai, China; in 2004, participated in an exhibition in Chengdu, Shenzhen Art Museum, Shenzhen, China;In 2005, an exhibition of living in Chengdu ", People's Art Gallery, Singapore; 2005, participated in the exhibition" Schema ", the Blue Space Gallery in Chengdu (China), China's Chongqing Chongqing Art Gallery (); In 2005," Chengdu Biennals" in Chengdu Modern Art Museum, Chengdu, China; in 2005, participated in the "Han Artists", Soka Contemporary Space, Beijing, China, Taipei, Taiwan; 2005, participated in the" body ", the Blue Space Gallery in Chengdu (China), China's Chongqing Art Museum (in Chongqing), and in 2006, to attend an exhibition of the original image of 2006",Yibo Gallery, Shanghai, China; in 2006, to participate in the exhibition "The Naked Truth", Tang Gallery, Bangkok, Thailand; in 2006, to participate in the exhibition "12345", Yibo Gallery, Shanghai, China; in 2006, to attend an exhibition of perpetual motion, Art ", Museum of Contemporary Art in Shanghai, Shanghai, China; in 2006, to participate in the exhibition" chain ", Wright Gallery, Changsha, China; in 2006, at the" Chinese Realistic Oil Paintings Exhibition ", Shanghai Art Museum, Shanghai, China; in 2006, at the" Chinese Contemporary Art Archive Exhibition "at China Millennium Monument, Beijing, China; in 2006, to attend"scenery", Ning's Art Gallery, Hong Kong, China; 2007, participated in the "armchair famous paper on the exhibition," Contemporary Sifang Art Museum, Nanjing, China; 2007, participated in "Thirtysomething, Duoling He, Liu Hong Exhibition in past years, the factory Zero Art Space, Beijing, China; 2007, participating in" Chongqing and stance - Chinese Contemporary Art ", the Three Gorges Museum, Chongqing, China; 2007, participated in" hand - labour and poetic Contemporary Art Exhibition ", Fei Gallery, Guangzhou, China; 2007, participated in the" Fusion and Creation of Famous Contemporary Artists Works Exhibition ", Beijing Museum, Beijing, China;In 2007, attend an exhibition of the artist sees himself ", the Blue Space Gallery, Chengdu, China; 2007, participated in the" Chinese famous portraits, "NAMOC, Beijing, China; In 2008, the" parallel He Duoling, Wang Chengyun and students, whose book, Group Exhibition, Feizi Gallery, ShangHai, China; to participate in the exhibition "stolen children", Shanghai Art Fair, Shanghai, China; In 2008, the "multiverse" fact: He Duoling, work, Shi Jin Dian & device oil painting exhibition "; In 2008, the" Shanghai Spring Art Salon image spirit 'Contemporary Art Exhibition "; in 2008,"Suge He Duoling, Pang Maokun, Zhong Biao and Li Changlong Sketch Show"; in 2008, attended the "Nanjing's corresponding to the cyan and the Museum of Modern Art in Chengdu The interview time for academic exchanges"; in 2009," A Gift to Marco Polo Venice Biennale ", in 2009, to participate in the" phase block Suzhou Suzhou Chinese Contemporary Art Invitational Exhibition, the Suzhou Museum; in 2009, to participate in the "Community! Community!Songzhuang Art Festival " 2004 participated in "He Duoling and Mao Yan Painting Exhibition", Chinablue Gallery, Beijing, China; in 2004, participated in the exhibition "4 + 1", Asia Art Center, Taipei, Taiwan; In 2004, "He Duoling, Guo Wei Exhibition of Chinese Art Centre Manchester, Manchester, England; in 2004, participated in the exhibition" shaping ", Yibo Gallery, Shanghai, China; in 2004, participated in an exhibition in Chengdu, Shenzhen Art Museum, Shenzhen, China;In 2005, an exhibition of living in Chengdu ", People's Art Gallery, Singapore; 2005, participated in the exhibition" Schema ", the Blue Space Gallery in Chengdu (China), China's Chongqing Chongqing Art Gallery (); In 2005," Chengdu Biennals" in Chengdu Modern Art Museum, Chengdu, China; in 2005, participated in the "Han Artists", Soka Contemporary Space, Beijing, China, Taipei, Taiwan; 2005, participated in the" body ", the Blue Space Gallery in Chengdu (China), China's Chongqing Art Museum (in Chongqing), and in 2006, to attend an exhibition of the original image of 2006",Yibo Gallery, Shanghai, China; in 2006, to participate in the exhibition "The Naked Truth", Tang Gallery, Bangkok, Thailand; in 2006, to participate in the exhibition "12345", Yibo Gallery, Shanghai, China; in 2006, to attend an exhibition of perpetual motion, Art ", Museum of Contemporary Art in Shanghai, Shanghai, China; in 2006, to participate in the exhibition" chain ", Wright Gallery, Changsha, China; in 2006, at the" Chinese Realistic Oil Paintings Exhibition ", Shanghai Art Museum, Shanghai, China; in 2006, at the" Chinese Contemporary Art Archive Exhibition "at China Millennium Monument, Beijing, China; in 2006, to attend"scenery", Ning's Art Gallery, Hong Kong, China; 2007, participated in the "armchair famous paper on the exhibition," Contemporary Sifang Art Museum, Nanjing, China; 2007, participated in "Thirtysomething, Duoling He, Liu Hong Exhibition in past years, the factory Zero Art Space, Beijing, China; 2007, participating in" Chongqing and stance - Chinese Contemporary Art ", the Three Gorges Museum, Chongqing, China; 2007, participated in" hand - labour and poetic Contemporary Art Exhibition ", Fei Gallery, Guangzhou, China; 2007, participated in the" Fusion and Creation of Famous Contemporary Artists Works Exhibition ", Beijing Museum, Beijing, China;In 2007, attend an exhibition of the artist sees himself ", the Blue Space Gallery, Chengdu, China; 2007, participated in the" Chinese famous portraits, "NAMOC, Beijing, China; In 2008, the" parallel He Duoling, Wang Chengyun and students, whose book, Group Exhibition, Feizi Gallery, ShangHai, China; to participate in the exhibition "stolen children", Shanghai Art Fair, Shanghai, China; In 2008, the "multiverse" fact: He Duoling, work, Shi Jin Dian & device oil painting exhibition "; In 2008, the" Shanghai Spring Art Salon image spirit 'Contemporary Art Exhibition "; in 2008,"Suge He Duoling, Pang Maokun, Zhong Biao and Li Changlong Sketch Show"; in 2008, attended the "Nanjing's corresponding to the cyan and the Museum of Modern Art in Chengdu The interview time for academic exchanges"; in 2009," A Gift to Marco Polo Venice Biennale ", in 2009, to participate in the" phase block Suzhou Suzhou Chinese Contemporary Art Invitational Exhibition, the Suzhou Museum; in 2009, to participate in the "Community! Community!Songzhuang Art Festival ".
4 December 2010, the 2010 China Realism Oil Painting small paintings; in 2014," "skin of stylistic" He Duoling Mao Yan double 2014 exhibition at the Museum of the Arts; in 2015, He Duoling sketches Mountain Art Beijing's rising art space in 2016, "Self said in self as He Duoling Engraving Exhibition cum Young Artist Showcase" Street Art Gallery 4 December 2010, the 2010 China Realism Oil Painting small paintings; in 2014," "skin of stylistic" He Duoling Mao Yan double 2014 exhibition at the Museum of the Arts; in 2015, He Duoling sketches Mountain Art Beijing's rising art space in 2016, "Self said in self as He Duoling Engraving Exhibition cum Young Artist Showcase" Street Art Gallery . black box movement 6 black box movement 6.
