Introduction
Wu Guanzhong (1919 - 25 June 2010) in Yixing, Jiangsu Province, a famous contemporary painter, oil painter and art educator Wu Guanzhong (1919 - 25 June 2010) in Yixing, Jiangsu Province, a famous contemporary painter, oil painter and art educator . Wu Guanzhong's painting "Three Gorges on the Yangtze River", "Northland", "Birds of Paradise", "Pinus taiwanensis"," Hometown of Lu Xun " Wu Guanzhong's painting "Three Gorges on the Yangtze River", "Northland", "Birds of Paradise", "Pinus taiwanensis"," Hometown of Lu Xun ".
literary works of ancient heroes' stone images like literary works of ancient heroes' stone images like . 6 6.
Biographical
In 1919, in Yixing, Jiangsu rural In 1919, in Yixing, Jiangsu rural . (born 1942, graduated from Hangzhou National Art College, teaching at the National University of Architecture (born 1942, graduated from Hangzhou National Art College, teaching at the National University of Architecture .
1946, admitted to the National Government's expense 1946, admitted to the National Government's expense . painting prize in 1947, and studied at the Paris School of Arts painting prize in 1947, and studied at the Paris School of Arts .
1950, overseas returnees, 1950, overseas returnees, . and has taught at the Central Academy of Fine Arts in 1953, he served as Associate Professor in the Dept. of Architecture at Tsinghua University in 1956
, , . and has taught at the Beijing Institute of the Arts in 1964, and has taught at the Central Academy of Arts and has taught at the Beijing Institute of the Arts in 1964, and has taught at the Central Academy of Arts .
1970, during the "cultural revolution" in internal exile in Hebei rural labor 1970, during the "cultural revolution" in internal exile in Hebei rural labor . 1973,back to Beijing to participate in the creation of a hotel 1973,back to Beijing to participate in the creation of a hotel .
1978, Central Academy of Arts hosts the exhibition of Wu Guanzhong " 1978, Central Academy of Arts hosts the exhibition of Wu Guanzhong ". in 1979, was elected as a Member of the Standing Committee of the Chinese Artists Association 1987 in 1979, was elected as a Member of the Standing Committee of the Chinese Artists Association 1987 .
, Hong Kong Art Centre," a retrospective of Wu Guanzhong ", Hong Kong Art Centre," a retrospective of Wu Guanzhong ". 1991, France's Ministry of Culture awarded the" French literature and highest brevet " 1991, France's Ministry of Culture awarded the" French literature and highest brevet ".
in 1992, the museum has broken the only features ancient relics of the practice, as the first living painter Wu Guanzhong hosted" Wu Guanzhong in China in the 20th century painters" exhibition, and solemnly wu's collection of big colored ink, whose book, "bird paradise" in 1992, the museum has broken the only features ancient relics of the practice, as the first living painter Wu Guanzhong hosted" Wu Guanzhong in China in the 20th century painters" exhibition, and solemnly wu's collection of big colored ink, whose book, "bird paradise" . 1993, Senor odd museum in Paris, France"to the world oil painting exhibition Wu's ink drawings", and he was awarded the" Paris Gold Medal "in 1994, was elected a member of the Standing Committee of the CPPCC 1993, Senor odd museum in Paris, France"to the world oil painting exhibition Wu's ink drawings", and he was awarded the" Paris Gold Medal "in 1994, was elected a member of the Standing Committee of the CPPCC .
1999, hosted by the Ministry of Culture" by Wu Guanzhong exhibition " 1999, hosted by the Ministry of Culture" by Wu Guanzhong exhibition ". 2000, and was elected to the French Academy, Corresponding Member of the Academy, becoming the first Chinese artist to win the pageant, which was also the French Academy was founded centuries before by Asia's post 2000, and was elected to the French Academy, Corresponding Member of the Academy, becoming the first Chinese artist to win the pageant, which was also the French Academy was founded centuries before by Asia's post .
Achievement
Wu Guanzhong is a typical modern Chinese painting artist in the 20th century Wu Guanzhong is a typical modern Chinese painting artist in the 20th century . he was painting and made great contribution to the he was painting and made great contribution to the .
He has a long - held constant is the East and the language of the different kinds of arts of the aesthetic ideas, the perseverance of "Nationalization", "Chinese painting modernization" creation concept, form the distinctive artistic features He has a long - held constant is the East and the language of the different kinds of arts of the aesthetic ideas, the perseverance of "Nationalization", "Chinese painting modernization" creation concept, form the distinctive artistic features . his persistent standing watch "in the motherland, the hometown of the homeland, in his heart" of the true feelings, which is the national and people's aesthetic demand his persistent standing watch "in the motherland, the hometown of the homeland, in his heart" of the true feelings, which is the national and people's aesthetic demand .
Wu's work has a very high sense of culture, from the 80s of 20 century,His art painting ideas and on the creation of historical development and the needs of the times, promoting the modern Chinese painting ideas of evolution and development of Wu's work has a very high sense of culture, from the 80s of 20 century,His art painting ideas and on the creation of historical development and the needs of the times, promoting the modern Chinese painting ideas of evolution and development of . Wu Guanzhong at the art education, art creation and had made great achievements, dedication to the Nationalization and Modernization of Chinese painting to explore, at home and abroad to enjoy a high reputation in China and many times Wu Guanzhong at the art education, art creation and had made great achievements, dedication to the Nationalization and Modernization of Chinese painting to explore, at home and abroad to enjoy a high reputation in China and many times .
the country in more than a dozen major cities held personal exhibitions, and served on the faculty at the National Museum of Singapore, Hong Kong Arts Centre, the American Chinese Cultural Center of San Francisco, the Birmingham Museum, University of Kansas Museum of Art, Detroit Museum of New York and St. John's Museum, British Museum,Paris Senor odd museums exhibition at has published his personal album, 50 kinds of "Tan Yi Wu's collection", "Wu's prose for", "ugly", "Life of a Landscape", "Wu's anthology" vapoured and cabonized by has published his personal album, 50 kinds of "Tan Yi Wu's collection", "Wu's prose for", "ugly", "Life of a Landscape", "Wu's anthology" vapoured and cabonized by .
4 4.
The Art Course
Wuxi Teachers College after graduating from junior, Wu Guanzhong and was admitted to Zhejiang University's charge d 'affaires Provincial Industrial Vocational High School Wuxi Teachers College after graduating from junior, Wu Guanzhong and was admitted to Zhejiang University's charge d 'affaires Provincial Industrial Vocational High School . 1936 into the Hangzhou Arts School, T., Chang Shuhong and Pan Tianshou and other learning in Chinese and western painting
graduated in 1942, Chongqing University assistant professor Ren Guoli graduated in 1942, Chongqing University assistant professor Ren Guoli . 1946 Admitted to the public who study 1946 Admitted to the public who study .
1947 ~ 1950 in Paris Advanced Art School J Lovell professor Su Pi Studios refresher oil painting;Meanwhile, a Lott studios, and in the history of art at the Louvre studying art history in schools, the scores and the excellent 1947 ~ 1950 in Paris Advanced Art School J Lovell professor Su Pi Studios refresher oil painting;Meanwhile, a Lott studios, and in the history of art at the Louvre studying art history in schools, the scores and the excellent . Wu's Fall 1950 Wu's Fall 1950 .
repatriation at the Central Academy of Fine Arts, the Faculty of Architecture at Tsinghua University, Beijing Institute of the Arts, Industrial Arts repatriation at the Central Academy of Fine Arts, the Faculty of Architecture at Tsinghua University, Beijing Institute of the Arts, Industrial Arts . the incumbent Central Academy of Arts professor of Chinese Artists Association, Member of the Standing Committee of the Chinese People's Political Consultative Conference (CPPCC) and one of the the incumbent Central Academy of Arts professor of Chinese Artists Association, Member of the Standing Committee of the Chinese People's Political Consultative Conference (CPPCC) and one of the .
Wu Guanzhong in 50 ~ 70s, committed to the creation of Landscape Painting, Oil Painting and nationalisation of Wu Guanzhong in 50 ~ 70s, committed to the creation of Landscape Painting, Oil Painting and nationalisation of . He, an attempt is made to European paintings depicting the nature of intuition, vividness of the color of the exquisite oil paintings and traditional Chinese artistic spirit,Aesthetic ideal fusion of He, an attempt is made to European paintings depicting the nature of intuition, vividness of the color of the exquisite oil paintings and traditional Chinese artistic spirit,Aesthetic ideal fusion of .
good performance which his river - side scenery, as verdure of early spring, thin fog, waterside cottages, black tiles, harmonious, fresh color, a quiet, pale beauty realm, creating a lyrical appeal good performance which his river - side scenery, as verdure of early spring, thin fog, waterside cottages, black tiles, harmonious, fresh color, a quiet, pale beauty realm, creating a lyrical appeal . from the 1970s onwards, began to rely on the creation of Chinese painting Wu Guanzhong from the 1970s onwards, began to rely on the creation of Chinese painting Wu Guanzhong .
he tries to use the traditional Chinese materials and tools on the performance of modern spirit, and explore the innovation of Chinese painting he tries to use the traditional Chinese materials and tools on the performance of modern spirit, and explore the innovation of Chinese painting . his ink - wash - painting - like novel, unique, good poetry, a distribution of interleaving by his ink - wash - painting - like novel, unique, good poetry, a distribution of interleaving by .
He likes simple object,semi - abstract nature of the exhibits in the form of music like rhythm and psychological feelings He likes simple object,semi - abstract nature of the exhibits in the form of music like rhythm and psychological feelings . rich oriental traditional charm, but also has the characteristics of the times, makes fresh rich oriental traditional charm, but also has the characteristics of the times, makes fresh .
As art educator, Wu Guanzhong Art of cultivating students' individuality as As art educator, Wu Guanzhong Art of cultivating students' individuality as . good artists, he works diligently, and are unique, and words eloquently good artists, he works diligently, and are unique, and words eloquently .
wherein about abstract beauty, formal beauty, form is defining content, such as between life and art constantly to kite lines, which caused controversy during the 1920 wherein about abstract beauty, formal beauty, form is defining content, such as between life and art constantly to kite lines, which caused controversy during the 1920 . 4 4.
Main Works
Wu Guanzhong's painting "Three Gorges on the Yangtze River", "Hometown of Lu Xun" Wu Guanzhong's painting "Three Gorges on the Yangtze River", "Hometown of Lu Xun" . Chinese painting masterpieces are "Spring Snow" and "Lion", "Great Wall" Chinese painting masterpieces are "Spring Snow" and "Lion", "Great Wall" .
etc. The publication is the "Wu Guanzhong Paintings and Calligraphy", "The Paintings of Wu Guanzhong", "Wu's Oil Painting", "an album of Chinese painting Wu Guanzhong" (1 ~ 4) and "looking for things in his" kites"," From Pole to Pole "," Whose Powder "," Wu Guanzhong sketch, color paintings election "," Chinese painting Wu Guanzhong selected one ', "Wu's, etc.
The Classic
I have two audiences: one is western, master, is that ordinary Chinese I have two audiences: one is western, master, is that ordinary Chinese . the gap's too big, how to adapt? the gap's too big, how to adapt?.
is associated with a human face "of an I picture is calculated in such a way that the aesthetic, artistic conception is to work, there was both before I stroke. I don't care. It's like and beautiful, then in the countryside, I sometimes picture day, sorghum, maize, wild flowers and the like, the landlord said it was like a sister, but I don't feel the emotion expression, don't know of a good painting, cheating her and beautiful, then in the countryside, I sometimes picture day, sorghum, maize, wild flowers and the like, the landlord said it was like a sister, but I don't feel the emotion expression, don't know of a good painting, cheating her .
I've seen the picture of just how much, doesn't shake my affection, I don't like I've seen the picture of just how much, doesn't shake my affection, I don't like . Art to rush - hour - a - lop - bam - boom, no distinction is made between the East and West, like climbing a mountain, the east and west of the scenery is different, at the top of the hill met Art to rush - hour - a - lop - bam - boom, no distinction is made between the East and West, like climbing a mountain, the east and west of the scenery is different, at the top of the hill met .
but one problem was that Picasso could admire Qi Baishi, not the other way around, why?for example, with a Western musician can understand the erhu, can that piano sound of Erhu;We are of the finest piano can hardly understand it, it didn't work for piano sound, why?because we narrow the field of view of the Chinese Painting but one problem was that Picasso could admire Qi Baishi, not the other way around, why?for example, with a Western musician can understand the erhu, can that piano sound of Erhu;We are of the finest piano can hardly understand it, it didn't work for piano sound, why?because we narrow the field of view of the Chinese Painting . inbreeding, due to the generation phase, the increasingly degraded, and even becomes more and more trivial inbreeding, due to the generation phase, the increasingly degraded, and even becomes more and more trivial .
I am very lucky before, did work with Pan Tianshou and learning of Chinese painting, he is entirely conventional, himself - - so good I am very lucky before, did work with Pan Tianshou and learning of Chinese painting, he is entirely conventional, himself - - so good . I later learn in Paris for three years, looking in galleries of Europe, know Western art is a good solution;came back to the situation of China and the performance by I later learn in Paris for three years, looking in galleries of Europe, know Western art is a good solution;came back to the situation of China and the performance by .
I know classic thing of the past, emphasis has been put on, Lu Xun early points out I know classic thing of the past, emphasis has been put on, Lu Xun early points out . the revert to traditional is not possible, is clinging to the traditional cul - de - sac the revert to traditional is not possible, is clinging to the traditional cul - de - sac .
but China has lots of artists do not understand the Western art, wasn't someone accidentally Matisse were connected, the history of Western art to fight exclusion are, in fact, is a shackle of his writing, which will follow in the footsteps of the ancients, not innovation but China has lots of artists do not understand the Western art, wasn't someone accidentally Matisse were connected, the history of Western art to fight exclusion are, in fact, is a shackle of his writing, which will follow in the footsteps of the ancients, not innovation . Chinese painter who is a bit of innovation, have all studied the western - style Chinese painter who is a bit of innovation, have all studied the western - style .
Big Western critics don't mind the oriental art, will appreciate the Big Western critics don't mind the oriental art, will appreciate the . in the mid 1990s, in Hong Kong organized an exhibition of modern,media highlight two key themes: the traditional representatives of Huang Binhong, Wu's innovative in the mid 1990s, in Hong Kong organized an exhibition of modern,media highlight two key themes: the traditional representatives of Huang Binhong, Wu's innovative .
represents their assessment of me as a disciple of Treason, "which represents a huge pillar of the work of innovation, brand - spanking - new in Chinese art represents their assessment of me as a disciple of Treason, "which represents a huge pillar of the work of innovation, brand - spanking - new in Chinese art ." I in art requirements are too stringent, taking into account the century ahead of the Chinese painting the future, just his suffering go to the artist's painter is very low and most is a painter, works can be published, for the sake of fame and busy life, not scholarship, like everyone, as fewer and fewer people to hustle
whole society fickleness, journals, newspapers, books, and open it to see my face, are the blundering;Gallery, the exhibition is dense, this is cultural prosperity, as well as the unemployed, the maverick, whish bluffing, and inspired the creation of the mind are not the same as whole society fickleness, journals, newspapers, books, and open it to see my face, are the blundering;Gallery, the exhibition is dense, this is cultural prosperity, as well as the unemployed, the maverick, whish bluffing, and inspired the creation of the mind are not the same as . Naive Art hearts with the inspiration, hearts and souls with inspired is nowhere to buy and sell, the professional artist in this free Naive Art hearts with the inspiration, hearts and souls with inspired is nowhere to buy and sell, the professional artist in this free .
is the most important ideological feelings is the most important ideological feelings . feelings can be true or false, are of different qualities, someone has feelings, but do not express our thoughts for feelings can be true or false, are of different qualities, someone has feelings, but do not express our thoughts for .
I now attach more importance to the ideas of the technology is much more lightweight, with good technique, preach what I now attach more importance to the ideas of the technology is much more lightweight, with good technique, preach what . for thought leadership, subject, content, brand - new realm, zero ink for thought leadership, subject, content, brand - new realm, zero ink .
3 3.
Died
Mr. Wu Guanzhong of 25 June 2010 to 23 points in 52 Hospital and died, aged 91 2 2.
Auction Works
This painting in 1997, 148x297cm is the size of the screen to black, white, and gray colors, at a point, line and surface in the form of elemental composition, not only to see those girls in Jiangnan, Jiangnan people see more of the atmosphere, the art market is the biggest of its kind in the Eyes of Wu Guanzhong and streams This painting in 1997, 148x297cm is the size of the screen to black, white, and gray colors, at a point, line and surface in the form of elemental composition, not only to see those girls in Jiangnan, Jiangnan people see more of the atmosphere, the art market is the biggest of its kind in the Eyes of Wu Guanzhong and streams .
Protection Works
2013 March China's State Administration of Cultural Heritage released "on" in 1949 after the late famous painters and calligraphers work restrictions meanadministrative Identification Standard (2nd Batch) of the notice, the famous artist Wu's work are not allowed to operate outbound 2013 March China's State Administration of Cultural Heritage released "on" in 1949 after the late famous painters and calligraphers work restrictions meanadministrative Identification Standard (2nd Batch) of the notice, the famous artist Wu's work are not allowed to operate outbound .
