鄒德儂文集

鄒德儂文集

《鄒德儂文集》是2012年華中科技大學出版社出版的圖書,作者是鄒德儂。

內容介紹

《鄒德儂文集》主要分為中國現代建築史研究、現代建築理論與評論、中外現代建築研究,以及對吳冠中藝術的觀察。

作者介紹

天津大學建築學院教授,

1938 年生於山東省福山縣,

1962 年畢業於天津大學建築系。

研究方向:建築設計及其理論,中國現代建築

史,西方現代建築及西方現代藝術;

英譯譯著:《西方現代藝術史》《西方現代建築

史》(與巴竹師等合作)等6 種;

學術專著:《中國現代建築史》《中國現代美術全

集· 建築藝術卷2-5 卷》等14 種;

建築作品:青島山東外貿大樓、南開大學經濟學

院、天津大學建築系館等20 餘項;

主要獲獎:《中國現代建築史研究》獲教育部自

然科學一等獎(2002)及國家自然科學獎一等獎提名

獎等10 項。

作品目錄

"第一篇 建築藝徒的學習記憶
Chapter 1 Reminiscences of Learning as a Student Majored in
Architecture
1.不棄愚鈍,點化成形——領受徐中老師給我改圖
Never Disliking Foolishness and Always Turning a Crude Work into a Polished One ——
Appreciating the Correction for My Design by Professor Xu Zhong
2.一個建築藝徒對現代建築思想的探求
Exploitation and Pursuit of Modern Architectural Thought by a Student Majored in Architecture
3.一個建築藝徒的美術情結
A Student Majored in Architecture with Strong Interest and Feeling in Art
4.四方工廠師友多
So Many Teachers and Friends in Sifang Locomotive & Rolling Stock Works
第二篇 中國現代建築史研究
Chapter 2 Research of History of Chinese Modern Architecture
1.他為中國現代建築史研究奠基——跟龔德順大師學習中國現代建築史的日子
Master Gong Deshun Laid the Foundation for the Research of History of Chinese
Modern Architecture ——The Days Studied with Him
2.中國現代建築史(1949 - 1984)的分期及其他
Period Division of History of Chinese Modern Architecture (1949-1984) , etc.
3.論中國現代建築史起始期的確定
Confirming the Beginning of History of Chinese Modern Architecture
4.二十世紀中國現代建築概述(第一部分 中國內地)
Brief Introduction to Chinese Modern Architecture in 20th Century
(Part I China Mainland )
5.未來的歷史是今天:緊急呼籲保護20 世紀50 年代以來的現代建築遺存
History of Future is Today: Urgent Appeal for Protection of the Modern Architectural
Heritage since 1950s
6.文化底蘊,流傳久遠——再讀文遠樓
Cultural Essence Reaching Far —— Rereading Wen Yuan Building
7.利用中的保護,保護中的效益——談澳門建築遺存的開發性保護
Protection in Utilization, Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
8.在國際性和國家性建築框架里的中國現代建築
Chinese Modern Architecture in International and National Architectural Frame
9.一個進步的創作趨勢——談建築中象徵和隱喻的概念與近來的實踐
A Progressive Creation Tendency ——About Symbolism and Metaphor in Architecture
and Recent Practice
10.中國地域性建築的成就、局限和前瞻
Protection in Utilization, Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
11.二十年艱辛話進退——中國當代建築創作中的模仿和創造
About Progress and Backwardness in 20 Years Hardships and Difficulties ——Imitation
and Creation in Chinese Modern Architecture
12.“適用、經濟、美觀”三要素三為一體 —— 全社會應當共守的建築原則
Combination of the Three Elements“Suitability, Economy and Beauty” ——
Architectural Principle Should Be Followed by the Whole Society
13.20 世紀50 至80 年代中國建築的現代性探索
Exploration of Modernity of Chinese Architecture in 1950s-1980s
14.向未來展示什麼樣的建築
What Kind of Architecture to Show to the Future
15.一個時代的社會變革,一個甲子的建築進步——紀念中國建築60 年
Social Transformation of an Age and Architectural Progress —— Commemorating 60
Years of Chinese Architecture
第三篇 現代建築理論與評論
Chapter 3 Modern Architectural Theory and Comment
1.舊題新探——談建築設計教學與生產任務的結合
New Exploration of the Old Issue ——About Combination of Architectural Design
Teaching and Production Task
2.建築理論、評論和創作
Architectural Theory, Comment and Creation
3.莫為建築添蛇足
Not Adding Something to Architecture as Adding Feet to a Snake
4.“真實”是建築藝術的品格
“Truth” ——The Quality and Style of Architecture
5.建築師的心愿:請社會理解建築
Aspiration of Architects: Please Understand Architecture
6.可知、可行是建築理論的必備品格 —— 再談引進外國建築理論的經驗教訓
The Understandable and the Practicable is the Essential Quality and Style of
Architectural Theory —— The Second Talk about the Experience and Lesson of
Introducing Foreign Architectural Theoriesr
7.優秀建築論 —— 淡化“風格”“流派”,創造“優秀建築”
About Excellent Architecture —— Weakening“Style”or“ School”,
Creating“Excellent Architecture”
8.“基本功”與“創造力”—— 建築設計“三段教學體制”構想
“Basic Skills” and “Creativity” ——Conception about“Three Steps of Teaching
System” of Architectural Design
9.論布正偉建築師的創作理論體系《自在論》
About“Free and Easy”Creative Thinking System by Architect Bu Zhengwei
10.中國現代建築理論的解困——五談引進外國建築理論的經驗教訓
Dealing with the Difficult Situation of Chinese Modern Architectural Theory ——The Fifth Talk
about the Experience and Lesson of Introducing Foreign Architectural Theories)
11.話說建築的表情
Talking about Expression of Architecture
12.一個虛幻的神話——“天人合一”說解決城市生態危機置疑
An Illusory Fairy Tale——Doubts about Solving Ecological Crisis of Cities by“Unity of
Heaven and Man”
13.梁思成建築理論的魅力和境遇——紀念梁思成先生誕辰100 周年
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
14.當代建築理論的再定位
Anticipated Conformity of Various Theories —— Establishing Architectural Theory
Frame on the Thought Platform with Chinese Characteristics
15.理論萬象的前瞻性整合——建築理論框架的建構和中國特色的思想平台
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
16.引進外國建築理論20 餘年之再思索——寫在改革開放30 年之際
Rethinking about Introducing Foreign Architectural Theories over 20 Years —— Writing
at the Moment of 30 Years of “Opening and Reforming”
17.何苦言必稱“世紀”
Why Always Say“Century”
第四篇 中外現代建築之比較
Chapter 4 Comparison between Chinese Modern Architecture and Foreign
Modern Architecture
1.一個似曾相識的理論——關於後現代主義
A Seemingly Familiar Theory ——About Post-modernism
2.兩次引進外國建築理論的教訓 —— 從“民族形式”到“後現代建築”
Lessons from Twice Introducing Foreign Architectural Theories —— From“National
Form”to“Post-modern Architecture”
3.從現代藝術看解構主義:遲到了的“反形式”和“純建築”
Looking Deconstruction from Modern Art : the Late“Deform”and“Pure Architecture”
4.從半個後現代到多個解構——三談引進外國建築理論的經驗教訓
From Half Post-modernism to Multi-deconstruction —— The Third Talk about the
Experience and Lesson of Introducing Foreign Architectural Theories
5.蘇州平江歷史街區保護規劃的戰略思想及理論探索
The Explorations on the Strategic Thinking and Theory of the Conversation Planning
for the Historic Quarters of Pingjiang, Suzhou
6.回歸第三世界 回歸基本目標
Returning to the Third World, Returning to the Basic Goal
8.從先鋒建築手法的標新立異看建築創作的進步和倒退
Observing Progress and Retrogression of Architectural Creation from Novelty and
Originality of Avant-guard Architectural Approach
9.呼喚開放的社團精神!——紀念當代建築文化沙龍成立10 周年
Calling for the Open Spirit of Society!—— Commemorating the 10th Anniversary of
the Founding of Contemporary Architectural Salon
10.外國建築師作品的引進:經驗在形式之外
Introduction from Works of Foreign Architects: Experience beyond Form
11.印度與西方現代建築的對話
Dialogue between India Modern Architecture and Western Modern Architecture
12.隔而不絕,交而待融 ——中外建築文化交流50 年
Separation without Isolation, Communication Expecting Combination——50 Years of
Communication between Chinese and Foreign Architectural Culture
13.城市特色何處尋
Where to Find Characteristics of Cities
14.尊重世界,尊重自己:對偽歐陸風的換位批評
Respecting the World, Respecting Ourselves: Criticism to False European Style from
Reverse Perspective
第五篇 對吳冠中藝術的觀察
Chapter 5 Observation of the Art of Wu Guanzhong
1.建築師與現代藝術 —— 現代藝術中的創造精神
Architects and Modern Art —— Creative Spirit in Modern Art
2.吳冠中藝術對建築師的啟示 —— 關於引進外國建築理論問題的思考
Revelation of the Art of Wu Guanzhong to Architects — About Thinking of the Problem
of Introducing Foreign Architectural Theory
3.為現代性而戰鬥:吳冠中藝術的第一品格
Struggling for Modernity: the First Quality and Style of the Art of Wu Guanzhong
4.《看日出:吳冠中老師 66 封信中的世界》序言
Preface to“ Observing the Sun Rising: the World in 66 Letters of Wu Guanzhong”"

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