目錄
圖書資料
出版說明
圖書目錄
前言
圖書資料
◎作者 宋效永 宋立誠
封面 ◎出版時間 2004
◎出 版 社：中華書局
◎版 本：2004年1月第1版
出版說明
出版說明
《古典詩詞漫話》是一套文化類普及讀物，共15種，每 種一個專題，它起自先秦的《詩經》 ，終於晚清的龔自珍，是 有著一個大致的脈絡的。
詩詞是中國文學長久以來的驕傲，談詩論詞的專著、論 文數不勝數。這套書所以採用漫話的形式，是為著讀者接 受的方便。每個時代的讀者，理解自己時代的作品，除特殊 情況外，大都不存在什麼困難。而時代相隔，理解起來似乎 就有些滯礙。時代距離愈遠，理解起來困難也就愈大。理 解的隔膜源自於生活的隔膜。
詩詞也是如此。歷史上桑間濮上的謠詠，文會燕集中的歌吟，都是新鮮生動、盪人情思的。但隔著百年乃至千年的時光，失卻了讀者與作品的直接交流，她的生氣愈來愈微 弱，影響也就越來越衰減。等到變成人人敬而遠之的“古典”，她的天生麗質和勃勃生氣已經被時間織就的蛛網遮蓋住了。要恢復她的生氣，就要拭去這層蛛網，使我們能直接面對她的本來面目，樂於和她做朋友。久而久之，就會從這位韻致高雅的朋友身上得到原來意想不到的好的影響。像這樣的工作，港台稱之為“古典的現代化”；大陸原來 稱為“鑑賞”，近年也逐漸襲用港台的說法。做這樣的工作，高頭講章固不可廢，但形式靈活、內容風趣生動的隨筆似更相宜。本套叢書就具有這樣的特點。它用漫話的形式，將詩人的生命歷程、作品的內涵與詩藝表現作為敘述重點，著重藝術性、故事性和趣味性。每一本都包括四五十篇短文，每篇處理一首詩，或一個特定事件。各篇分讀可以體味作品的精華，合觀則可得詩人的身世與人格。舉凡詩人軼事，詩作賞析，均能深入淺出，雅俗兼顧。既是非常好的文化小品，也是學術小品，很適合中等文化程度的讀者閱讀。這套書先在香港出版，原名“詩詞坊”，香港中華書局的同人為使叢書更具吸引力，在版式和插圖上動了不少腦筋。既而引入台灣地區，也大受歡迎，在學林頗獲好評。現在，蒙作者及香港中華書局慨允，我們對原作略加修訂，並保留了部分插圖，重新出版。像這樣的一套小叢書，能在兩岸三地出版，本身已經證明了它的價值。
最後，向這套叢書的作者和香港中華書局同人表示謝意，也希望讀者多提寶貴意見，以便我們今後把“古典的現代化”工作做得更好。
中華書局編輯部
2003年6月
圖書目錄
前言·························································································1
謝靈運的“神助”··································································1
武人弄筆的啟示······································································4
駱賓王巧助宋之問··································································6
王維詩救賣餅妻····································································10
《滕王閣序》有神助····························································13
短袍藏詩結姻緣····································································18
汪遵的三首詠屈詩································································20
白居易詩誤佳人····································································22
白居易善全詩名····································································27
畫眉深淺入時無····································································31
孟郊的“得意”與失意························································33
趁韻詩人權龍褒····································································37
“龜”形詩與盼夫“歸”····················································40
杜牧尋芳到已遲····································································42
王轂歌詩退無賴····································································46
李小姐慧眼識才郎································································49
劉氏的兩首勸夫詩································································51
李煜等的三首《虞美人》····················································54
徐德言破鏡重圓····································································57
陶縠的《春光好》與女間諜················································60
柳永因詞謁孫何····································································63
柳永情戀謝天香····································································66
張先的遊戲詞與晏殊的真感情·············································70
文人的創作傳統與通俗歌曲················································73
晏殊鑑賞的收益····································································77
宋子京“蓬山”不遠····························································80
魏野題詩驚添蘇····································································83
歐陽修的終身之恨································································86
歐陽修一日千里····································································89
詩窮而工與隱而工································································93
歐陽修的“近視眼”····························································97
歐陽修憶舊與妓女祝壽························································99
姚嗣宗計遣詩叟··································································102
蔡挺玉關人老······································································104
歐陽修的馬屁······································································107
張才翁巧化春遊詞······························································110
蘇軾悲秋與朝雲傷春··························································112
到底為誰洗惡詩··································································115
蘇軾的中秋詞······································································118
東坡詞得夫人助··································································121
曲終人不見，江上數峰青··················································124
蘇軾與參寥··········································································128
這次還了相思債··································································132
鑑賞的失誤與非音樂的耳朵··············································134
蘇軾失蹤與徐君猷過敏······················································138
琴操問對悟為尼··································································141
田歌自古非知田··································································145
蘇軾為妓脫籍······································································148
黃庭堅俚語卻知音······························································150
蘇門的“家教”··································································152
黃庭堅老年多情··································································155
《臨江仙》少游獨冠··························································159
敗詩思與續詩······································································161
張耒的兩首贈妓詞······························································163
萬里雲帆昨日到··································································166
揮毫當得江山助··································································170
韓丞相詞情動神宗······························································174
對境法與本文批評······························································177
讓你歸去做新郎··································································180
韋詩黃書江神愛··································································183
賈娉娉巧集唐句··································································186
蔡京的臨終悔恨詞······························································189
妓女蘇瓊與權奸蔡京··························································191
宋高宗的眼力······································································193
徽宗父子的唱和詞······························································195
周邦彥因詞沉浮··································································197
姜白石泛舟巢湖··································································200
侯蒙的風箏詞······································································203
姜夔詞撩婦人心··································································205
王彥齡智辯《望江南》······················································207
《醉花陰》五十比一··························································209
朱熹與軍營妓女嚴蕊··························································212
胡銓一詞貶海南··································································216
“無情”不怪橋頭柳··························································218
身邊少個人兒睡··································································220
聶勝瓊《鷓鴣天》消醋意··················································222
長公主因詞感疾··································································225
海誓山盟字字真··································································227
洪邁的“掉頭”與“擺頭”··············································230
賈似道蠢昧醉“半閒”······················································234
移巢別處覓雕梁··································································237
花看人采方知惜··································································239
張縣令趣賞吳沆詩······························································242
詩詞創作的精神氣候··························································246
和珅與阮元的眼鏡詩··························································251
袁枚的困窘··········································································253
前言
中國是一個詩的國度，而中國古典詩詞則是一個偉大的寶庫。它五彩繽紛，色彩斑斕，包羅萬象，其中豐富的作品猶如春之牡丹，夏之芙蓉，秋之海棠，冬之臘梅。它們時時爭奇鬥豔，散發著誘人的芬芳，也呈現著多姿的絢麗。它是人們陶冶情操的佳品，提高藝術修養的門徑；是創作素材的有益源泉，也是創作經驗的良好借鑑。正是在這個意義上，它滋潤著一代又一代詩人、藝術家；也正是在這個意義上，它才具有永久不朽的魅力。
和中國古典詩詞的絢爛多彩一樣，中國古代詩詞作者的創作也是異態紛呈，各有蹊徑。他們有的對客揮毫，才思敏捷，有的濡墨腐毫，難以落筆；有的將家人驅走，抱被獨臥，辛苦構思，有的斗酒助興，揮毫飄逸，恣態瀟灑；有的踏破鐵鞋，飽覽山川，得山川之靈氣，有的則下帷斗室，縝密構思，一語驚人；有的詩詞成於青樓歌壇之上，有的則成於詩友興會、留連風月之中。了解中國古代文人的這些創作故事，非但可以了解這些詩詞寫作的背景，同時也可以加深對其作品的理解。而這一點，也恰是古典詩詞愛好者，學習者所樂於知道的。這也是這本小書所本的一個目的。
作者本身的期望還不止此，更希望這書能為讀者帶來如下幾方面的收益：一是通過閱讀這些創作故事，產生或加深對古典詩詞的興趣；二是通過閱讀這些創作故事，了解中國古代文人的生活，了解他們各自獨特的精神風貌，如他們有的詼諧，有的幽默，有的極富藝術修養，運用詩詞形式極為嫻熟，信手拈來，皆成佳作；有的創作靈感勃發則依賴於某一特有契機；三是這些創作故事，一般都引申出了一個文藝理論觀點，一個文藝理論問題，而這一點，對廣大文學創作者、愛好者則又是極為有益的。
當然，如果讀者的收穫不僅於此，更能得到些“題外之旨” ，那便是作者更為期望的了。
