Feng Fasi

Feng Fasi

Feng Fasi, born in 1914, alias Luo wind, Lujiang, Anhui province.Good at oil painting, art education.In 1937 graduated from the Nanjing Institute of Education of Art.Wuchang Art Instructor Zeng Ren, the China Academy of Art, as well as an associate of the Beiping Vocational art School associate professor, professor and dean of the Academy of Fine Arts in painting, oil painting department director.Now is a member of Chinese Artists Association, director of China Oil Painting Society as well as consultants, Xu Beihong Arts International Research Chair.The fifties of the 20th century created a large painting Liu Hulan's martyrdom ", after the National Art Museum of China collection, called the collection" two stars".Masterpiece "and a" xing "lice", "accusation meeting" and "20th Century Chinese Painting Exhibition" of the "Nanjing Massacre" and the like.Works the agitations of those connected with the pulse of the times, more than half a century of suffering and struggle, the Chinese nation to show them.For Feng Fasi works of Mr, Mr. Xu Beihong, evaluation is" forced march to approach ", which is in front of and touching scene, practice profound."

Step2:

1933 enrolled in Nanjing Central University College of Education, the university, Xu Beihong and Yan Wenliang, Lu Sibai and Pan Yuliang master disciple 1933 enrolled in Nanjing Central University College of Education, the university, Xu Beihong and Yan Wenliang, Lu Sibai and Pan Yuliang master disciple . 1946 again with Xu Beihong in Beiping to attend the Beiping State Vocational art School, founded in 1950 to establish work 1946 again with Xu Beihong in Beiping to attend the Beiping State Vocational art School, founded in 1950 to establish work .
Central Academy of Fine Arts, he is a professor, the head of the Department's first painting Central Academy of Fine Arts, he is a professor, the head of the Department's first painting . he always follows the young man, he has been established as an art for the life of their artistic beliefs he always follows the young man, he has been established as an art for the life of their artistic beliefs .
there by "Shan", the "lice", "morning", "Nanjing Massacre" (cooperation), "Garden of Suzhou couple", "Tianchi", "Xishuangbanna girl","(Lu Xiaguang Statue", "Warm Winter", "Time" and the like to surround yourself with the realistic spirit where there by "Shan", the "lice", "morning", "Nanjing Massacre" (cooperation), "Garden of Suzhou couple", "Tianchi", "Xishuangbanna girl","(Lu Xiaguang Statue", "Warm Winter", "Time" and the like to surround yourself with the realistic spirit where . works, especially in the 1950s created huge oil painting Liu Hulan's martyrdom, "the most famous works, especially in the 1950s created huge oil painting Liu Hulan's martyrdom, "the most famous .
Feng Fasi's concept of art can be seen in the works of the former Soviet Union branded" Feng Fasi's concept of art can be seen in the works of the former Soviet Union branded" . He's still our outstanding educationalist, the life of imparting knowledge and educating people, training many excellent He's still our outstanding educationalist, the life of imparting knowledge and educating people, training many excellent .
artists at the time of his death is our art education and academic career losses of artists at the time of his death is our art education and academic career losses of . 1 1.

The Chronology

In 1920, Feng Fasi 6 years in Jiangsu province entered the fourth normal school to school, like art, students and teacher appreciation In 1920, Feng Fasi 6 years in Jiangsu province entered the fourth normal school to school, like art, students and teacher appreciation . in 1928, and Nanjing in the middle of the basic art education in favor of China, Zhou Ling Sun, as Feng Shao teacher under the guidance of learning; plaster; landscapes, still life, painting and imagine in 1928, and Nanjing in the middle of the basic art education in favor of China, Zhou Ling Sun, as Feng Shao teacher under the guidance of learning; plaster; landscapes, still life, painting and imagine .
in 1933, enrolled at the College of Education of Central University in Nanjing, capital of central China's west drawing students accepted Feng Fasi one people, under the tutelage of Xu Beihong and Yan Wenliang Mr in 1933, enrolled at the College of Education of Central University in Nanjing, capital of central China's west drawing students accepted Feng Fasi one people, under the tutelage of Xu Beihong and Yan Wenliang Mr . studied paintings of Xu Beihong and Yan Wenliang Mr studied French, and has undertaken in Europe at the end of the 19th century,At the beginning of the 20th century traditional painting realism studied paintings of Xu Beihong and Yan Wenliang Mr studied French, and has undertaken in Europe at the end of the 19th century,At the beginning of the 20th century traditional painting realism .
1934 Feng Fasi started directly by Mr. Xu Beihong strictly of sketching the basic training, as in the period from the charcoal sketch of "Greek Gods in relief", "Dionysian" and the like and carbon in the analysis report of "Male Nude ', he can be seen for Mr. Xu Beihong teaching and shed light on the screen in the body structure of an in - depth research and for the dark tone of seize the spring of 1936, with Mr. Lv Feng Fasi to the Yandang, Putuo, sketch, creation" Yandang Mountains", which had works in 1943 the Soviet Union's participation in the Chinese art exhibition, Soviet critics at home and works in patterning,color on the characteristics and styles of traditional Chinese painting, gave full affirmation of the
1935 Feng Fasi made 12? 9 student movement, started reading the books progress, Chinese and foreign literature and classics at the Expo, establishing his own weltanschauung and art 1935 Feng Fasi made 12? 9 student movement, started reading the books progress, Chinese and foreign literature and classics at the Expo, establishing his own weltanschauung and art . August 1936, Feng Fasi joined the underground leadership of the Communist Party of China "in Nanjing, capital city of the National Union of Students," August 1936, Feng Fasi joined the underground leadership of the Communist Party of China "in Nanjing, capital city of the National Union of Students," .
1937, Feng Fasi "in large" with a bachelor's degree in the same year 1937, Feng Fasi "in large" with a bachelor's degree in the same year ., which astounded the Lugouqiao Incident, the outbreak of war with , which astounded the Lugouqiao Incident, the outbreak of war with .
23 - year - old Feng Fasi and actively participates in the Northeast to Japan, in August,Feng Fasi arrived for Shaanxi sanyuan Yunyang Town joined the Red Army, with Zhu De as commander of marching north to resist the Japanese, the Eighth Route Army and the General Political Department of the Publicity Department and engaged in anti - Japanese propaganda work 23 - year - old Feng Fasi and actively participates in the Northeast to Japan, in August,Feng Fasi arrived for Shaanxi sanyuan Yunyang Town joined the Red Army, with Zhu De as commander of marching north to resist the Japanese, the Eighth Route Army and the General Political Department of the Publicity Department and engaged in anti - Japanese propaganda work . 1938, has agreed to leave the frontline troops, arrived in Wuhan were determined in the "capital of Peiping and Tientsin students Salvation Propaganda Group" 1938, has agreed to leave the frontline troops, arrived in Wuhan were determined in the "capital of Peiping and Tientsin students Salvation Propaganda Group" .
shortly, attended by Zhou Enlai, Guo Moruo and other leaders of the Military Committee of the Political Department of the "3" of the work, he produced a large gouache "Pingxingguan" and comics, the anti - Japanese propaganda poster images shortly, attended by Zhou Enlai, Guo Moruo and other leaders of the Military Committee of the Political Department of the "3" of the work, he produced a large gouache "Pingxingguan" and comics, the anti - Japanese propaganda poster images . in August that year, returning to northern Shaanxi, at Lu Xun Institute of Arts to my study and graduation, "Luo wind" under the pseudonym in August that year, returning to northern Shaanxi, at Lu Xun Institute of Arts to my study and graduation, "Luo wind" under the pseudonym .
1940 Winter,Feng Fasi to Guangxi Liuzhou attended the dramatics and zhou enlai counter enemy team (later four), as a large number of drawings, sketches 1940 Winter,Feng Fasi to Guangxi Liuzhou attended the dramatics and zhou enlai counter enemy team (later four), as a large number of drawings, sketches . in 1941, following the drama in which the teams, and the marching thousands of miles and a dozen counties, led the team along the way artists, painted by dozens of anti - Japanese propaganda murals, after reaching the Jingbian - Xi 'an, Feng Fasi created the portrait of "stiles" Jingxi", concentrated mainly on the painter in a bottom of the ordinary woman who works in the painter's dedication, conscientiously, and that this woman is innocent of in 1941, following the drama in which the teams, and the marching thousands of miles and a dozen counties, led the team along the way artists, painted by dozens of anti - Japanese propaganda murals, after reaching the Jingbian - Xi 'an, Feng Fasi created the portrait of "stiles" Jingxi", concentrated mainly on the painter in a bottom of the ordinary woman who works in the painter's dedication, conscientiously, and that this woman is innocent of .
Feng Fasi memories: a painting with the painting, as the old lady with deliberate on his estate in dyeing, lace dress, and they assured me that they sit,Please the painter Feng Fasi memories: a painting with the painting, as the old lady with deliberate on his estate in dyeing, lace dress, and they assured me that they sit,Please the painter . this early chinese oil paintings of important works by Xu Beihong's appreciation, he played in the Anti - Japanese War after the drawing, i.e. hired Feng Fasi is the China Academy of Sciences, and encouraged him to continue resisting the enemies and engaged in anti - Japanese propaganda, to reflect the creative works of the era
1945, Feng Fasi to the frontline in Burma in the realities of life in a sketch, in the south of the road started painting school "lice," wrote 1945, Feng Fasi to the frontline in Burma in the realities of life in a sketch, in the south of the road started painting school "lice," wrote . 1946 this was reflected during the Anti - Japanese War, Chinese soldiers and hard life to exhibitions, praised Mr. Wen Yiduo's painting "lice" to the Anti - Japanese War in a rare work with
in June that year in Chongqing,Feng Fasi to all of the Anti - Japanese works teams participated in the drama's" The War of Art, Exhibition " in June that year in Chongqing,Feng Fasi to all of the Anti - Japanese works teams participated in the drama's" The War of Art, Exhibition ". Xu Beihong and evaluation of its work: the forced march to practices depicted in the rear and front of the scenes, innovative themes and profound practice while the latter is particularly important, if not profound loss is the most valuable of the true, will become meaningless Xu Beihong and evaluation of its work: the forced march to practices depicted in the rear and front of the scenes, innovative themes and profound practice while the latter is particularly important, if not profound loss is the most valuable of the true, will become meaningless .
Feng Jun can grasp the theme of writing to the extreme, the painting while Lun, the Anti - Japanese War in the dearer the harvest Feng Jun can grasp the theme of writing to the extreme, the painting while Lun, the Anti - Japanese War in the dearer the harvest . in the bad old days, Mr. Feng Fasi in the artistic creation with succinct, according to the technique, exploring and seeking formed his deep, intense, vivid, concise style
1946,Feng Fasi is hired as an associate professor at the Beiping National College of Art, assisted by Xu Beihong to preside over teaching work 1946,Feng Fasi is hired as an associate professor at the Beiping National College of Art, assisted by Xu Beihong to preside over teaching work . in 1948, with the famous printmaker include Li Jingxi together small coal mines into the thick of life, as the miners and the group of images in 1948, with the famous printmaker include Li Jingxi together small coal mines into the thick of life, as the miners and the group of images .
created large oil painting "morning", and joined the Communist Party of China (CPC) created large oil painting "morning", and joined the Communist Party of China (CPC) . 1948, Feng Fasi completed large - scale paintings" parade against hunger and civil war ", which was attended by the People's Republic of China," the first national art exhibition " 1948, Feng Fasi completed large - scale paintings" parade against hunger and civil war ", which was attended by the People's Republic of China," the first national art exhibition ".
1950, Feng Fasi, went to Beijing to attend the agrarian reform movement, created large oil painting" accusation meeting " 1950, Feng Fasi, went to Beijing to attend the agrarian reform movement, created large oil painting" accusation meeting "." accusation meeting "themes, figures taken from the life, works and many figures,full composition without congestion, calm and loud color " accusation meeting "themes, figures taken from the life, works and many figures,full composition without congestion, calm and loud color .
screen: accusation of farmers constitute a large population of grey, inserted into the center of the screen is the young farmers of the back and white khaki turban with red cotton - padded jacket, to young women, which makes the work a repressive, revealing a new spirit of the times, exhibiting liberation of peasants that the spurt of new mental outlook of the screen: accusation of farmers constitute a large population of grey, inserted into the center of the screen is the young farmers of the back and white khaki turban with red cotton - padded jacket, to young women, which makes the work a repressive, revealing a new spirit of the times, exhibiting liberation of peasants that the spurt of new mental outlook of the . "complained of" the central character of the "old man" stood on the table, looked angry, it means few farmers are afraid of him at his desk, hurried forward to support his legs and such of the details,non - experience of the person and the scene is not a conception of a "complained of" the central character of the "old man" stood on the table, looked angry, it means few farmers are afraid of him at his desk, hurried forward to support his legs and such of the details,non - experience of the person and the scene is not a conception of a .
Fung pointed on the screen of the person can point to whose hand it was a "complaint" is the new Chinese oil painters after the founding of the Peoples Republic of China are framing thematic works and large - scale patterning of a successful Fung pointed on the screen of the person can point to whose hand it was a "complaint" is the new Chinese oil painters after the founding of the Peoples Republic of China are framing thematic works and large - scale patterning of a successful . in September 1950, the establishment of the Central Academy of Fine Arts, becoming its first dean of the Xu Beihong, Feng Fasi was appointed as a professor, dean and worked as a painting, oil painting, he is the director of in September 1950, the establishment of the Central Academy of Fine Arts, becoming its first dean of the Xu Beihong, Feng Fasi was appointed as a professor, dean and worked as a painting, oil painting, he is the director of .
1954, Feng Fasi to the County, Shanxi Province, Yun Zhou Nishimura life experiences, the heroine's deeds of liu hulan collect information, began to conceive the large painting Liu Hulan's martyrdom " 1954, Feng Fasi to the County, Shanxi Province, Yun Zhou Nishimura life experiences, the heroine's deeds of liu hulan collect information, began to conceive the large painting Liu Hulan's martyrdom ". 1955,Feng Fasi was attended by Soviet painter Maksimov guidance of oil painting, he served as class monitor 1955,Feng Fasi was attended by Soviet painter Maksimov guidance of oil painting, he served as class monitor .
domestic oil painting brings together the most creative vitality of the group of painters, pave the way for them to become the new Chinese oil painting creation and teaching of domestic oil painting brings together the most creative vitality of the group of painters, pave the way for them to become the new Chinese oil painting creation and teaching of . in the backbone of the "oil - in - Training Class, Feng Fasi one has done a lot of the work of the organization, while carefully learnt Russian realism paintings of in the backbone of the "oil - in - Training Class, Feng Fasi one has done a lot of the work of the organization, while carefully learnt Russian realism paintings of .
solid performance skills he uses in the Fine Arts" magazine wrote," the ex - Soviet experts created profound teaching experience "and creating" the Old Painters", "Sunshine Girl with canvasses like solid performance skills he uses in the Fine Arts" magazine wrote," the ex - Soviet experts created profound teaching experience "and creating" the Old Painters", "Sunshine Girl with canvasses like . 1957 Feng Fasi as he completed"oil painting" continuing the theme of the creation, the large painting Liu Hulan's martyrdom ", which was accompanied by an indicated the completion of the creation of Chinese painters to harness large works of exploration has entered a mature 1957 Feng Fasi as he completed"oil painting" continuing the theme of the creation, the large painting Liu Hulan's martyrdom ", which was accompanied by an indicated the completion of the creation of Chinese painters to harness large works of exploration has entered a mature .
Liu Hulan's martyrdom" and many figures, he writes, the uproar of the peasant population constitute a negative picture of the conflict in terms of its two sets of figures constitute a dynamic, wearing a black padded jacket of Liu Hulan with marauding soldiers of both sides of the triangle formed by the combination of the character as" an anchor of stability ", becomes the screen patterned in the most stable factor, is a painting of soul Liu Hulan's martyrdom" and many figures, he writes, the uproar of the peasant population constitute a negative picture of the conflict in terms of its two sets of figures constitute a dynamic, wearing a black padded jacket of Liu Hulan with marauding soldiers of both sides of the triangle formed by the combination of the character as" an anchor of stability ", becomes the screen patterned in the most stable factor, is a painting of soul . her head upon the tearing open of the cotton - padded clothes to the lobby, which form the visual center of the her head upon the tearing open of the cotton - padded clothes to the lobby, which form the visual center of the .
in the sky,snow white with grey of farmers is surroundingly encompass the villain, the bandit team leaded by farmers of yellow escutcheon with the somber tone to form a strong visual contrast, Liu Hulan's head and the neck of the color in the black, grey, back in the picture become the most eye - catching part of Liu Hulan in the sky,snow white with grey of farmers is surroundingly encompass the villain, the bandit team leaded by farmers of yellow escutcheon with the somber tone to form a strong visual contrast, Liu Hulan's head and the neck of the color in the black, grey, back in the picture become the most eye - catching part of Liu Hulan . hugged his mother, sister, is the most vivid color in a picture portion, their attitude, and look back in awe of Liu Hulan stabilization of contrast and echo, so that the main subject person and the people around them to form one integral hugged his mother, sister, is the most vivid color in a picture portion, their attitude, and look back in awe of Liu Hulan stabilization of contrast and echo, so that the main subject person and the people around them to form one integral .
Liu Hulan died a "realistic colors such that the light is completed, at the time of the creation of Chinese Oil Painting is uncommon,painter needs considerable exploration courage and consummate skill Liu Hulan died a "realistic colors such that the light is completed, at the time of the creation of Chinese Oil Painting is uncommon,painter needs considerable exploration courage and consummate skill . Feng Fasi in this painting these pioneering efforts, today still constantly enlightened Feng Fasi in this painting these pioneering efforts, today still constantly enlightened .
this blockbuster is now enshrined in the National Art Museum of China, and Jiang Zhaohe's masterpiece "refugees" are colleted by china picture gallery collections, referred to as a" person "two stars" this blockbuster is now enshrined in the National Art Museum of China, and Jiang Zhaohe's masterpiece "refugees" are colleted by china picture gallery collections, referred to as a" person "two stars" . 1957, Feng Fasi of painting art comes to mature, but who is wrongly classified as a" rightist ", subject to the expulsion of a member, in the end his art creation and teaching seriously affected 1957, Feng Fasi of painting art comes to mature, but who is wrongly classified as a" rightist ", subject to the expulsion of a member, in the end his art creation and teaching seriously affected .
from 1957 to the end of the" Cultural Revolution "the vindication of the former, Feng Fasi adversity 20 years from 1957 to the end of the" Cultural Revolution "the vindication of the former, Feng Fasi adversity 20 years . reality,Feng Fasi national tragedy and personal suffering will resolve persistent quest for art he reality,Feng Fasi national tragedy and personal suffering will resolve persistent quest for art he .
among labor and teaching in a series of paintings that among labor and teaching in a series of paintings that . 1963, Feng Fasi to Yongji, Shanxi, and after the Hunyuan - like life, is an oil painting of the "dragon's mouth and took the grain to amass the material for the outer light Sketch painting" Mowing the girl "," picking up little girl ", the" three pushes food out of a girl "," being on the spot of the teenagers" and other works 1963, Feng Fasi to Yongji, Shanxi, and after the Hunyuan - like life, is an oil painting of the "dragon's mouth and took the grain to amass the material for the outer light Sketch painting" Mowing the girl "," picking up little girl ", the" three pushes food out of a girl "," being on the spot of the teenagers" and other works.
oil painting sketching characters other than the light here is so great that oil painting sketching characters other than the light here is so great that . expression through their works reflect the painters to the worker as a beloved's heart expression through their works reflect the painters to the worker as a beloved's heart .
in the autumn of 1977, the "Cultural Revolution" had just ended, many legacies to implement, in the case where it is desired to - and - wait - for - age of mood, Feng Fasi Rongcheng of Shandong, sketching, oil painting "into the hill of the Wave", "spray", "Gracilaria Island", "sea island", "island village", "drying net", "Tug" and several works in the painting of in the autumn of 1977, the "Cultural Revolution" had just ended, many legacies to implement, in the case where it is desired to - and - wait - for - age of mood, Feng Fasi Rongcheng of Shandong, sketching, oil painting "into the hill of the Wave", "spray", "Gracilaria Island", "sea island", "island village", "drying net", "Tug" and several works in the painting of . Feng Fasi to social change and individual fate, thinking through the bright outer light color displayed Feng Fasi to social change and individual fate, thinking through the bright outer light color displayed .
1979, Feng Fasi been righted,reinstated in the Party, recalled to the Central Academy of Fine Arts where he taught, and restored the painting department job 1979, Feng Fasi been righted,reinstated in the Party, recalled to the Central Academy of Fine Arts where he taught, and restored the painting department job . personal fortunes to turn Feng Fasi exciting the greatest enthusiasm for new Artistic Pursuit in the personal fortunes to turn Feng Fasi exciting the greatest enthusiasm for new Artistic Pursuit in the .
in a few years, he lectured, in the north, Heilongjiang, Yunnan Xishuangbanna to the south, a landscape painting, portrait images, such as: "Emei unvoiced", "Festival of Xishuangbanna girl", "dai girls"," water of the Dai girl " in a few years, he lectured, in the north, Heilongjiang, Yunnan Xishuangbanna to the south, a landscape painting, portrait images, such as: "Emei unvoiced", "Festival of Xishuangbanna girl", "dai girls"," water of the Dai girl ". according to sketch the large painting" Changbai Mountain in the heaven and earth "to be displayed in the Great Hall of the Office of Jilin according to sketch the large painting" Changbai Mountain in the heaven and earth "to be displayed in the Great Hall of the Office of Jilin .
autumn 1984, Mr. Feng Fasi exchanges at the paris international town of arts,France travel painter in Chinese Lüxia founded under the name of "Lu Xiaguang couples" studio was established, the first" studio "Chinese painter started art inspection with AC 1985, at the Louvre to the size of the copying original works by French romantic master tile Delacroix's painting" Greek island of Feng Fasi's Solution "(local) 1985, at the Louvre to the size of the copying original works by French romantic master tile Delacroix's painting" Greek island of Feng Fasi's Solution "(local) .
this imitation works in patterning, moving light, color of habit Delacroix original essence; while writing, the inside and that was reflect Feng Fasi personality this imitation works in patterning, moving light, color of habit Delacroix original essence; while writing, the inside and that was reflect Feng Fasi personality . paintings drawn in the process, continue to attract people of other countries at the Louvre stop,When it comes to this excellent imitation works gave paintings drawn in the process, continue to attract people of other countries at the Louvre stop,When it comes to this excellent imitation works gave .
this copying works embody Feng Fasi, understanding, and there is no surface trace, Xu Beihong's" good to abide by the vertical adiabatic who followed, who restructured it, within a period not exceeding 3 months. If he's, Western Painting "to be gathering quite a lot to do before," claims the practice follow , after his return, Feng Fasi lectured in painting at the same time began to conceive of huge murals on the Rape of Nanking ", after his return, Feng Fasi lectured in painting at the same time began to conceive of huge murals on the Rape of Nanking ".
in January 1992, Shen Shengqiu students with the cooperation of the large historical painting" Massacre "has been plotted, participated in the National Art Museum of China in the 20th Century Chinese Painting Exhibition" in January 1992, Shen Shengqiu students with the cooperation of the large historical painting" Massacre "has been plotted, participated in the National Art Museum of China in the 20th Century Chinese Painting Exhibition". 1998 Beijing "from the 65th anniversary of zhou xiao Feng Fasi, a professor at the art exhibition", was published the large album "is a collection of paintings by Feng Fasi" held its premiere 1998 Beijing "from the 65th anniversary of zhou xiao Feng Fasi, a professor at the art exhibition", was published the large album "is a collection of paintings by Feng Fasi" held its premiere .
1999 invited leaders in Canada, "Professor Feng Fasi sketches and oil paintings exhibition" 1999 invited leaders in Canada, "Professor Feng Fasi sketches and oil paintings exhibition" . 16 Jul 2009 19: 35 due to a sudden massive heart palpitations infarction died in Beijing at the age of ninety and 16 Jul 2009 19: 35 due to a sudden massive heart palpitations infarction died in Beijing at the age of ninety and .
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Feng FasiFeng Fasi
Feng Fasi

Character Creation

From 20 century 80 's and the beginning of the 21st century, Feng Fasi was creating "(Lu Xiaguang Statue", "Warm Winter", "Ms. Liao Jingwen like" portrait paintings (Lu Xiaguang and Feng Fasi's contemporaries in the 1930s, while studying in France, he said at the Paris International Art City purchase (Lu Xiaguang studio, were donated to the Artists portrait paintings (Lu Xiaguang and Feng Fasi's contemporaries in the 1930s, while studying in France, he said at the Paris International Art City purchase (Lu Xiaguang studio, were donated to the Artists .
Feng Fasi in Paris during his inspection tour, made the acquaintance of Mrs. Lu Xiaguang, 1989, Lu Xiaguang and his wife, Feng Fasi is Mrs Lu Xiaguang painted portrait is The experience of World War II in Europe was serene and elderly, slightly tired, The experience of World War II in Europe was serene and elderly, slightly tired,.
works revealing the vicissitudes of this world are broad and smooth calligraphy, accurate, concise and compact, such that no excess of the sum, in the person of the old painters of skill works revealing the vicissitudes of this world are broad and smooth calligraphy, accurate, concise and compact, such that no excess of the sum, in the person of the old painters of skill . "Warm Winter" to Feng Fasi Mrs Zhang Yunxian Ms "Warm Winter" to Feng Fasi Mrs Zhang Yunxian Ms .
painter object with more than half a century the majo rity of her life, long - suffering wife in winter sunlight in knitted and painter object with more than half a century the majo rity of her life, long - suffering wife in winter sunlight in knitted and . light "in picture to the sun, but still in an indoor environment, a person in the indoor environment and sunlight reflection of the surrounding areas, the shape and color are presented in a subtle and complex relationship, which was accompanied by Feng Fasi in light with the color of interest as well to light "in picture to the sun, but still in an indoor environment, a person in the indoor environment and sunlight reflection of the surrounding areas, the shape and color are presented in a subtle and complex relationship, which was accompanied by Feng Fasi in light with the color of interest as well to .
works. Although it's a small scene in the life of those wrtiers towards Japanas as well,The "cultural revolution", the social life of viewing "Liao Jingwen like Ms" It is hard to imagine that a grain or a 90 - year - old veteran painter painting in the hands of curator Liao Jingwen Xu Beihong Memorial viewing "Liao Jingwen like Ms" It is hard to imagine that a grain or a 90 - year - old veteran painter painting in the hands of curator Liao Jingwen Xu Beihong Memorial .
Ms casually sitting on the grass in a white chair, calmly and moderately Ms casually sitting on the grass in a white chair, calmly and moderately . works in strong sunlight is generally completed with cool colors, warm colors to appear only in the reflective and light and dark portions of the interface, such a bold color performance in Chinese and foreign oil painting portraits in works in strong sunlight is generally completed with cool colors, warm colors to appear only in the reflective and light and dark portions of the interface, such a bold color performance in Chinese and foreign oil painting portraits in .
is rarely seen in the light source color, ambient color, inherent with warm color tone change is manifested in the works. The figures are concise, clear,emphasize the structure of the form twists and dark junction section in the color processing aspect, "Lu Xiaguang lady like" concise and succinct way the character in the color processing aspect, "Lu Xiaguang lady like" concise and succinct way the character .
temperament "Warm winter" - with a subtle color change in the character, the artist himself and his wife in the era of change in the mindset of temperament "Warm winter" - with a subtle color change in the character, the artist himself and his wife in the era of change in the mindset of . "like Ms. Liao Jingwen," in the song of life, the quality of its aspirations in the bright sunshine
faction in the paintings are in light and color change in the image is more prominent, plump, form and color harmony, symphonic and poetic realm faction in the paintings are in light and color change in the image is more prominent, plump, form and color harmony, symphonic and poetic realm . 3 work in the characters lived and suffered and in one generation of older women,This is quite the opposite oil paintings are full of young women on the object of pursuit of sensory portrait came into being in stark contrast to the 3 work in the characters lived and suffered and in one generation of older women,This is quite the opposite oil paintings are full of young women on the object of pursuit of sensory portrait came into being in stark contrast to the .
Feng Fasi with soulful brushes of three old men, in contrast to the old man to Rodin in his late years on the theme of the series of sculptures, Chinese contemporary realism oil painting portraits of classic Feng Fasi with soulful brushes of three old men, in contrast to the old man to Rodin in his late years on the theme of the series of sculptures, Chinese contemporary realism oil painting portraits of classic . septuagenarian Feng Fasi has found a new passion, authoring a batch of portraits, nudes, landscapes, still life works septuagenarian Feng Fasi has found a new passion, authoring a batch of portraits, nudes, landscapes, still life works .
in the painting "the Nurse of the morning",Old painter was selected as the hospital's daily work in the most mundane scene - a poetic expression to in the painting "the Nurse of the morning",Old painter was selected as the hospital's daily work in the most mundane scene - a poetic expression to . which was accompanied by an ingenious composition lively, rigorous modeling, color rich and sonorous, art exhibits extremely remarkable skill and which was accompanied by an ingenious composition lively, rigorous modeling, color rich and sonorous, art exhibits extremely remarkable skill and .
octogenarian artist in world sport, work and to talk with fresh and poetic flavor in Feng Fasi's large - scale works are rare, a reflection of a veteran painter and art in the lyrical side of octogenarian artist in world sport, work and to talk with fresh and poetic flavor in Feng Fasi's large - scale works are rare, a reflection of a veteran painter and art in the lyrical side of . enters the 21st century, Feng Fasi continued maintaining the exuberant vitality of creation, the historical masterpiece continually enters the 21st century, Feng Fasi continued maintaining the exuberant vitality of creation, the historical masterpiece continually .
entitled "Lotus" series, the lotuses in the pond to the object and, with Chinese painting freehand brushwork of the Impressionism of melting in the West, their preferred position vertically, entitled "Lotus" series, the lotuses in the pond to the object and, with Chinese painting freehand brushwork of the Impressionism of melting in the West, their preferred position vertically,. embody of Feng Fasi later in a more concise, more generally, a more cheerful pursuits embody of Feng Fasi later in a more concise, more generally, a more cheerful pursuits .
Feng Fasi's early years of art study, Xu Beihong and biggest influence on his Feng Fasi's early years of art study, Xu Beihong and biggest influence on his . Xu Beihong occurred in the early 1920s, studied in France under the tutelage of Paris art school famous realist painter to Brodsky's 1852 (1929), studying in France and Germany for eight years, European classical realist painting, by May, Xu Beihong, should be about repatriation of Cai Yuanpei, both the start - up phase of modern Chinese art education advocate realism Xu Beihong occurred in the early 1920s, studied in France under the tutelage of Paris art school famous realist painter to Brodsky's 1852 (1929), studying in France and Germany for eight years, European classical realist painting, by May, Xu Beihong, should be about repatriation of Cai Yuanpei, both the start - up phase of modern Chinese art education advocate realism .
Xu Beihong from start to finish,I was going to be the revival of Chinese art, Xu Beihong from start to finish,I was going to be the revival of Chinese art, . he thought the real art should be: "True Zai appeal, sensing God, fantastic once" he thought the real art should be: "True Zai appeal, sensing God, fantastic once" .
he works with the pulse of the agitations, "compassionate" through his creation of the he works with the pulse of the agitations, "compassionate" through his creation of the . because of the times, Xu Beihong and works with the theme, figures largely in ancient Send Hing, to classical and allegorical in reality, he himself once said: "I advocate realism in the 20 - year, but failed to close the public" because of the times, Xu Beihong and works with the theme, figures largely in ancient Send Hing, to classical and allegorical in reality, he himself once said: "I advocate realism in the 20 - year, but failed to close the public" .
Feng Fasi in the creative arts to enter the start, i.e. it is art's poor masses, "compassion" is implicit in the creation of a humanitarian,In Feng Fasi works we only see the suffering of the underprivileged from "Jingxi woman", "starve the soldiers", the" lice "," complaint "," Liu Hulan "," Longkou capture - the - grain "," Nanjing Massacre " across more than half a century, the suffering of the Chinese nation, the rise and fall, and all shows among them
in the 1930s, the western - style education and the social impact of schools such as University of California, San Diego, Suzhou, Hangzhou vocational art, there are many very good basic skill of the painter, as Feng Fasi and Central University classmate of Sha Qi, Suzhou of Xu Jiuling, fees, etc,But they stayed on the path taken by different in the 1930s, the western - style education and the social impact of schools such as University of California, San Diego, Suzhou, Hangzhou vocational art, there are many very good basic skill of the painter, as Feng Fasi and Central University classmate of Sha Qi, Suzhou of Xu Jiuling, fees, etc,But they stayed on the path taken by different . Sha Qi's 1937 recommended by Xu Beihong, who went on to study at the Royal Academy of Fine Arts of Belgium; Xu Jiuling, specially after painting like Chiang Kai - shek, the then sang the praises of dignitaries, becoming the official painter Sha Qi's 1937 recommended by Xu Beihong, who went on to study at the Royal Academy of Fine Arts of Belgium; Xu Jiuling, specially after painting like Chiang Kai - shek, the then sang the praises of dignitaries, becoming the official painter .
Feng Fasi in after I graduated, i.e., shoulder and back box and ran to the northwest of China, is the destination, along the way as the Red Army, was entitled "stayed on, after the redesignation of the Eighth Route Army Feng Fasi oil painting art of selecting and throw oneself into the Anti - Japanese - made art for his contributions to the war, the then Japanese front walk to the painter, out of the writing career of the person is not much of Feng Fasi oil painting art of selecting and throw oneself into the Anti - Japanese - made art for his contributions to the war, the then Japanese front walk to the painter, out of the writing career of the person is not much of .
War in its earliest years, theFeng Fasi has experienced the Eighth Route Army of the Pingxingguan Battle, Victory, Yanmen Pass ambush victory in Pingxingguan Battle, Feng Fasi in the battle of Pinghsingkuan, after his own Feng Fasi created the Pingxingguan " War in its earliest years, theFeng Fasi has experienced the Eighth Route Army of the Pingxingguan Battle, Victory, Yanmen Pass ambush victory in Pingxingguan Battle, Feng Fasi in the battle of Pinghsingkuan, after his own Feng Fasi created the Pingxingguan ". was to join the anti - Japanese cause of Wang's profile picture was a" great victory ", and the two large works participated in the Anti - Japanese War marked the first anniversary of the exhibition was to join the anti - Japanese cause of Wang's profile picture was a" great victory ", and the two large works participated in the Anti - Japanese War marked the first anniversary of the exhibition .
during Feng Fasi considered education to save the nation, in 1939 he went to the Sichuan Jiangjin, Wuchang, professor in the School of Art, while his final option is to join the enemy, for his creation of art and life, and the fate of the motherland, the motherland and the national fate of the big turning point.Feng Fasi has chosen the road of realism in order to achieve their pursuits of art
Feng FasiFeng Fasi

Figure Painting Style

Feng Fasi attaches great importance to sketch, sculpt art considered all of his Feng Fasi attaches great importance to sketch, sculpt art considered all of his . Malinowsky Xu Beihong, is subject to strict training, through his early sketch of the classwork and later of sketches, oil paintings, the figures of his rigorous, All forces, bolstered by a Malinowsky Xu Beihong, is subject to strict training, through his early sketch of the classwork and later of sketches, oil paintings, the figures of his rigorous, All forces, bolstered by a .
1979 he Sketch Teaching in Art colleges nationwide work conference statement discussed in the sketch by Xu Beihong's accomplishments during his" Shoot at his horse before the horseman, ' 1979 he Sketch Teaching in Art colleges nationwide work conference statement discussed in the sketch by Xu Beihong's accomplishments during his" Shoot at his horse before the horseman, '. This is the sketch of Xu Beihong Fanzhi to give very accurate visualization of the elaborate This is the sketch of Xu Beihong Fanzhi to give very accurate visualization of the elaborate .
Feng Fasi oil painting creation, aggressive, irrespective of the details Feng Fasi oil painting creation, aggressive, irrespective of the details . painting at the beginning of the East,West as a weiqi pieces of cloth, posed for several works of the overall feel and layout painting at the beginning of the East,West as a weiqi pieces of cloth, posed for several works of the overall feel and layout .
stressed the overall, to the viewer to a strong shock, stressed the overall, to the viewer to a strong shock, . he receives in the skills of oil painting by Xu Beihong to teach, Xu Beihong's painting, the art and in - depth study of Mr. Xu Beihong,
in Chinese and western painting practice, formed its own style and performance skills, he's late paintings are already in China - way of the in Chinese and western painting practice, formed its own style and performance skills, he's late paintings are already in China - way of the . but social unrest, the impossibility for the further study of this topic, he realized he "argued but social unrest, the impossibility for the further study of this topic, he realized he "argued .
: not previously thought of the Nationalization of the problem, if take this into account,So is finding some of : not previously thought of the Nationalization of the problem, if take this into account,So is finding some of . Feng Fasi in his own art practice, enrich and deepen painting by Xu Beihong was promoted to the race, showed his understanding for the Nationalization of Feng Fasi in his own art practice, enrich and deepen painting by Xu Beihong was promoted to the race, showed his understanding for the Nationalization of .
Feng Fasi is proposed: the artist cannot separate from the motherland Feng Fasi is proposed: the artist cannot separate from the motherland . leave people talk about nationalization, nationalization is formalism leave people talk about nationalization, nationalization is formalism .
pursuit requires, firstly, the ordinary Chinese understand pursuit requires, firstly, the ordinary Chinese understand . artist scoring images not only make people aware of, but also beauty artist scoring images not only make people aware of, but also beauty .
painters pursuit and the creation of the melody, the melody painters pursuit and the creation of the melody, the melody . color painting should not only have a large overall melodic beauty, and also to each of the small details of melody combination color painting should not only have a large overall melodic beauty, and also to each of the small details of melody combination .
paintings embody the melody should be refined, summarized, paintings embody the melody should be refined, summarized,. Shanfanjiujian Xu Beihong was quoted as saying, but takes a minimalist, and large, do not mention too trivial, loss of fine Shanfanjiujian Xu Beihong was quoted as saying, but takes a minimalist, and large, do not mention too trivial, loss of fine .
Xu Beihong had previously told the students: always very objective, very humble, very hard - working, Xu Beihong had previously told the students: always very objective, very humble, very hard - working, . he doesn't trust genius. It don't think I'm a genius
Feng Fasi domestic oil painters, China hopes the artists will be more quiet, humble little; to strengthen the research, learning, is the only way of discovering something new Feng Fasi domestic oil painters, China hopes the artists will be more quiet, humble little; to strengthen the research, learning, is the only way of discovering something new . an artist of life and art pursuit is the pursuit of consistent an artist of life and art pursuit is the pursuit of consistent .
attitude is first and foremost, to learn the attitude of the object to be created, and art to study attitude, and not feel old, old experience,Only one such artists a forever young attitude is first and foremost, to learn the attitude of the object to be created, and art to study attitude, and not feel old, old experience,Only one such artists a forever young . addressed in artistic creation, from Mr. Feng Fasi "Sketching, unsettlingly odd word of art, but also faithful to seriously grasp the natural topography, to ride the wave of ink dripping, the ultimate in play writing; copies painted the first portrait painting always goes like a novice, Fang produced masterpieces
good painting will withstand a far view of the proximal, or far in a thrilling, near - magical sort of look, mainly depends on the correct method of observation: observing the argument like a macroscopic, microscopic analysis, integral to the good painting will withstand a far view of the proximal, or far in a thrilling, near - magical sort of look, mainly depends on the correct method of observation: observing the argument like a macroscopic, microscopic analysis, integral to the ." CAFA professor, renowned for a piece about Mr Zhan Jianjun addressed Mr Feng Fasi:"In art, he always follows the road of traditionlifecreationrealism, adherence to realism in life of the spirit, the emphasis on the practical experience of life and in the objective sense, with particular attention being paid to the depicted object directly in the face of the observation and " CAFA professor, renowned for a piece about Mr Zhan Jianjun addressed Mr Feng Fasi:"In art, he always follows the road of traditionlifecreationrealism, adherence to realism in life of the spirit, the emphasis on the practical experience of life and in the objective sense, with particular attention being paid to the depicted object directly in the face of the observation and .
Delicately painted sketch, the pen to the object physique structure, the warm and cold colors, the spatial relationship between the state and the like, which leads to creative passion, seeking to draw opposing testimonies, never apply generalizations and self - indulgent, never dull and smooth the countenance of the People's Republic of China, the pictures are processed in a very detailed and clear account Delicately painted sketch, the pen to the object physique structure, the warm and cold colors, the spatial relationship between the state and the like, which leads to creative passion, seeking to draw opposing testimonies, never apply generalizations and self - indulgent, never dull and smooth the countenance of the People's Republic of China, the pictures are processed in a very detailed and clear account . ordered so his work style is pure, but no dead, tight but not stiff, but does not act the role of the audience,Truly, the nature of the artistic feeling of the ordered so his work style is pure, but no dead, tight but not stiff, but does not act the role of the audience,Truly, the nature of the artistic feeling of the .
and the currently popular something aquaplaning, cinematic inventing of the so - called classical 'realist' style is in stark contrast to the and the currently popular something aquaplaning, cinematic inventing of the so - called classical 'realist' style is in stark contrast to the . "Feng Fasi: Chinese artists should aim high, tree, taken part, the creation worthy of our era's epic painting" "Feng Fasi: Chinese artists should aim high, tree, taken part, the creation worthy of our era's epic painting" .
Feng Fasi to his tough, inflexible pursuit of art for the development of national art and indefatigable effort, Feng Fasi to his tough, inflexible pursuit of art for the development of national art and indefatigable effort, . he said: "I painted was my lifelong volunteer, as long as I live, is not put down their paintbrushes" he said: "I painted was my lifelong volunteer, as long as I live, is not put down their paintbrushes" .
in Chinese contemporary previous great social transformation, Feng Fasi consistently stood in the forefront of a new culture,insisted on realism, his works will become the treasure of the Chinese nation entered the annals of in Chinese contemporary previous great social transformation, Feng Fasi consistently stood in the forefront of a new culture,insisted on realism, his works will become the treasure of the Chinese nation entered the annals of .
Feng Fasi

Representative Works

"Shan", the "lice", "morning", "Liu Hulan", "Nanjing Massacre" (cooperation), "Garden of Suzhou couple", "Tianchi", "Xishuangbanna Maiden", "Lu Xiaguang Statue", "Warm Winter", "age" "Shan", the "lice", "morning", "Liu Hulan", "Nanjing Massacre" (cooperation), "Garden of Suzhou couple", "Tianchi", "Xishuangbanna Maiden", "Lu Xiaguang Statue", "Warm Winter", "age" .

Death

Xu Beihong's disciple, second - generation Chinese oil paintings the artist Feng Fasi Jul. 16, 2009 Feng Fasi died on July 16, 2009 19: 35 of sudden death due to the large area of myocardial infarction at the age of 95 Feng Fasi died on July 16, 2009 19: 35 of sudden death due to the large area of myocardial infarction at the age of 95 .
Under the Auspices of the Student Union on July 22, 2009 at 10: 00 a.m. Beijing's Babaoshan Funeral Home Office bamboo as Feng Fasi Professor funeral ceremony was held on July 22, 2009 at 10: 00 a.m., when, at the Beijing Babaoshan Funeral Parlour bamboo within the Office, by the Academy of Fine Arts (CAFA) is a famous Chinese painter Xu Beihong and the student Feng Fasi professor held a farewell ceremony, including the wife,China Oil Painting Society President Zhan Jianjun and many other domestic culture, the arts, and all the way from Chengdu to Beijing's old friend Feng Li Ren Shi and Feng in Sichuan last disciple of Mr. Lin Yue, also attended the farewell ceremony
Mr Feng Feng's family in the hands of the old man put on his favourite painting, make a wish for his ability to sway continued artistic Mr Feng Feng's family in the hands of the old man put on his favourite painting, make a wish for his ability to sway continued artistic . represented by Jin Shangyi, Feng Fasi Creation of Liu Hulan's martyrdom ", the People's Republic of China in the 1950s of a cultural product has a classic, which was accompanied by Feng Fasi is also one of the most famous works,The works collected by the NationalArt Museum represented by Jin Shangyi, Feng Fasi Creation of Liu Hulan's martyrdom ", the People's Republic of China in the 1950s of a cultural product has a classic, which was accompanied by Feng Fasi is also one of the most famous works,The works collected by the NationalArt Museum .
Feng Fasi in 70 years after the creation of the second spring has created a lot of landscapes and people, "Faulkner's novels, the realist inside with freehand brushwork, color absorbed the impressionist features Feng Fasi in 70 years after the creation of the second spring has created a lot of landscapes and people, "Faulkner's novels, the realist inside with freehand brushwork, color absorbed the impressionist features .," ," .
jin shangyi said Feng Shi told reporters, as his father pursued realistic painting, died some time ago to fall one by realism as the theme of the exhibition inviting, we felt glad the little surprise, it didn't saw that day jin shangyi said Feng Shi told reporters, as his father pursued realistic painting, died some time ago to fall one by realism as the theme of the exhibition inviting, we felt glad the little surprise, it didn't saw that day . .
I might prefer to use brushes to leave I might prefer to use brushes to leave . "Feng Shi light always remember father Feng Fasi one of Xiaoyan "Feng Shi light always remember father Feng Fasi one of Xiaoyan .
didn't become a self - fulfilling prophecy,Feng Fasi hours before her death also insisted the painting didn't become a self - fulfilling prophecy,Feng Fasi hours before her death also insisted the painting .
Feng Fasi

Character Evaluation

Feng Fasi in his own art practice, enrich and deepen painting by Xu Beihong was promoted to the race, showed his understanding for the Nationalization of Feng Fasi in his own art practice, enrich and deepen painting by Xu Beihong was promoted to the race, showed his understanding for the Nationalization of . Feng Fasi is proposed: the artist cannot separate from the motherland Feng Fasi is proposed: the artist cannot separate from the motherland .
leave people talk about nationalization, nationalization is formalism leave people talk about nationalization, nationalization is formalism . pursuit requires, firstly, the ordinary Chinese understand pursuit requires, firstly, the ordinary Chinese understand .
artist scoring images not only make people aware of, but also beauty artist scoring images not only make people aware of, but also beauty . painters pursuit and the creation of the melody, the melody painters pursuit and the creation of the melody, the melody .
color painting should not only have a large overall melodic beauty, and also to each of the small details of melody combination color painting should not only have a large overall melodic beauty, and also to each of the small details of melody combination . paintings embody melodies to have abstraction, generalization, and advocate of Xu Beihong's paintings embody melodies to have abstraction, generalization, and advocate of Xu Beihong's .
"but takes a minimalist, and large, do not mention too trivial, loss of fine" "but takes a minimalist, and large, do not mention too trivial, loss of fine" . Feng Fasi think: Artistic Creation Sketching, unsettlingly odd word of art, but also faithful to seriously grasp the natural topography, to ride the wave of ink dripping, play writing a limit; drawing the first trillionths of a painting I want like painting a painting always goes like a novice, Fang produced masterpieces Feng Fasi think: Artistic Creation Sketching, unsettlingly odd word of art, but also faithful to seriously grasp the natural topography, to ride the wave of ink dripping, play writing a limit; drawing the first trillionths of a painting I want like painting a painting always goes like a novice, Fang produced masterpieces .
good painting will withstand a far view of the proximal, or far in a thrilling, near - magical sort of look, mainly depends on the correct method of observation; macroscopic identification like microscopic and microscopic analysis, integral to the good painting will withstand a far view of the proximal, or far in a thrilling, near - magical sort of look, mainly depends on the correct method of observation; macroscopic identification like microscopic and microscopic analysis, integral to the . in Chinese contemporary previous great social transformation, Feng Fasi consistently stood in the forefront of a new culture,Insisted on realism, his works will become the treasure of the Chinese nation entered the annals of in Chinese contemporary previous great social transformation, Feng Fasi consistently stood in the forefront of a new culture,Insisted on realism, his works will become the treasure of the Chinese nation entered the annals of .
Feng Fasi is a famous Chinese painter, is living testimony of the Chinese contemporary art to the development of the older generation artist, whose works mainly by domestic and overseas collectors Feng Fasi is a famous Chinese painter, is living testimony of the Chinese contemporary art to the development of the older generation artist, whose works mainly by domestic and overseas collectors . because collectors are reluctant to sell, market and few of his works circulate because collectors are reluctant to sell, market and few of his works circulate .
Feng Fasi 'paintings currently existing in the market, the auctioneer said most of the 20,000 yuan / sq. ft.This price with Feng Fasi in modern China as well as the status of its painting achievement is undervalued compared to its works once estimated his masterpiece can reach 8 - 10 yuan / sq.
currently has numerous public collections to Feng Fasi's works, especially his early works as a key object currently has numerous public collections to Feng Fasi's works, especially his early works as a key object . 3 3.
Feng Fasi

Painter Anecdotes

Xu Beihong's disciple Feng Fasi, born in 1914, Lujiang, Anhui province, member of Chinese Artists Association, director of China Oil Painting Society as well as consultants, Xu Beihong International Art Seminar, Honorary President of the People's Republic of China, Xu Beihong Art School's chief adviser, Xu Beihong's disciple Feng Fasi, born in 1914, Lujiang, Anhui province, member of Chinese Artists Association, director of China Oil Painting Society as well as consultants, Xu Beihong International Art Seminar, Honorary President of the People's Republic of China, Xu Beihong Art School's chief adviser, . he is Xu Beihong's disciple, and again in 1946 with Xu Beihong in Beiping to attend the Beiping State Vocational art School, founded in 1950 to establish work he is Xu Beihong's disciple, and again in 1946 with Xu Beihong in Beiping to attend the Beiping State Vocational art School, founded in 1950 to establish work .
Fine Arts (CAFA) in Beijing, where he was appointed professor, first under the Department of Painting of the Department of Oil Painting Department of Fine Arts (CAFA) in Beijing, where he was appointed professor, first under the Department of Painting of the Department of Oil Painting Department of . he always follows a young man, he established the "is" art for life's artistic beliefs he always follows a young man, he established the "is" art for life's artistic beliefs .
there by" Shan ", the" lice ","with the morning", "Nanjing Massacre" (cooperation), "Garden of Suzhou couple", "Tianchi", "Xishuangbanna Maiden", "Lu Xiaguang Statue", "Warm Winter", "Time" and the like to surround yourself with the realistic spirit where there by" Shan ", the" lice ","with the morning", "Nanjing Massacre" (cooperation), "Garden of Suzhou couple", "Tianchi", "Xishuangbanna Maiden", "Lu Xiaguang Statue", "Warm Winter", "Time" and the like to surround yourself with the realistic spirit where . works, especially in the 1950s created huge oil painting Liu Hulan's martyrdom, "the most famous works, especially in the 1950s created huge oil painting Liu Hulan's martyrdom, "the most famous .
Feng Fasi's concept of art can be seen in the works of the former Soviet Union branded" Feng Fasi's concept of art can be seen in the works of the former Soviet Union branded" . Nanjing with an article in contemporary Chinese oil paintings, Mr. Feng Fasi was a well - respected, the skilful
doyen of November 2006, he was held in Nanjing"Feng Fasi oil painting retrospect exhibition" doyen of November 2006, he was held in Nanjing"Feng Fasi oil painting retrospect exhibition" . Nanjing and Feng Fasi Mr enjoys a deep bond, may be said, Mr. Feng Fasi Nanjing is like a second home because his studies from the beginning of
1933 he enrolled at the Central University in Nanjing Institute of Education of Art, the benefit of Xu Beihong and Yan Wenliang, Lu Sibai and Pan Yuliang master disciple 1933 he enrolled at the Central University in Nanjing Institute of Education of Art, the benefit of Xu Beihong and Yan Wenliang, Lu Sibai and Pan Yuliang master disciple . 1937 Central University with a bachelor's degree 1937 Central University with a bachelor's degree .
because of the city of Nanjing's soulful, and later in the day, he had created in Nanjing is the theme of "Yue Jiang Range Rover" and other works, "Yue Jiang Range Rover" Expressionism to the pen, and impressionistic color screen and full of passion,a bright, clear, light - filled works from because of the city of Nanjing's soulful, and later in the day, he had created in Nanjing is the theme of "Yue Jiang Range Rover" and other works, "Yue Jiang Range Rover" Expressionism to the pen, and impressionistic color screen and full of passion,a bright, clear, light - filled works from . heats up Feng Fasi gentleman works at the art market made a rare appearance, in 2006, one of his creations in 1950 of "Red Army was crossing the Jiajin Mountain" in Beijing on the weekend of Nov., shooting a 71. 5 million of high - priced
Nanjing Sifang Art Museum is a contemporary of Zeng Feng Fasi held exhibitions and collections of its several landscapes Nanjing Sifang Art Museum is a contemporary of Zeng Feng Fasi held exhibitions and collections of its several landscapes . Curators Li Xiaoshan yesterday interviewed by reporters said, as the "red artist", Feng Fasi are a few of the works, such as" Hunger "," lice "and the like, is a contemporary art history all have some of the," No, he's not a normal painter, but also cannot exaggerate,He eventually followed the academic market is a walk of Curators Li Xiaoshan yesterday interviewed by reporters said, as the "red artist", Feng Fasi are a few of the works, such as" Hunger "," lice "and the like, is a contemporary art history all have some of the," No, he's not a normal painter, but also cannot exaggerate,He eventually followed the academic market is a walk of .
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Feng Fasi

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