內容介紹
《悲劇的誕生?偶像的黃昏(英文版)》以哲學的激情和恢宏的氣勢闡釋了藝術的起源、本質及功用，從希臘民間傳說中的酒神崇拜和日神崇拜的習俗中找到了開啟希臘古典悲劇、藝術及民族精神的鑰匙。尼采採用反題、顛倒、佯謬等手法打破僵死的思維模式，發見真理，在新生與沒落、價值顛倒與價值確 立等方面給讀者以啟迪。在對希臘藝術進行美學討論的同時，完成了他對生命意義的思考，並對以蘇格拉底科學樂觀主義為特徵的現代文化作出了批判。NIErZSCHE found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian. Nietzsche claims life always involves a struggle between these two elements， each battling for control over the existence of humanity.
Twilight of the Idols was written in just over a week. As Nietzsche's fame and popularity was spreading both inside and outside Germany， he felt that he needed a text that was a short introduction to his work; Twilight of the Idols is his attempt at this，
作者介紹
FRIEDRICH NIETZSCHE（1844-1900） was a 19th-century German philosopher， poet， composer and classical philologist. He wrote critical texts on religion， morality， contemporary culture， philosophy and science， displaying a fondness for metaphor， irony and aphorism.Nietzsche's influence remains substantial within and beyond philosophy， notably in existentialism， nihilism and postmodernism. His key ideas include the death of God， perspectives， the Ubermensch， the eternal recurrence， and the will to power.
作品目錄
INTRODUCTIONTHE BIRTH OF TRAGEDY
THE BIRTH OF TRAGEDY
TWILIGHT OF THE IDOLS
PREFACE
MAXIMS AND ARROWS
THE PROBLEM OF SOCRATES
"REASON" IN PHILOSOPHY
HOW THE "TRUE WORLD" FINALLY
BECAME A FABLE
MORALITY AS ANTI-NATURE
THE FOUR GREAT ERRORS
THE "IMPROVERS" OF MANKIND
WHAT THE GERMANS LACK
SKIRMISHES OF AN UNTIMELY MAN
WHAT I OWE TO THE ANCIENTS
THE HAMMER SPEAKS
