人物平生
莊國良,工詩善書,山東古北海人,少年時從名家曹和平、韓 慶生二先生研習六法,得畫法之正脈,浸習日久得正道之成就。
各方評價
國良兄做畫喜用隸法,跌宕縱橫,筆隨氣運,氣隨筆生,筆生則勢成,勢成則韻遠。不辨正側順逆,濃淡焦濕,筆墨之妙存乎一心也!此乃國良兄作畫之大略。
余喜其用筆疏鬆靈變之度,渾厚峭拔之神,古逸高邁之心,縱橫塗抹之妙。
國良兄用墨空澄淡遠,韻味沖和。其心無掛礙,故得其清,以其清故,墨韻之變方能起於微妙。微妙之中是其心跡。墨借行水之功,幻化為形,水借心之施,呈無窮之禪意。筆墨亦心也,修養之法瞭然於胸,運用之妙自有其由。是法,是理,理法合一也。
國良兄之畫境,清奇野逸,空靈淡遠,格高趣古。心有所屬,境由心生。兄乃飽學之士,博覽群書,胸襟眼界自是不同。余僅以筆墨與境界簡述其一斑,不能得其全貌。
捶琴軒主人 李漢文
Nature & conscience
Zhuang guoliang, who is good at poem, born at Shandong North Sea. When he was young, he studied Liu law with master Cao heping and Han qingsheng. Thanks for his long-term hardworking, he succeed in it and is excellent in drawing.
1.Zhuang like using official script when drawing, his paintings fall vertically and horizontally, pen with fate, gas essays, trend into the rhyme. Not needing distinguishing positive and reverse side, thick and thin, wet and dry, the benefit of drawing depends on his mind. This is Mr. Zhuang’s drawing situation.
I worship his flexible style of writing, vigorous spirit, heroic and elegant mind, random beauty.
1.Zhuang use ink openly with charm. His heart is clear without interruption so he is incorruptible. The changes of ink charm begin from subtle. His mind trace among the subtle. Ink depends on water flowing to become intangible. Water depends on heart giving to present zen infinite. Pen and ink are also mind, engaging in self-cultivation, there must be reason that he can use exquisitely. It is law, it is science, it is Jurisprudence.
The artistic conception of Mr. Zhuang’s painting is elegant, ethereal, distant and interesting. He has a destination in mind, his state of mind originate from heart. Mr. Zhuang is erudite who read many books, his vision is better than others. I can only write above words to show some aspects of Mr. Zhuang’s pen, ink and vision but not all.
Master of Chui Qin Xuan, Li han wen
天性·本心
有畫師,莊公國良先生者,笑容可掬,溫文爾雅。早蒙家教,長浸范型,課子育英,造福後生,工余隱居泉城南山之喜樂居,擁書城,傲清風。時邀明月而對飲,恰遇知己以推心。其言滔滔蕩蕩如江河而流注,其風撲撲熏熏似春日之拂煦。人見之必嘆其風也古身也潤。
莊公幕藝,潛心丹青,其行楷沖和清健,領弘一大師之遺韻。其隸書,樸實典雅,多漢唐盛世之風采。其畫、筆墨散淡,意境超然。舒毫展硯,氣閒神定,感而遂通,紙墨相發,於是花、鳥、魚、蟲躍生腕底,每令觀者拊掌擊節,侃侃君子爭藏焉。
其人淡然平和,隱居心齋,仰懷先哲,襟袖經書。其品格亦謙謙,畫風自逸逸,故人喜與之游。
莊國良,工詩善書,山東古北海人,少年時從名家曹和平、韓慶生二先生研習六法,得畫法之正脈,浸習日久得正道之成就。
國良做畫喜用隸法,跌宕縱橫,筆隨氣運,氣隨筆生,筆生則勢成,勢成則韻遠。不辨正側順逆,濃淡焦濕,筆墨之妙存乎一心也!此乃國良作畫之大略。
余喜其用筆疏鬆靈變之度,渾厚峭拔之神,古逸高邁之心,縱橫塗抹之妙。
國良用墨空澄淡遠,韻味沖和。其心無掛礙,故得其清,以其清故,墨韻之變方能起於微妙。微妙之中是其心跡。墨借行水之功,幻化為形,水借心之施,呈無窮之禪意。筆墨亦心也,修養之法瞭然於胸,運用之妙自有其由。是法,是理,理法合一也。
國良之畫境,清奇野逸,空靈淡遠,格高趣古。心有所屬,境由心生。國良乃飽學之士,博覽群書,胸襟眼界自是不同。
味淡趣真
有畫師,莊公國良先生者,笑容可掬,溫文爾雅。早蒙家教,長浸范型,課子育英,造福後生,工余隱居泉城南山之喜樂居,擁書城,傲清風。時邀明月而對飲,恰遇知己以推心。其言滔滔蕩蕩如江河而流注,其風撲撲熏熏似春日之拂煦。人見之必嘆其風也古身也潤。
莊公幕藝,潛心丹青,其行楷沖和清健,領弘一大師之遺韻。其隸書,樸實典雅,多漢唐盛世之風采。其畫、筆墨散淡,意境超然。舒毫展硯,氣閒神定,感而遂通,紙墨相發,於是花、鳥、魚、蟲躍生腕底,每令觀者拊掌擊節,侃侃君子爭藏焉。
其人淡然平和,隱居心齋,仰懷先哲,襟袖經書。其品格亦謙謙,畫風自逸逸,故人喜與之游。
梁進傑
莊國良,山東濰坊人,1987年畢業於山東師範大學美術系,濟南住統文化研究會會員,中國海外藝術家聯盟會會員。
Pursuit sincerely with less demands
Zhuang guo liang is a painter who is radiant with smiles and polite. He was well educated at his early age to form a standard behavior. He teach his children, breed elite, benefit epigenetic. Now he live in seclusion at south maintain Xi le ju in spring city, Jinan, reading books and watching the scenery. He ask someone to drink in the moonlight sometimes, talk with a bosom friend during a chance encounter. His words is likeapparently endless rivers, his style is like spring-bringing warmth. People all highly praise his authentic style.
1.Zhuang is excellent with many skills. His running script and regular script is best with the charm of master Hongyi. His official script is simple and elegant with the style of Hantang golden age. His painting is with detached mood. He use ink and pen to create works frankly with many good minds, he can paint flowers, birds, fishes, worms well, others all applause for it and try to collect.
He is calm, live in seclusion, worship the sage, like reading books. He has modest character and his painting style is elegant, so others like travelling with him.
Liang jin jie
Zhuang guo liang, born at weifang city, shandong province, graduated from shangdongnormal university arts department on the year 1987, member of Jinan JiaTong culture research association, member of Overseas Chinese Artists Association.