新先鋒派舞蹈

新先鋒派舞蹈是第二次世界大戰後，在美國興起的以探索為目的、以實驗為手段的新的舞蹈藝術流派，是現代舞壇上一個嶄新的現象。主要代表人物有坎寧漢、尼克萊、保羅.泰勒、特薇拉.莎普等。其中最著名的是坎寧漢的編舞方法——“機遇法”。新先鋒派舞蹈是以嘗試新手段、探索新途徑為其基本特色的，是第一代現代舞者的創新精神的進一步體現和延續，其思想和手段都為後世留下了極為豐富的經驗及其教訓。

第二次世界大戰後，在美國興起的以探索為目的、以實驗為手段的新的舞蹈藝術流派.是現代舞壇上一個嶄新的現象，受到當時現代主義思潮的影響.一些頗有名氣的舞蹈編導和演員是這一流派的代表人物，如：坎寧漢、尼克萊、保羅.泰勒、特薇拉.莎普等.他們的實驗舞蹈又有“前衛派”、“超現代派”、“先鋒派”等不同的名稱.坎寧漢的編舞方法，是採用獨特的“機遇法”，即採用拋硬幣或抓鬮或翻撲克牌等手段，來決定舞蹈中動作和場記的排列順序，他提出“純舞蹈”理論，主張創作舞蹈時不應受到情節內容和音樂節奏的制約，因而演員在表演他的作品時，往往是在彩排或演出時才第一次聽到音樂.尼克萊則是一位奇異的舞台魔術師，他將動作融在一個由變換無窮的燈光、布景、大型道具、古怪的服飾，以及電子音樂組成的萬花筒之中，把舞蹈演員變成了在萬花筒中不停地變幼出各種奇異色彩的物體，令人眼花繚亂，目不暇接.他的理論主張是，這樣的舞蹈可以遏制演員的個性和情緒化表演，把舞蹈變成一種新穎的視覺經驗，與他們相比，泰勒的實驗更是向兩極發展，要不然就一動不動地站在舞台上達數分鐘，要不然就用大幅度的動作技巧席捲而過.當然，他的主要成就還是表現在其精湛的編舞技巧上.新先鋒派另一位主要干將莎普，則是將所有動作形式匯集於一身，以一種大雜燴式的舞蹈拼盤展現她的追求和才華.總之，新先鋒派舞蹈是以嘗試新手段、探索新途徑為其基本特色的，是第一代現代舞者的創新精神的進一步體現和延續，其思想和手段都為後世留下了極為豐富的經驗及其教訓. AfterWorldWar II in the United States for the purpose of the rise in order to explore, to experiment by means of a new dance genre. Is the modern dance scene on a new phenomenon, by the time the impact of Modernism.Somequite reputable, dance director and actors are representatives of this genre, such as: Cunningham, Nikolai,Paul. Taylor, Te Weila. Shapu other. Theirexperimentaldance has "avant-garde", "ultra-modern", "avant-garde" and other different names. Cunningham's choreographic approach is the use of a unique "Opportunity Law," which adopts the cointossor drawing of lots, or turning playing cards and other means to determine the continuity clerk's dance movements and the sequence, He put forward the "pure dance" theory, advocated creating the content of the plot should not be dancing and music, the rhythm of the constraints, so the actorsperformhis work, often in rehearsals or performances for the first time only to hear music.Nicolaiis asingularstage magician, he will melt in an action by the endless permutations of the lighting, backdrops, large props, outlandish costumes, as well as the composition of electronic music into a kaleidoscope, the dancers into a kaleidoscope of constantly in the Variable young all kinds of strange colors of objects, dazzling, dizzying. His theory proposes that such a dance may contain actor's personality and emotional performances, the dance into a new visual experience with them, compared Taylor's experiment is the development toward the poles, or else a motionlesson stagefor a few minutes, or else with a substantial motor skills swept by. Of course, his main achievement was reflected in his superb choreography skills. New Avant-garde, another major go-getters Shapu, append all forms of exchange rolled into action, with a hodgepodge of assorted and her pursuit of dance, and talent. In short, the new Avant-garde dance is to try new methods to explore new ways for its basic characteristics are the first generation of modern dancers, a further manifestation ofthe spiritof innovation and continuity, their ideas and methods were left for future generations a very rich experience and its lessons.