《花都艷舞》

《花都艷舞》

這部被譽為電影史上不可多得的歌舞片,不只是雲信.明尼里和真.基利的代表作,亦是李絲莉.嘉儂的成名作。故事發生在戰後的巴黎。美國畫家謝利(真·基利飾)退役後留在巴黎,但他的作品卻乏人問津。不久,謝利里在餐廳與法國少女莉絲(李絲莉·嘉儂飾)邂逅,對她產生了愛慕之情。與此同時,一位富裕的美國女雕塑家願意資助他讓他成名。但條件是要他做她的入幕之寶。影片最出色的場面是由一組由真.基利精心精思設計、長達十七分鐘的芭蕾舞。這段舞蹈變幻莫測、富麗堂皇、動人至極。此外,影片中還有許多精采場面,如塞納河畔的二重唱。

基本信息

概述

《花都艷舞》《花都艷舞》
這部被譽為電影史上不可多得的歌舞片,不只是雲信.明尼里和真.基利的代表作,亦是李絲莉.嘉儂的成名作。故事發生在戰後的巴黎。美國畫家謝利(真·基利飾)退役後留在巴黎,但他的作品卻乏人問津。不久,謝利里在餐廳與法國少女莉絲(李絲莉·嘉儂飾)邂逅,對她產生了愛慕之情。與此同時,一位富裕的美國女雕塑家願意資助他讓他成名。但條件是要他做她的入幕之寶。影片最出色的場面是由一組由真.基利精心精思設計、長達十七分鐘的芭蕾舞。這段舞蹈變幻莫測、富麗堂皇、動人至極。此外,影片中還有許多精采場面,如塞納河畔的二重唱。

內容簡介

故事發生的地點在戰後的巴黎,吉里是美軍一士兵,退伍後仍留在巴黎學習繪畫。
由於用功,造詣頗高,作品不少,但一幅也賣不出去。他跟另一個美國人、鋼琴家亞當和法國人歌手亨利等人十分要好。他們年輕好動,無憂無慮地打發著日子。
一天,有位名叫邁羅的美國女富翁來吉里住處買畫。她是個寡婦,看中了吉里。買好畫,邁羅邀請吉里去酒吧間用餐。在那裡,吉里遇到見一位年輕活潑的法國女郎,她叫李絲,在家化妝品商店裡當售貨員。兩人談得很投機,吉里暗自喜歡上她了,但她因有約會,匆匆離去,以後每次碰頭都如此這使吉里十分氣惱。後來他從朋友那裡知道,李絲的雙親在戰爭中死去。亨利對她十分關心,兩人早已許下心愿,而且訂了婚,事雖如此,吉里卻越加愛李絲。亨利胸襟大度,看出吉里是真心愛李絲的,而且兩人的興趣愛好十分默契,因此決定犧牲自己。為了好友,亨利離開故鄉去美國。李絲去跟亨利惜別,吉里誤以為李絲一定會隨亨利遠走高飛,便悶自陷入遐思……他夢見自己跟李絲在巴黎街頭載歌載舞……哪料李絲回到他的身邊,兩人終成眷屬。

演員表

《花都艷舞》《花都艷舞》
導演:
Vincente Minnelli
編劇:
Alan Jay Lerner
演員表: George Davis
Anna Q. Nilsson
Dick Wessel
Eugene Borden
John Eldredge
Paul Maxey
吉恩·凱利
Ann Codee
Noel Neill
Leslie Caron
尼娜·弗徹
Hayden Rorke
Madge Blake
Art Dupuis
Mary Young
Oscar Levant
Andre Charisse
Greg McClure
Alfred Paix
Nan Boardman
Dorothy Tuttle
Martha Bamattre
Jeanne Lafayette
Christian Pasques
Georges Guétary
Anthony Mazzola
Lucien Plauzoles
Marie Antoinette Andrews
Adèle Coray
Louise Laureau
Don Quinn

英文劇情介紹

Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound. Written by Scott Renshaw

經典對白

《花都艷舞》《花都艷舞》
Jerry Mulligan: Back home everyone said I didn't have any talent. They might be saying the same thing over here but it sounds better in French.
Adam Cook: I'm a concert pianist. That's a pretentious way of saying I'm... unemployed at the moment.
Jerry Mulligan: That's... quite a dress you almost have on.
Milo Roberts: Thanks.
Jerry Mulligan: What holds it up?
Milo Roberts: Modesty.
Adam Cook: It's not a pretty face, I grant you, but underneath its flabby exterior is an enormous lack of character.
Henri Baurel: You only find the right one once.
Adam Cook: That many times?
Henri Baurel: Be happy! You only find the right woman once.
Adam Cook: That many times?
Adam Cook: [Jerry, Henri Baurel and Adam are at the café, talking. Adam desperately tries to prevent the other two men from revealing to each other they love the same woman by distracting them] Did I ever tell you about the time I gave a command performance for Hitler?
Jerry Mulligan: Where is everyone?
Milo Roberts: Here.
Jerry Mulligan: Downstairs?
Milo Roberts: No, here in this room.
Jerry Mulligan: What about that extra girl?
Milo Roberts: That's me.
[first lines]
Jerry Mulligan: This is Paris, and I'm an American who lives here. My name is Jerry Mulligan, and I'm an ex G.I. In 1945 when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.
Lise Bouvier: Maybe Paris has a way of making people forget.
Jerry Mulligan: Paris? No. Not this city. It's too real and too beautiful to ever let you forget anything.

[last lines]
Lise Bouvier: Jerry, don't let me leave you this way.
Jerry Mulligan: What gets me is, I don't know anything about her. We manage to be together for a few moments and then off she goes. Sometimes we have a wonderful time together and other times it's no fun at all. But I got to be with her.
Jerry Mulligan: Well, uh, with a binding like you've got, people are going to want to know what's in the book.

幕後花絮

Gene Kelly screened The Red Shoes (1948) for the MGM executives to persuade them to back a dance film.

Cyd Charisse discovered that she was pregnant during pre-production and was replaced by Leslie Caron.

This film was selected to the National Film Registry, Library of Congress, in 1993.

After Arthur Freed and Ira Gershwin reached an agreement during their weekly pool game, film rights to George Gershwin's "An American in Paris - A Tone Poem for Orchestra" were purchased for $158,750, and Ira received $56,250 as a consultant to write any necessary new lyrics for songs used.

Alan Jay Lerner began writing the screenplay in December 1949, and finished it in a 12-hour stretch in March(?) 1949 on the night before his wedding.

There was a break in production after 1 November 1950, at which point Gene Kelly began rehearsing the ballet choreography. By the time production for that final sequence resumed on 6 December, Vincente Minnelli had finished directing another film - Father's Little Dividend (1951).

Irene Sharaff designed a style for each of the ballet sequence sets, reflecting various French impressionist painters: Raoul Dufy (the Place de la Concorde), Edouard Manet (the flower market), Maurice Utrillo (a Paris street), Henri Rousseau (the fair), 'Vincent Van Gogh' (the Place de l'Opera), and Henri de Toulouse-Lautrec (the Moulin Rouge). The backgrounds took six weeks to build, with 30 painters working nonstop. Three filmed solo numbers were cut from the film: "I've Got a Crush on You" (Gene Kelly), and "Love Walked In" and "But Not For Me" (Georges Guétary).

According to Leslie Caron, her introductory dance sequence, which included a seductive dance with a chair, was considered too suggestive by some censors. Gene Kelly directed the brief fantasy dance sequences shown as Lise is introduced.

《花都艷舞》《花都艷舞》
Leslie Caron's first movie.

Gene Kelly directed the whole "Embraceable You" sequence.

reputed to be Gene Kelly's favorite of all his films.

6c The 17-minute dance sequence at the end took a month to film. It cost half a million dollars.

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Gene Kelly discovered Leslie Caron while vacationing in Paris where he saw her perform in a ballet.

Leslie Caron had suffered from malnutrition during WWII and was not used to the rigorous schedule of filming a movie. Because she would tire so easily, she was only able to work every other day.

Oscar Levant, more of a pianist than an actor, signed onto the film because he was actually a friend of George Gershwin.

Arthur Freed originally just wanted to buy the rights to the Gershwin number "American in Paris," but Ira Gershwin made the condition that he'd only sell on the condition that if a musical were to use the song, it would use only Gershwin numbers as its other songs.

Despite the objections of Gene Kelly who wanted to shoot on location in Paris, the movie was shot at MGM Studios in California, on 44 sets built for the film. It was reportedly difficult for the studio to secure travel arrangements or locations for shooting. Two shots in the picture are from Paris, but they don't involve Kelly.

《花都艷舞》《花都艷舞》
The ballet sequence was almost cut because the shooting was behind schedule, but MGM studio head Louis B. Mayer stood by Arthur Freed, Vincente Minnelli and Gene Kelly in withholding the release of the movie because he felt the movie wouldn't be effective without it.

Even though Vincente Minnelli is credited as the sole director, he was sometimes tied up with his divorce from Judy Garland and other directing projects, leaving Gene Kelly to take over the directing duties.

Vincente Minnelli first wanted Maurice Chevalier in the Georges Guétary part, and 'Celeste Holm (I)' in the Nina Foch part. But Chevalier wasn't available; Minnelli was pleased with Foch's reading, and she got the part.

A scene in which Gene Kelly dances and sings "I've Got a Crush on You" while in his pajamas was filmed but did not make final cut. Kelly created a similar number with the song "All I Do Is Dream of You" for his next movie musical, Singin' in the Rain (1952), and it also ended up on the cutting room floor.

外部連線

《花都艷舞》《花都艷舞》
Movie-a-day.com
MovieMeter (Dutch)
SoundtrackCollector - Soundtrack Information
Classic Movies
MGM vs. Warner Bros. - Classic Film Guide
Filmhai - info (German)
Filmhai - Photo Gallery
New Video Film-Lexikon (German)
Zelluloid.de (German)

上映時間

國家或地區 上映日期
香港 1953-01-22 1953
西德 1952-12-24 1952
菲律賓 1952-10-07 1952
義大利 1952-09-06 1952
法國 1952-07-23 1952
日本 1952-05-22 1952
芬蘭 1952-05-01 1952
瑞典 1952-02-25 1952
丹麥 1952-02-04 1952
美國 1951-10-04 1951

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《花都艷舞》《花都艷舞》

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