“李六乙·中國製造”戲劇計畫預計在未來三年，通過對三部古希臘題材作品《安提戈涅》《俄狄浦斯王》《被縛的普羅米修斯》，以及藏族史詩《格薩爾王》（上、中、下）的舞台呈現，與觀眾一起探討這六部作品在當代文化環境中的現實意義，力求完成跨文化、世界性的戲劇實踐與探索。李六乙導演將帶領他的創作團隊，持虔誠的姿態，重返文明之旅，回到歷史中去、回到“人”自身，重拾劇人對世界的態度和責任，促成廣泛的文化共享，完成生命體驗的傳遞和戲劇理念的延伸。
重返文明之旅
李六乙導演是“李六乙·中國製造”
戲劇計畫的發起人，該計畫中的六部作品全部由他親自執導。李六乙導演對戲劇表演、劇場藝術和美學判斷有獨到的見解，堅信“李六乙·中國製造”具備引人深思的現代意義和普世價值。他將秉承一貫的詩學品質、當代精神、哲學睿思、人文關懷的創作原則，立足於國際視野，聯合國內外各領域一線藝術家，挖掘這六部作品的文化價值和精神核心。他講到：“古希臘戲劇詮釋了人類崇高的精神；史詩《格薩爾王》唱盡了人間質樸的善和美。面對這樣偉大的作品，一群真誠、無私的人相聚“李六乙·中國製造”戲劇計畫。此次重返文明之旅，從戲劇出發，回到戲劇，往回看，必將發出屬於我們自己文明的聲音，戲劇的聲音，“人”的聲音。”
國際陣容，跨界合作
“李六乙·中國製造”戲劇計畫的文化顧問團隊和主創團隊由國內外一線藝術家和專家學者組成。趙汝蘅、林兆華、羅錦鱗、童道明、林克歡、白岩松、希臘駐華大使館文化官員、祖古白瑪奧色仁波切擔任該戲劇計畫的文化顧問；日本服裝設計師和田惠美、當代藝術家林天苗、電影美術指導張叔平、作曲家郭文景等藝術家是該戲劇計畫的主創成員，他們具備開闊的國際視野和的豐富的藝術表現力，均在各自藝術領域有傲人的成績。此次因“李六乙·中國製造”戲劇計畫相聚，與李六乙導演一同，為解讀戲劇的獨特魅力，探索戲劇的前進方向，進行具有開拓性的戲劇實踐提供了無限可能。
“李六乙·中國製造”戲劇計畫發布會
2012年6月29日，“李六乙·中國製造”戲劇計畫正式啟動。文化顧問和嘉賓齊齊到場祝賀。
希臘駐華大使賽德羅斯·耶奧卡凱羅斯（Theodore Georgakelos）先生到場並致辭，他說：“值此中希建交四十周年之際，李六乙導演為觀眾奉上中希著名戲劇作品，可謂恰逢時宜！李六乙導演及其工作團隊在這方面做出的努力，必將推動中希兩國戲劇藝術的進一步鑑賞與比較，並為中國觀眾欣賞二者的異同開闢了廣闊的空間。”
戲劇計畫文化顧問之一，藏傳佛教紅教領袖，祖古白瑪奧色仁波切，因為閉關未能到場。他錄製了一段視頻表達對“李六乙·中國製造”戲劇計畫的祝賀，“文化需要傳承，李六乙導演排演《格薩爾王》將流芳千古，會給大家帶來更多啟迪，祝演出圓滿!”
白岩松作為文化顧問到場並致辭，他說：“今天有三件大事，神九返航，主席抵港，“李六乙·中國製造”戲劇計畫啟動。排名不分先後。這三件事的共同點是：最重要的都是起倉的那一瞬間。起倉，意味著新的開始。”
文化顧問之一，導演藝術家羅錦鱗教授到場並致辭。他說：“李六乙戲劇工作室啟動排演古希臘悲劇的戲劇計畫，可喜！可賀！李六乙是位非常有追求和探索精神的導演，是我所尊敬的中央戲劇學院的校友。希望李六乙戲劇工作室不斷推出新戲劇，為中國的戲劇事業作貢獻。”
胡軍因領銜出演《格薩爾王》，與妻子盧芳作為主創上台。林天苗、王功新夫婦，關錦鵬，李檣，吳剛、岳秀清夫婦，邵兵、張培夫婦，果靜林，韓青，林熙越，于洋等作為主創嘉賓代表，齊齊亮相活動現場。
Opening Concept of “Li Liuyi · ChinaMade”
As anancient art form, the development of drama is accompanied by the process ofpeople discovering the world and knowing themselves. Under the circumstance ofglobalization, the theater practitioners in China feel obliged to express theirattitude through this charming art form, which means to base it on the Chinesetraditional culture, to fetch new vigor by taking a broad view of the wholeworld and to avoid the manipulating of commercialization. By doing these, theycan achieve the recurrence of human beings as an individual —— deriving fromdrama, and return to drama. Right under this background, Li Liuyi Studio launchedthe drama scheme “Li Liuyi · China Made”.
Thewestern drama was born in Greece, and the Greek tragedy was originated from Homer Epics, which depicts the greatpower developed from the conflicts between human beings and the fate, as wellas the human beings and themselves. KingGesar, on the other hand, is deemed as “the oriental Homer Epics”, which is a collective creation of Tibetan people ofChina. Several works of Greek tragedy and Tibetan epic with vary ages, racesand temperaments will meet in this drama scheme. In the stance of seriousness,sincerity, and pithiness, the studio will return to “human” themselves andhistory. By taking up the responsibility of being a practitioner of drama, itwill also promote the cultural sharing and facilitate the communication of theeast and the west, so as to pass the life experience and extend the idea of drama.
Bypresenting Antigone, Oedipus the King, Prometheus Bound, King Gesar (partⅠ,Ⅱ,Ⅲ), this dramaprogram aims to discuss the practical significance of this six works in thecontemporary cultural environment, and complete the cross-cultural, worldwidetheater practice and exploration together with audience.
As the initiator, director Li Liuyi always has his originalideas to drama performance, theater art, and aesthetics. He believes “Li Liuyi· China Made” has profound significance and universalvalue. Besides, director Li Liuyi will connect his poetic quality, modernspirit, and philosophical thinking with the principle of humanistic care, theconflict between the east and the west, with the aim of deeply reveal thecultural value and spiritual core of the mentioned four pieces of art, whichwill accomplished by broad field of view, the join-in of the A-line artistsfrom different domains in the world.
