緹埃舒亞品牌秉承Cobbler master的尊貴特質，創立於2001年。她不懈地堅持傳承法式奢華、擁有高貴的貴族血統，堅持手工技藝製作，體現出追求藝術的無限執著與熱愛，每一件產品都是瀝心思考的成果。數百年悠久皇室工藝的傳承，如今隨著歲月遞進步入眾多富豪家庭，也將緹埃舒亞發展成中國歐式新古典主義家具工業中的領軍品牌。
緹埃舒亞作為歐洲市場家具的供應品牌之一，其品質得到了廣泛的認可，倍受歐洲上層社會青睞，在國際家具界享有盛譽。緹埃舒亞的設計師們傳承皇室宮廷經典原創，長於色彩搭配和用料，在所有的家具系列中善用銀箔，浮雕與鑲嵌的手法精湛絕倫，緹埃舒亞家具設計盡現低調的奢華，彰顯尊貴並通過對產品細節的精雕細琢、反覆推敲營造出細膩奢華的氛圍。如今緹埃舒亞新開發的產品，已經成為頂級消費品的化身，在高端家具行業內，猶如一顆璀璨鑽石發出奪目的光彩，讓來自世界各地的人們為之折服。
設計風格：
緹埃舒亞師承新古典主義中心人物Robert Adam、James Adam兩兄弟，產品風格以簡約、優雅見長。沿襲亞當兄弟式風格，慣用人體曲線、動物頭部、圓和橢圓、花卉、垂花飾、下垂飾、懸掛飾、卷葉飾、卵形鱗狀尖頂飾等藝術造型元素烘托奢華氣氛。
緹埃舒亞家具設計師介紹：
緹埃舒亞首席設計師Louis Jorden，於1963年1月5日出生在法國美麗的萊茵河畔，他通過自己的努力奮鬥和對家具領域的卓越貢獻，成為室內裝飾設計的大師。
在生活上“創造出一種生活格調”是Louis Jorden的設計追求，他沿襲了法國人的一貫浪漫風格，奠定了緹埃舒亞優雅浪漫品牌，是法國乃至歐洲家具的領軍人物。
It was in 2001 that Treasure as the carrier of Cobbler Master’s worshipful tradition has been established. With the French luxuriant style and hand-made quality, every of Treasure prodoct is an artwork which reflects the desire of being elegance and nobleness. With time’s gone by, now Treasure is the leading brand of New Classical furniture in Chinese market.
As one of the main furniture suppliers in Euopean market, Treasure has been widely accepted by the upper class, holds a remarkable reputation by its peerless design and quality. Designers from Treasure are keen on the perfection of colours and material, gold and silver foil are used in a simple but gorgeous way, thus the excellent workmanship of enchasing strengthens the impression of delicacy and luxury. Details perfect makes Treasure a splendid diamond and the defination of high class furniture.
(Jorden), was born in January 5, 1953, he reliably has contributed to the domain of furniture with outstanding success, and has become an interior decoration design master. His main pursuit in life is to “create a one of a kind lifestyle.” He has incorporated the French's consistent romantic style, established an orange-red Egyptian motif to link the grace of Asia with European brands, and his designs were furniture leaders in Europe and France.
Treasure is embarking to FUSE neoclassicism with key players Robert Adam and his brother James Adam. The products’ style at first glance seems glib, but grows perceptibly graceful with time. Followers of the Adams brother’s style appreciate the motifs taken from nature; the sensual curves of the human body, the powerful animalistic totems, the smooth gentle curves of orchids and other plants, the sagging affluence of wealth, the understated hanging decoration, and the ornamental elements taken from the esteemed Ye Shi, and the oval squamose pattern fit for a luxurious atmosphere.
