Interpretation Of Paintings
Sampling
traditional chinese painting master mr. fu baoshi is a bit of a profound scholar and lifelong - - more than 200 million Chinese characters, as described, relates to cultural aspects of He of classical literature and art of the research are synchronized, in literature to the Literature You love poetry, is a masterpiece of all ages, from the color of his painting in He of classical literature and art of the research are synchronized, in literature to the Literature You love poetry, is a masterpiece of all ages, from the color of his painting in .
roughly three priorities: firstly, is the most venerated of the Warring States Period (475 B.C. -221 B.C.), a patriotic poet of the "Li Sao", the right of its personal character and sentiment, the sympathy of Qu Zi "bouldering Huaisha self - sinking of the Miluo River and tragic ending, therefore it developed from the" master of bouldering, "Mr." Nine Songs" have been well - known figure already Feisheng on on .
Mr Shi Tao's youth in compiling "Shi Tao's on the people The chronologyfrom the person's life to works and textual of fine detail, the artistic effects were deepest, and Shi Tao's poems and paintings, we just come up with is Mr Shi Tao's youth in compiling "Shi Tao's on the people The chronologyfrom the person's life to works and textual of fine detail, the artistic effects were deepest, and Shi Tao's poems and paintings, we just come up with is . a good as the most important, Mr bouldering sacrificed most of Tang poetry in the Tang Poetry a good as the most important, Mr bouldering sacrificed most of Tang poetry in the Tang Poetry .
created at the time a community movement, i.e. to today, and all past dynasties scholars read the "Four Books" almost untouched, but in the poetry of Ruzi masterpiece is still holding back in their mortgaged in the ancient philosophy, moral content and the like can, under certain conditions, preservation, politics, society and will change with the times" is only poem artistic charm of the young painter Tang ancient philosophy, moral content and the like can, under certain conditions, preservation, politics, society and will change with the times" is only poem artistic charm of the young painter Tang .
12g has its universality,However Mr Tang Poetic creation of a picture to have different general particularity of 12g has its universality,However Mr Tang Poetic creation of a picture to have different general particularity of .
According To The Conception Of Poetry
The painter has ancient poetry, there are two different ways: one is the The painter has ancient poetry, there are two different ways: one is the . sign was going to be the ancients of the poems, such as Li Bai's Qing Ping Verse With a peony and write too true, but is it only the flowers, and turned their verses all in longhand, in fact, the picture is far from the topic sign was going to be the ancients of the poems, such as Li Bai's Qing Ping Verse With a peony and write too true, but is it only the flowers, and turned their verses all in longhand, in fact, the picture is far from the topic .
and the other is according to the ancients conception of the poem, or a constant source of inspiration, grasp the spirit essence well and artistic re - creation, shall not be required to produce poems and poetic Mr and the other is according to the ancients conception of the poem, or a constant source of inspiration, grasp the spirit essence well and artistic re - creation, shall not be required to produce poems and poetic Mr . bouldering can be referred to the latter and the quintessence of his ancient poetic paintings possess both macro view, and sketch points clear, although in some paintings as early as the end of the verse, but does not occupy the important position, there is a write - only title, sometimes only a painter, but readers at a glance which poem bouldering can be referred to the latter and the quintessence of his ancient poetic paintings possess both macro view, and sketch points clear, although in some paintings as early as the end of the verse, but does not occupy the important position, there is a write - only title, sometimes only a painter, but readers at a glance which poem .
this is what - - - Strenuous Efforts, this is what - - - Strenuous Efforts,. Mr is no accident that all the paintings are converted to visual images of the poem, he has the temperament of the poet except Mr is no accident that all the paintings are converted to visual images of the poem, he has the temperament of the poet except .
is reminiscent of a poetic picture, Fan wrote "bosom Vals" or sketches, are all from the natural and poetic depiction of view.They ancients image or anecdotes, eulogized one of the ancients or the scene to chant the verse ancients image or anecdotes, eulogized one of the ancients or the scene to chant the verse .
painting language poetry of the language, artistic conception of painting is the artistic conception of the poem painting language poetry of the language, artistic conception of painting is the artistic conception of the poem . traditionally, a so - called" poetry with painting "poetry, but what is the picture, i.e. a poem
bouldering Mr ancients from the deep understanding and feelings of empathy bouldering Mr ancients from the deep understanding and feelings of empathy . author is mentioned many times," Mr. Si joined Elegant "(Liu Xie s Wen Xin Diao Long), Qu Yuan, Li Bai, Du Fu, Shi Tao's and other ancients, both for his object of study, also became a close friend of Mr.
bouldering peerless genius with the agitations of the ancients, so different from his characters, and dressed like a modern actor but to the ancients bouldering peerless genius with the agitations of the ancients, so different from his characters, and dressed like a modern actor but to the ancients .
Canonical
Du Fu "BOTH SIDES OF THE YELLOW RIVER RECAPTURED BY THE IMPERIAL ARMY" with two sharp, "i.e. from the bar wearing Wuxia Gorge from the gorge to Luoyang" (and the later inscription "The Descent from Xiangyang was then Luoyang", perhaps other than this, also in the event of accidental slip of the pen), the same subject matter clouds Wu Gorge, the river is very vast, what best at in the scenery of the southern Song Dynasty greatly Wu Gorge, the river is very vast, what best at in the scenery of the southern Song Dynasty greatly .
, , . slightly in this album, the handwriting of inflight, with peaks rising peaks, if Snake Flying Dance, the amazing slightly in this album, the handwriting of inflight, with peaks rising peaks, if Snake Flying Dance, the amazing .
regardless of the sharply edged, shown on all boats in the river canyon, lake south, shencemen park, chinken toll temple, thousands of miles of each other but of the spirit in an urgency, and this is the year Wen fu on visiting his hometown for recapture.anxious to return the urgent mood that
"Xiajiang Sail"
"Xiajiang Yangfan" Author: Fu Baoshi "Xiajiang Yangfan" Author: Fu Baoshi . Fu Baoshi was born in the late Qing Dynasty in 1904 in Nanchang clty, Jiangxi Province, died in 1965, originally named Changsheng, Ruilin, No bouldering Fu Baoshi was born in the late Qing Dynasty in 1904 in Nanchang clty, Jiangxi Province, died in 1965, originally named Changsheng, Ruilin, No bouldering .
is a modern master of famous painter and art educator is a modern master of famous painter and art educator . Fu Baoshi is very good at painting landscapes Fu Baoshi is very good at painting landscapes .
"Xiajiang Yangfan" longitudinal 75 cm, 32 cm, the colors of the ink - wash - painting -, P - picture "Xiajiang Yangfan" longitudinal 75 cm, 32 cm, the colors of the ink - wash - painting -, P - picture . Essence forClose, Momentum for Distant View, ink paintings, and in the Bashu landscape from Essence forClose, Momentum for Distant View, ink paintings, and in the Bashu landscape from .
FIG. in the form of a portion of the Xiajiang depict picturesque strait and boats in the river for its magnificent scenery Close wrote "is a section of riverbank on the shore to towering mountains,granite cliffs, magnificent, out of the picture - out - at the foot of the mountain peak Close wrote "is a section of riverbank on the shore to towering mountains,granite cliffs, magnificent, out of the picture - out - at the foot of the mountain peak .
The sturdy old pines, bamboos are dense, lush, verdant hills is a middleground The sturdy old pines, bamboos are dense, lush, verdant hills is a middleground . under the grip of the river, the mighty, the tempestuous under the grip of the river, the mighty, the tempestuous .
Jiang on Zhengfan - -remained, braving the wind and, downstream, from far and near, trippingly from Jiang on Zhengfan - -remained, braving the wind and, downstream, from far and near, trippingly from . on the far shore is luxuriant and verdant grass to scenery, boundless vitality and on the far shore is luxuriant and verdant grass to scenery, boundless vitality and .
had more milliner's scraps of bamboo can be large or small, sparsely or densely crisscrossed with had more milliner's scraps of bamboo can be large or small, sparsely or densely crisscrossed with . Himmaleh vision is looming in the picture Himmaleh vision is looming in the picture .
full gas momentum; the majestic splendour, with a pen carrying Fenglei, the earth - shattering, but thousands of miles of stone with full gas momentum; the majestic splendour, with a pen carrying Fenglei, the earth - shattering, but thousands of miles of stone with . This is the soul of the painter reflect,Fu's thoughts and feelings of the exhibit and the broad feeling This is the soul of the painter reflect,Fu's thoughts and feelings of the exhibit and the broad feeling .
So, here the author wrote is the Gorge - River landscape, but to publicize the national gas, national soul So, here the author wrote is the Gorge - River landscape, but to publicize the national gas, national soul . Xiajiang Yangfan appreciation of painting on the painting. "Bopu Mr Stankovic, the Horse Winter bouldering
" under Qian "bouldering" Zhu Yin, the lower - right corner of the Qian of Xu "Warks " under Qian "bouldering" Zhu Yin, the lower - right corner of the Qian of Xu "Warks . this" Pu", i.e., this painting has been influenced by the paintings of Xu Bo Pu
this" the Horse ", i.e., in 1942, on 10 October, Fu Baoshi's" Horse Exhibition" in Chongqing Teacher Li Chi Society held is on Xu's invitation to the exhibition, and Fu's cord to draw is on Xu's invitation to the exhibition, and Fu's cord to draw .
shortly, Fourier would come this figure therefore shortly, Fourier would come this figure therefore .,This is the graph of Chongqing Fu's" Horse exhibition "shortly after work, have a strong innovation consciousness is ,This is the graph of Chongqing Fu's" Horse exhibition "shortly after work, have a strong innovation consciousness is .
when Fourier" bouldering chapped "technique is not mature yet, still at the exploratory stage, it has started the application, this figure is one proof, should be a new style of transition and Fu Baoshi 'style, in landscape painting, Fu Baoshi when Fourier" bouldering chapped "technique is not mature yet, still at the exploratory stage, it has started the application, this figure is one proof, should be a new style of transition and Fu Baoshi 'style, in landscape painting, Fu Baoshi . important inventive novelty of artistic conception, the structure is grand and bold strokes, Majestic, and Qi Baishi and referred to as" North Two Shi", the leader of the New Jinling Painting School, is a 20th - century master of Chinese painting one important inventive novelty of artistic conception, the structure is grand and bold strokes, Majestic, and Qi Baishi and referred to as" North Two Shi", the leader of the New Jinling Painting School, is a 20th - century master of Chinese painting one .
in 1937, after the breakout of the Anti - Japanese War, Fu Ying, GUO Mo - ruo is that article1938 to enter the national committee of the Department of Political Affairs of the Third Chamber of the work, followed by three halls to the junction of the in 1937, after the breakout of the Anti - Japanese War, Fu Ying, GUO Mo - ruo is that article1938 to enter the national committee of the Department of Political Affairs of the Third Chamber of the work, followed by three halls to the junction of the . in Chongqing Chongqing, Fu Baoshi made his artistic creation of the first peak is when in Chongqing Chongqing, Fu Baoshi made his artistic creation of the first peak is when .
Fu Baoshi so, many see rush in the turbulent rapids, clouds and changing, at the foot of Bashu landscape gave him inspiration, and strong personal feelings, life philosophy and cosmology injection drawing, by the creative zeitgeist of landscape painting, now in Jiangsu Province Huaian museum collection "Xiajiang Yangfan" is one of the Fu Baoshi so, many see rush in the turbulent rapids, clouds and changing, at the foot of Bashu landscape gave him inspiration, and strong personal feelings, life philosophy and cosmology injection drawing, by the creative zeitgeist of landscape painting, now in Jiangsu Province Huaian museum collection "Xiajiang Yangfan" is one of the . after the surrender of Japan, Fu Baoshi and start to carry wine cup to drink,in his own way to celebrate the Chinese War of Resistance against Japanese Aggression and the victory of the after the surrender of Japan, Fu Baoshi and start to carry wine cup to drink,in his own way to celebrate the Chinese War of Resistance against Japanese Aggression and the victory of the .
In October 1945, Fu Baoshi and his family left Chongqing, following the relocation of Nanjing Central University In October 1945, Fu Baoshi and his family left Chongqing, following the relocation of Nanjing Central University .
Memories Of The Slightly Set
In the arts of the initial road, Fu Baoshi is first used to make a living of lettering has been shifted to the state of the art of seal - engraving, book Zhao Zhiqian "Kingdee Love to his first textbook boards and In the arts of the initial road, Fu Baoshi is first used to make a living of lettering has been shifted to the state of the art of seal - engraving, book Zhao Zhiqian "Kingdee Love to his first textbook boards and . He imitates to Zhao Xi seal of authenticity, even he taught lettering of Master also praise from He imitates to Zhao Xi seal of authenticity, even he taught lettering of Master also praise from .
, Nanchang city have constantly" Zhao Zhiqian "of the seal occurs, often relish, fu baoshi also was the colour of their breadwinner, Khao , Nanchang city have constantly" Zhao Zhiqian "of the seal occurs, often relish, fu baoshi also was the colour of their breadwinner, Khao . first normal school in the larger" nerd "became the most famous people in the city of Nanchang first normal school in the larger" nerd "became the most famous people in the city of Nanchang .
in the First Normal School of this period, he was well - used bookstore,began to read some ancient painting history for his works concerning in the First Normal School of this period, he was well - used bookstore,began to read some ancient painting history for his works concerning . when he read this account of Shi Tao's blind Venerable Zhuan "(Chen Ding plays) in the sentence" I use my method ", Fu Baoshi and enlightened, and Shi Tao's" Search every Qifeng scratch" and thought her when he read this account of Shi Tao's blind Venerable Zhuan "(Chen Ding plays) in the sentence" I use my method ", Fu Baoshi and enlightened, and Shi Tao's" Search every Qifeng scratch" and thought her .
to their lovers of Shi Tao's love, he not only had gone so "ch '" or, also began to use "the master of bouldering" as his alias to their lovers of Shi Tao's love, he not only had gone so "ch '" or, also began to use "the master of bouldering" as his alias and he's a lot of my time reading historical writings, and began researching the history and theories in a number of specific issues, from Gu Kaizhi of the "Wei - Jin Sheng Liu Hua Zan to Shi Tao in the" Record of Kugua Monk Drawing Language ", he dabbled in 1925
,The 22 - year - old student Fu Baoshi completed his first look at the painting source as described in the following overview ",The 22 - year - old student Fu Baoshi completed his first look at the painting source as described in the following overview ". 1926, Fu Baoshi from first Provincial Teachers, and became a teacher and has taught at the school, the attached 1926, Fu Baoshi from first Provincial Teachers, and became a teacher and has taught at the school, the attached .
, he began a" facsimile "of writing, his years of experience reveal an , he began a" facsimile "of writing, his years of experience reveal an . chop material for more clearly, on the History of Fu Baoshi's interest, as his future in painting and the achievements have laid a sound foundation, shows his life as an artist in one of the significant features of chop material for more clearly, on the History of Fu Baoshi's interest, as his future in painting and the achievements have laid a sound foundation, shows his life as an artist in one of the significant features of .
1929, Fu Baoshi is teaching textbook writing and as a" Brief History of Development of Chinese Painting " 1929, Fu Baoshi is teaching textbook writing and as a" Brief History of Development of Chinese Painting ". in the main book, was presented by Fu Baoshi"Chinese painting of the three elements of a character, a Faculty, genius", but also put forward to improve the value of Chinese painting and Chinese painting world of power contribution and faith", reflecting his argument that China's unique thinking some in the main book, was presented by Fu Baoshi"Chinese painting of the three elements of a character, a Faculty, genius", but also put forward to improve the value of Chinese painting and Chinese painting world of power contribution and faith", reflecting his argument that China's unique thinking some .
by chance, Fu Baoshi made the acquaintance of Professor Xu Beihong Arts of Central University, where he was a member of the recommend, Fu Baoshi obtained abroad by studying the opportunity by chance, Fu Baoshi made the acquaintance of Professor Xu Beihong Arts of Central University, where he was a member of the recommend, Fu Baoshi obtained abroad by studying the opportunity . in March 1933, Fu Baoshi in Shanghai a Japanese ship visited in March 1933, Fu Baoshi in Shanghai a Japanese ship visited .
Studying In Japan
Fu Baoshi is a thirtysomething to Tokyo Imperial Academy of Fine Arts, the behemoth of the historiography of the original gold Shogo, Shogo Jin from the original translation of the "painting of the Tang Dynasty and Song Dynasty painting of the Beginning", began on a more professional and research system of Fu Baoshi is a thirtysomething to Tokyo Imperial Academy of Fine Arts, the behemoth of the historiography of the original gold Shogo, Shogo Jin from the original translation of the "painting of the Tang Dynasty and Song Dynasty painting of the Beginning", began on a more professional and research system of . in this period, Fu Baoshi, out of the history of Chinese painting is always an important, on the Eastern Jin Dynasty Gu Kaizhi's case, historians in Japan for an expert on the question of the distortions, and completed "On Hao Jing Gu Kaizhi's theory to the problem of Chinese Landscape Painting" in this period, Fu Baoshi, out of the history of Chinese painting is always an important, on the Eastern Jin Dynasty Gu Kaizhi's case, historians in Japan for an expert on the question of the distortions, and completed "On Hao Jing Gu Kaizhi's theory to the problem of Chinese Landscape Painting" .
. Then he began to write about and Biography of Shitao, with a view to the adoption of this connection as well as the development of Chinese painting,also expressed his admiration for the 42 - year - old painter shortly, Fu Baoshi and as a "Chinese Painting Theory Put by Language" and "On Zhu Qin and Western fine arts and the relationship of the research and writing shortly, Fu Baoshi and as a "Chinese Painting Theory Put by Language" and "On Zhu Qin and Western fine arts and the relationship of the research and writing .
in this period, by Fu Baoshi in art history and theory achievements in many fields to fill gaps in the researches in the blank, and at the same time the achievement is that while the failure of art creation, as he formed a unique style of painting which lays the foundation for the in this period, by Fu Baoshi in art history and theory achievements in many fields to fill gaps in the researches in the blank, and at the same time the achievement is that while the failure of art creation, as he formed a unique style of painting which lays the foundation for the . in Japan as a student, Fu Baoshi called due to the" April 12th "coup while he was in exile in Japanese of Guo Moruo, the establishment of the new teacher of profound friendship in Japan as a student, Fu Baoshi called due to the" April 12th "coup while he was in exile in Japanese of Guo Moruo, the establishment of the new teacher of profound friendship .
early in their tenure. 1 Normal School,Fu Baoshi had just listened to Guo Moruo's report, impressive Fu Baoshi in the History of the studies to ask Guo Moruo, paintings are also obtained from time to time on Guo Moruo's criticism, while Guo Moruo, also in this context in terms of discoveries of Fu Baoshi s art talent and achievement, each see Fu Baoshi masterwork "alike with his poems, and Fu Baoshi in Japan's first exhibition, wrote in the name of the exhibition, devoted a great deal can be said to encourage Fu Baoshi in the History of the studies to ask Guo Moruo, paintings are also obtained from time to time on Guo Moruo's criticism, while Guo Moruo, also in this context in terms of discoveries of Fu Baoshi s art talent and achievement, each see Fu Baoshi masterwork "alike with his poems, and Fu Baoshi in Japan's first exhibition, wrote in the name of the exhibition, devoted a great deal can be said to encourage .
Guo Moruo erudition and in Japan. The influence of Fu Baoshi in development in Japan is a great deal of help this teacher of deep friendship which lasted until the Anti - Japanese War,until the founding of New China in 1949 after this teacher of deep friendship which lasted until the Anti - Japanese War,until the founding of New China in 1949 after .
1958, Fu Baoshi's individual albums" Paintings by Fu Baoshi "publication, Guo Moruo wrote the preface, and in the sequence is put forward in the drawing, there are two north and Shi Shi i.e. North Qi Baishi, Fu Baoshi Nan Shi i.e."
Guo Moruo also calligraphy of the "Nan Shi Zhai" given by Fu Baoshi Guo Moruo also calligraphy of the "Nan Shi Zhai" given by Fu Baoshi . anthology drama, which also made Chinese painting, Fu Baoshi was originally home to the historic status anthology drama, which also made Chinese painting, Fu Baoshi was originally home to the historic status .
May 10, 1934, in the former advisor of Shogo's help, Fu Baoshi's first solo exhibition of Chinese painting Fu Baoshi exhibition "pine plank house held in Ginza, the famous painter yokoyama, river and well, Cutter,Calligrapher in the village, not folded, and the Ministry of Education, Minister of Foreign Affairs, Dean of the Faculty of Fine Arts empire is Mu Zhi et al. have visited the exhibition Jin Yuan Seigo wrote in his journal: "This is looking forward to for so long - - the exhibition has finally made it!"The success of the exhibition at the art of Fu Baoshi thereafter on his journey very soon Jin Yuan Seigo wrote in his journal: "This is looking forward to for so long - - the exhibition has finally made it!"The success of the exhibition at the art of Fu Baoshi thereafter on his journey very soon .
, Fu Baoshi and cursive engraving of" Li Sao ", also won the All Japan champion of seal - engraving, he increased his career progress in foreign , Fu Baoshi and cursive engraving of" Li Sao ", also won the All Japan champion of seal - engraving, he increased his career progress in foreign . legitimate by Fu Baoshi in Japan's smooth sailing and preparations are under way for the exhibit home came the mother is seriously ill, to Lady Fu Baoshi, like many of the people of China, in 1935 and had to return to China on June 24, but when he returned to Nanchang legitimate by Fu Baoshi in Japan's smooth sailing and preparations are under way for the exhibit home came the mother is seriously ill, to Lady Fu Baoshi, like many of the people of China, in 1935 and had to return to China on June 24, but when he returned to Nanchang .
home, mother had already died, and Fu Baoshi grieving home, mother had already died, and Fu Baoshi grieving .
Chongqing Tims
In 1937, after the breakout of the Anti - Japanese War, Fu Ying, GUO Mo - ruo, in 1938 he entered the National Revolution Committee of the Political Department of the Third Chamber of the work, followed by three halls to the junction of the In 1937, after the breakout of the Anti - Japanese War, Fu Ying, GUO Mo - ruo, in 1938 he entered the National Revolution Committee of the Political Department of the Third Chamber of the work, followed by three halls to the junction of the . in Chongqing Chongqing, Fu Baoshi made his artistic creation of the first peak in Chongqing Chongqing, Fu Baoshi made his artistic creation of the first peak .
April of 1939, the family arrived in Chongqing carrying Fu Baoshi, lives in the Shapingba Jingangpo, thereafter he often painted on autographed "Vajra downhill slope field" April of 1939, the family arrived in Chongqing carrying Fu Baoshi, lives in the Shapingba Jingangpo, thereafter he often painted on autographed "Vajra downhill slope field" . in Chongqing at the beginning of the year, because of its work has not commenced, Fu Baoshi had a full opportunity to paint, and use the moment to start his own painting style in Chongqing at the beginning of the year, because of its work has not commenced, Fu Baoshi had a full opportunity to paint, and use the moment to start his own painting style .
at the same time, he began a study of art history and theory,with a view to the adoption of the academic contributions that Chinese art spirit of the Law of the People's Republic of China, Japan is the enemy of the "making", which inspired the confidence of the Chinese Anti - Japanese War at the same time, he began a study of art history and theory,with a view to the adoption of the academic contributions that Chinese art spirit of the Law of the People's Republic of China, Japan is the enemy of the "making", which inspired the confidence of the Chinese Anti - Japanese War . this year, Fu Baoshi see Japan playing a "rebuilding" yokoyama, who published an article entitled, "Art of the Japanese spirit" to the north, there's a bit of a "jihad", who wrote "from the spirit of Chinese art at the view of the victory of the War", has clearly pointed out that "Chinese art is the art of Japanese mothers'", and pointed out that Chinese art has three great spirit: "first, as the China's heaviest author of personality cultivation; second, China's art in a non - Jew,foreign takeover, most can absorb, yet the most resistant; third, China's art manifestation, is' forceful 'sincere, wildly inventive Yaojiao, while containing the pigmentation of the laminates and the enthusiasm of this year, Fu Baoshi see Japan playing a "rebuilding" yokoyama, who published an article entitled, "Art of the Japanese spirit" to the north, there's a bit of a "jihad", who wrote "from the spirit of Chinese art at the view of the victory of the War", has clearly pointed out that "Chinese art is the art of Japanese mothers'", and pointed out that Chinese art has three great spirit: "first, as the China's heaviest author of personality cultivation; second, China's art in a non - Jew,foreign takeover, most can absorb, yet the most resistant; third, China's art manifestation, is' forceful 'sincere, wildly inventive Yaojiao, while containing the pigmentation of the laminates and the enthusiasm of .
three of these characteristics, expanded to nationwide Anti - Japanese War, is the main factor of victory three of these characteristics, expanded to nationwide Anti - Japanese War, is the main factor of victory . ", a period, fu baoshi also compiled" Ming Chuan National Artist ", which also expresses the chest of Fu Baoshi's ethical integrity ", a period, fu baoshi also compiled" Ming Chuan National Artist ", which also expresses the chest of Fu Baoshi's ethical integrity .
Fu Baoshi in Chongqing, divided into two parts Fu Baoshi in Chongqing, divided into two parts . Hua (Chinese Figural and Landscape painting mainly on the influence of historical characters and stories, such as Qu Yuan, Su Wu, Shi Tao,at the same time also to the excellent ancient poems creation, such as" Song of a Pipa Player "," The River "," Tang Ren ", the landscape in the" Summer Mountains" is representative of the Hua (Chinese Figural and Landscape painting mainly on the influence of historical characters and stories, such as Qu Yuan, Su Wu, Shi Tao,at the same time also to the excellent ancient poems creation, such as" Song of a Pipa Player "," The River "," Tang Ren ", the landscape in the" Summer Mountains" is representative of the .
in June 1942, created by Fu Baoshi "N.G." on the screen, with a haggard face of Qu Yuan on Yu Haomiao walking the Yanbo, Teacher Qu can just hear the brain signal satiation of chant, the expression "EMI sad person, also may be foiled by their own on the screen, with a haggard face of Qu Yuan on Yu Haomiao walking the Yanbo, Teacher Qu can just hear the brain signal satiation of chant, the expression "EMI sad person, also may be foiled by their own .
never subjugated China, Qu Yuan Fang" theme never subjugated China, Qu Yuan Fang" theme . Guo Moruo said the painting and the historical drama "Qu Yuan", and to that end in one of his poems, paintings, and became for the moment of time well Guo Moruo said the painting and the historical drama "Qu Yuan", and to that end in one of his poems, paintings, and became for the moment of time well .
in September 1944,Fu Baoshi where he wrote his magnum opus" Summer Mountains", which was the rare leisurely sharp, narrow Gaokuang, it is said to be manifestations of Tang Ren, Shu and landscapes still more beautiful vistas, a pen, ink, and water, ink, color fusion integrated, especially in the works of ink, thick ink at the black and bright, pale and misty ink at Xiuyi, dripping wet, the magnificent, Furthermore, fu baoshi also works in a pen variety, dry ink will not dry out, which takes the front pen and wrote to indulge in the chaos, reflects the classical feature of Fu Baoshi is a pen, was a promising work of organic rhythm, as painter Zhang An DynastiesAnalysis of comments:"a group of ink, which is just after of the western impressionist style, the painted rocks of texturing is also unprecedented, random aspect, staining and self - indulgent, but things are already in my ecstasy from fusing in the transcendental realm in September 1944,Fu Baoshi where he wrote his magnum opus" Summer Mountains", which was the rare leisurely sharp, narrow Gaokuang, it is said to be manifestations of Tang Ren, Shu and landscapes still more beautiful vistas, a pen, ink, and water, ink, color fusion integrated, especially in the works of ink, thick ink at the black and bright, pale and misty ink at Xiuyi, dripping wet, the magnificent, Furthermore, fu baoshi also works in a pen variety, dry ink will not dry out, which takes the front pen and wrote to indulge in the chaos, reflects the classical feature of Fu Baoshi is a pen, was a promising work of organic rhythm, as painter Zhang An DynastiesAnalysis of comments:"a group of ink, which is just after of the western impressionist style, the painted rocks of texturing is also unprecedented, random aspect, staining and self - indulgent, but things are already in my ecstasy from fusing in the transcendental realm . is" unprecedented peculiar style male IV and bold and unrestrained pen ink flying dance, of his" texturing" heart "in the original, a few to the ancients" is" unprecedented peculiar style male IV and bold and unrestrained pen ink flying dance, of his" texturing" heart "in the original, a few to the ancients" .
this painting" Summer Mountains" and author of Self - Knowledge "Commemorating September new write Tang Ren Yu Fu Baoshi is a western suburb of Chongqing Vajra breaking down the mountain field" this painting" Summer Mountains" and author of Self - Knowledge "Commemorating September new write Tang Ren Yu Fu Baoshi is a western suburb of Chongqing Vajra breaking down the mountain field" . as Fu's" King Kong "- era paintings of as Fu's" King Kong "- era paintings of .
represents the" Vajra "has also ushered in the era of Fu Baoshi's creation of the first peak represents the" Vajra "has also ushered in the era of Fu Baoshi's creation of the first peak . after the outbreak of war,Fu Ying, GUO Mo - ruo in 1939 at the invitation of Fu's take the whole family moved to Chongqing, Shapingba Jingangpo, until the conclusion of the War, this period of Fu Baoshi, devote its time and artistic creation and artistic teaching after the outbreak of war,Fu Ying, GUO Mo - ruo in 1939 at the invitation of Fu's take the whole family moved to Chongqing, Shapingba Jingangpo, until the conclusion of the War, this period of Fu Baoshi, devote its time and artistic creation and artistic teaching .
His works of this period, and the later the autographed "in a western suburb of Chongqing Jingangpo write under the" His works of this period, and the later the autographed "in a western suburb of Chongqing Jingangpo write under the" . "Summer Mountains" is also"
in "King Kong" - era works, large, but also its topic is written personally by Fu Baoshi, visible on its importance in "King Kong" - era works, large, but also its topic is written personally by Fu Baoshi, visible on its importance . more worth mentioning, as early as 1997, the work was by a famous Shanghai Auction Company of and to the cover of the catalogue in the form of a key recommendation of the then more worth mentioning, as early as 1997, the work was by a famous Shanghai Auction Company of and to the cover of the catalogue in the form of a key recommendation of the then .
,Shanghai Cultrural Relics Management Committee has yet to find outstanding works to limit the exit of the specific provisions, but in the wake of the auction pieces - - to be star, meaning its importance, to be left to the domestic ,Shanghai Cultrural Relics Management Committee has yet to find outstanding works to limit the exit of the specific provisions, but in the wake of the auction pieces - - to be star, meaning its importance, to be left to the domestic ., and that the head of Fu Baoshi "Summer Mountains" in the decade after shooting back - to - the - field, and is set to fetch more than $, and that the head of Fu Baoshi "Summer Mountains" in the decade after shooting back - to - the - field, and is set to fetch more than $.
in September of the same year, Fu Baoshi to the famous poet Du Fu's masterpiece" The Beauties" as the theme of th century masterpiece "Beauties" by Xu Beihong in September of the same year, Fu Baoshi to the famous poet Du Fu's masterpiece" The Beauties" as the theme of th century masterpiece "Beauties" by Xu Beihong . praised this" sensual" and "body" is a large symphonic ", the term point out the true meaning of this painting is praised this" sensual" and "body" is a large symphonic ", the term point out the true meaning of this painting is .
after the title of this painting by Zhang Daqian," See the Millennium years odd, Also after the title of this painting by Zhang Daqian," See the Millennium years odd, Also . true to color garments such as Tang Dynasty engraved lines,old Chi (Chen Laolian) also when both sides of the lapel as true to color garments such as Tang Dynasty engraved lines,old Chi (Chen Laolian) also when both sides of the lapel as .
"works to express Yang Guifei family outing March three grand," Changan Beautiful Ladies", "sweet - mannered, aloof, true and real", reflected the political corruption of the fatuous monarch and "works to express Yang Guifei family outing March three grand," Changan Beautiful Ladies", "sweet - mannered, aloof, true and real", reflected the political corruption of the fatuous monarch and . undoubtedly, Fu Baoshi's performance here, within the meaning of undoubtedly, Fu Baoshi's performance here, within the meaning of .
is the obvious period of Figure Painting by Fu Baoshi in Chongqing from appearance to express character and temperament, though, reserved and quiet performance is the obvious period of Figure Painting by Fu Baoshi in Chongqing from appearance to express character and temperament, though, reserved and quiet performance . Jingangpo, Chengdu Road on the stunning scenery, the ponds reflect the charm of the scene, became Fu Baoshi's Landscape Paintings Jingangpo, Chengdu Road on the stunning scenery, the ponds reflect the charm of the scene, became Fu Baoshi's Landscape Paintings .
theme he inherited the painting is grand and chaotic,The Yuan Dynasty Ci of the ink, Chang wrote volumes of water look theme he inherited the painting is grand and chaotic,The Yuan Dynasty Ci of the ink, Chang wrote volumes of water look . while he also changed the traditional painting medium of various texturing method, with a front structure of the rocks and tangled pen, so as to form a unique "bouldering chapped from the" while he also changed the traditional painting medium of various texturing method, with a front structure of the rocks and tangled pen, so as to form a unique "bouldering chapped from the" .
"texturing" gas to this part of it is majestic and spectacular, natural, fu baoshi also was" breaking the constraints of the first ink Famennian " "texturing" gas to this part of it is majestic and spectacular, natural, fu baoshi also was" breaking the constraints of the first ink Famennian ". 15 Aug, 1945, command of gendarmerie is an important day this day 15 Aug, 1945, command of gendarmerie is an important day this day .
, had ravaged the chinese people in the eight - year - old Japanese invaders surrendered , had ravaged the chinese people in the eight - year - old Japanese invaders surrendered . Fu Baoshi raised his glass in his own way to celebrate the liberation of our nation Fu Baoshi raised his glass in his own way to celebrate the liberation of our nation .
in October that year, he and his family left the living there for almost seven years of ChongqingJingangpo "hill field", with the Central University to Nanjing in October that year, he and his family left the living there for almost seven years of ChongqingJingangpo "hill field", with the Central University to Nanjing .
Paper Work
Questions about the paper, Fu Baoshi portraits like rice paper, vellum landscape like Questions about the paper, Fu Baoshi portraits like rice paper, vellum landscape like . But in 1938, the year before, both figure painting or landscape painting is all decorated with rice paper is the But in 1938, the year before, both figure painting or landscape painting is all decorated with rice paper is the .
1938 to 1946, because of the HKJC in Sichuan, which is extremely difficult to buy paper, vellum, Guizhou is everywhere available such 1938 to 1946, because of the HKJC in Sichuan, which is extremely difficult to buy paper, vellum, Guizhou is everywhere available such . paper roughness, color to accentuate the details, but on the sepia - toned reflected there, so they painted figures and landscape of the old common in Duyun, Guizhou counties produced of bark paper, rice paper paintings depicting popular paintings paper roughness, color to accentuate the details, but on the sepia - toned reflected there, so they painted figures and landscape of the old common in Duyun, Guizhou counties produced of bark paper, rice paper paintings depicting popular paintings .
1946 by Fu Baoshi returned in Nanjing, capital of Sichuan, bringing huge amounts of this wrapper, prior to 1950,In Nanjing of the work is painted vellum 1946 by Fu Baoshi returned in Nanjing, capital of Sichuan, bringing huge amounts of this wrapper, prior to 1950,In Nanjing of the work is painted vellum . of the late 1950s to early 1960s, Fu Baoshi in Wenzhou of Zhejiang is commercially produced in the four - foot handmade bark paper, so this time most of his works are Wenzhou bark paper was drawn through the of the late 1950s to early 1960s, Fu Baoshi in Wenzhou of Zhejiang is commercially produced in the four - foot handmade bark paper, so this time most of his works are Wenzhou bark paper was drawn through the .
HKJC like wrapper in the wrapper of the reverse surface of the painting when painting on HKJC HKJC like wrapper in the wrapper of the reverse surface of the painting when painting on HKJC . And never paper rubbing, rubbing and scratching on the paper by Fu Baoshi works are forgeries And never paper rubbing, rubbing and scratching on the paper by Fu Baoshi works are forgeries .
1956 Fu Baoshi from Beijing Rongbaozhai spent quantities purchased 5930 - xuan paper and vellum, paper can be divided into two types, one is the web 17 cm by 78 cm, 4 cm wide, papery pure yellow in color, glossy paper, ink reflects excellent;Another is the format of six husbands, 480 cm x 140 cm, a width of 1 cm and is yellow in colour, texture, generally, the reflected color of the ink, and is often used as a large painting by Fu Baoshi 1956 Fu Baoshi from Beijing Rongbaozhai spent quantities purchased 5930 - xuan paper and vellum, paper can be divided into two types, one is the web 17 cm by 78 cm, 4 cm wide, papery pure yellow in color, glossy paper, ink reflects excellent;Another is the format of six husbands, 480 cm x 140 cm, a width of 1 cm and is yellow in colour, texture, generally, the reflected color of the ink, and is often used as a large painting by Fu Baoshi . creation in the 1960s and the paper is nearly always used this rice paper and vellum creation in the 1960s and the paper is nearly always used this rice paper and vellum .
Fu Baoshi according to different period, on paper, especially Guizhou bark paper, rice paper, vellum, a modern forger could not be obtained, which is the identification of the authenticity of works by Fu Baoshi is one of the important criterions for Fu Baoshi according to different period, on paper, especially Guizhou bark paper, rice paper, vellum, a modern forger could not be obtained, which is the identification of the authenticity of works by Fu Baoshi is one of the important criterions for . on on .
Fu Baoshi is an ink painting supplies, tools of the painter is very exquisite, especially on the ink requirements of the ingot,More serious Fu Baoshi is an ink painting supplies, tools of the painter is very exquisite, especially on the ink requirements of the ingot,More serious . He has a vast collection of Ming (1368 - 1644) and Qing (1644 - 1911) dynasties in the name of the ink, not as an antique collector, but is used for brush painting He has a vast collection of Ming (1368 - 1644) and Qing (1644 - 1911) dynasties in the name of the ink, not as an antique collector, but is used for brush painting .
that helped him to smoke, old paint smoke ink, paint - grinding inkstone, never for the convenience of access, ink painting, that helped him to smoke, old paint smoke ink, paint - grinding inkstone, never for the convenience of access, ink painting, . observe his landscape painting of a great deal of ink, when the black hair is glittering violet, black in a bright flash Ink Gloss observe his landscape painting of a great deal of ink, when the black hair is glittering violet, black in a bright flash Ink Gloss .
he said: "Black in the uncreated light, the ink retained in the interest, when the Vivid he said: "Black in the uncreated light, the ink retained in the interest, when the Vivid ., if not the quality of ingot - shaped tablets of Chinese ink painting, is not to the , if not the quality of ingot - shaped tablets of Chinese ink painting, is not to the .
effect, would thus, from the frame of the ink in the reflect of the effect, also can be false from effect, would thus, from the frame of the ink in the reflect of the effect, also can be false from .
Age Of Exploration
On November 16, 1949, the Ministry of Culture Minister Shen Yanbing the approval of the People's Republic of China issued the "Notice on the Work on New Year Pictures indicating", the People's Republic of China from pictures in the new work began on rebuilding the old art of the first movement of On November 16, 1949, the Ministry of Culture Minister Shen Yanbing the approval of the People's Republic of China issued the "Notice on the Work on New Year Pictures indicating", the People's Republic of China from pictures in the new work began on rebuilding the old art of the first movement of . at the time, the individual painting painter in painting pictures of the new reality, fu baoshi also was not worth mentioning at the time, the individual painting painter in painting pictures of the new reality, fu baoshi also was not worth mentioning .
He also purposely added to the era of art in the flow, but with a cinnabar painting performance on the Armed Forces of New Year Pictures, although paid a tribute to the People's Liberation Army (SPLA), Fu Baoshi and lost my own style of Fu Baoshi He also purposely added to the era of art in the flow, but with a cinnabar painting performance on the Armed Forces of New Year Pictures, although paid a tribute to the People's Liberation Army (SPLA), Fu Baoshi and lost my own style of Fu Baoshi . this in a very short period of time to re - examine their own in the new society as,to seek their own art directions this in a very short period of time to re - examine their own in the new society as,to seek their own art directions .
Fu Baoshi began to study poetry, with his customary performance of the method of literature, "Qing Ping Music, Liupanshan" by painting, though paintings of Mao Zedong's asinine, but failed to see how many new meteorological, Fu Baoshi is still consistent with a unique style of Fu Baoshi began to study poetry, with his customary performance of the method of literature, "Qing Ping Music, Liupanshan" by painting, though paintings of Mao Zedong's asinine, but failed to see how many new meteorological, Fu Baoshi is still consistent with a unique style of . "bouldering chaps", that improvement of ShiTao tree painting, Fu Baoshi, to show that the painting of mao zedong poetry creation since the beginning, with substantially no change in the original painting, was only a very low on the slopes of the Red Army team, and a distant flock of wildgeese, flying southward, Herehad in mind a new accord with the trend of the times but its theme topic "bouldering chaps", that improvement of ShiTao tree painting, Fu Baoshi, to show that the painting of mao zedong poetry creation since the beginning, with substantially no change in the original painting, was only a very low on the slopes of the Red Army team, and a distant flock of wildgeese, flying southward, Herehad in mind a new accord with the trend of the times but its theme topic .
breakthrough as he revelled in a new site, and also by Fu Baoshi YIVO breakthrough as he revelled in a new site, and also by Fu Baoshi YIVO . This is hard to square with the popular "New Year" was painted in, as compared to a desalting treatment of the subject method, a characteristic transition of the This is hard to square with the popular "New Year" was painted in, as compared to a desalting treatment of the subject method, a characteristic transition of the .
in 1950, the newly founded People's Art "was first published and Li Keran," Chinese Painting, triumphs, and of the time include Li Hua's transformation of the basic problems of Chinese painting, Chinese painting is about the reform began to notice people in 1950, the newly founded People's Art "was first published and Li Keran," Chinese Painting, triumphs, and of the time include Li Hua's transformation of the basic problems of Chinese painting, Chinese painting is about the reform began to notice people . in 1953, the beijing chinese painting research association of painters started sketching on nature activities, and thereafter the nation to do the same,Landscape Painting in the hopes of painting is completed on the renovation of the old landscape painting, landscape painting thereafter also does develop the new look in 1953, the beijing chinese painting research association of painters started sketching on nature activities, and thereafter the nation to do the same,Landscape Painting in the hopes of painting is completed on the renovation of the old landscape painting, landscape painting thereafter also does develop the new look .
But this sketch of landscape painting and reflect the new lives of landscape painting and traditional landscape aesthetic in between on a series of problems arise, sparked a national "Chinese painting creation on the acceptance of the heritage" of discussion But this sketch of landscape painting and reflect the new lives of landscape painting and traditional landscape aesthetic in between on a series of problems arise, sparked a national "Chinese painting creation on the acceptance of the heritage" of discussion . Fu Baoshi to seize this opportunity, and requires students to learn techniques as well as to improve the theoretical level, and encourages the student to take part in the scrum for a nationwide discussion to Fu Baoshi to seize this opportunity, and requires students to learn techniques as well as to improve the theoretical level, and encourages the student to take part in the scrum for a nationwide discussion to .
this, Fu Baoshi,fourth - grade classmates in writing was" we inherit and develop excellent traditional painting of opinions", published in 1955, No. 8 of the "art" magazine on article noted: "our national painting technique is scientific, realistic, inherit the excellent part of its development, will guide our today's painting practice of article noted: "our national painting technique is scientific, realistic, inherit the excellent part of its development, will guide our today's painting practice of .
, of course, only to meet there in terms of skills and laurels and it's not, we shall enrich enough of local development and , of course, only to meet there in terms of skills and laurels and it's not, we shall enrich enough of local development and ." this argument reflects and represents the views of Fu Baoshi " this argument reflects and represents the views of Fu Baoshi .
are in the exploration and reform in the exploration,Fu Baoshi is a 1950s theme he created are in the exploration and reform in the exploration,Fu Baoshi is a 1950s theme he created . Mao Zedong Mao Tse - tung's poems in the poetic or mention of major historical events as a new theme, which breaks the bondage of the traditional subjects, while painting to explore new techniques and new subjects of the combination, created "Swimming Across the Dadu River", "hi Minshan Trinidad snow," and other works Mao Zedong Mao Tse - tung's poems in the poetic or mention of major historical events as a new theme, which breaks the bondage of the traditional subjects, while painting to explore new techniques and new subjects of the combination, created "Swimming Across the Dadu River", "hi Minshan Trinidad snow," and other works .
1954 book "The Four Seasons" in the landscape screen is four, i.e. to the traditional form of seasons on the air, by which the author of a new life, it has been with his old paintings of Lanting, Chibi have significantly different 1956,Creation of the masterpiece "Jimingsi" by giving him new life exhibit that explores the landscape of a stage further, the kind of the classical spirit, had been completely replaced by a modern customs 1956,Creation of the masterpiece "Jimingsi" by giving him new life exhibit that explores the landscape of a stage further, the kind of the classical spirit, had been completely replaced by a modern customs .
Europe "
May 1957, Fu Baoshi to China's first artist in his capacity as head of the delegation, led by members from other types makes five trips to Czechoslovakia, Romania in a friendly visit, sketching, drawing, paintings, by artists welcome May 1957, Fu Baoshi to China's first artist in his capacity as head of the delegation, led by members from other types makes five trips to Czechoslovakia, Romania in a friendly visit, sketching, drawing, paintings, by artists welcome . when Chinese artists reaching Prague, the Romanian Ministry of Culture of the People's Republic of China in an interview with the head of the delegation, the proposed requirements for Chinese painters in their own countries they represent or the beautiful when Chinese artists reaching Prague, the Romanian Ministry of Culture of the People's Republic of China in an interview with the head of the delegation, the proposed requirements for Chinese painters in their own countries they represent or the beautiful .
scenery when Fu Baoshi and on to the Czech capital, as well as ask the park beside the Danube to paint pictures of the beautiful city,so on that night's television broadcasters scenery when Fu Baoshi and on to the Czech capital, as well as ask the park beside the Danube to paint pictures of the beautiful city,so on that night's television broadcasters . Yacht to master Chinese painter Fu Baoshi etc across, by Fu Baoshi in several cameras in front of the lens of the selected scene, an ink, all the unhurried, the last question on "June 9, 1957, by Fu Baoshi Yacht to master Chinese painter Fu Baoshi etc across, by Fu Baoshi in several cameras in front of the lens of the selected scene, an ink, all the unhurried, the last question on "June 9, 1957, by Fu Baoshi .
This is not only for the first time by Fu Baoshi in exotic, sketching, drawing, but also for the first time in their lives, sketching, drawing by Fu Baoshi This is not only for the first time by Fu Baoshi in exotic, sketching, drawing, but also for the first time in their lives, sketching, drawing by Fu Baoshi . in 1935 after his return from Japan, Fu Baoshi always takes over the country, 20 years later to Europe, everything very fresh face in 1935 after his return from Japan, Fu Baoshi always takes over the country, 20 years later to Europe, everything very fresh face .
exotic, start thinking about how to use Chinese traditional foreign scenery,In addition, China will try and tool material in the form of expertise, and pen and ink, exhibits fully the features of foreign Shanchuan exotic, start thinking about how to use Chinese traditional foreign scenery,In addition, China will try and tool material in the form of expertise, and pen and ink, exhibits fully the features of foreign Shanchuan . Fu Baoshi of these efforts is a Chinese painter. It is a never walk the road of predecessors, while aiming at the different landscape performance, caused the landscape painting new themes in the performance that is a good step forward in European Series
Fu Baoshi's painting in the show, in order to highlight the European scenery features, in general, the ratio of the screen is arranged in the church, castle or red tiles and the spire of the building, and the Chinese believe the painting is not a utility pole, a rail train etc. into the picture.Fu Baoshi should say efforts to grab the letter the European landscape in some of the main characteristics of in the seating arrangements, abandoning painting Fu Baoshi was commonly used in the patterning method, especially in the so - called blank processing aspects of the grotesque in painting is not to win, but a rather more literally and natural pictures so as to highlight the sketch in the naturalness, thereby distinguishing the kind of people familiar to Chinese landscape painting of the Picture in the seating arrangements, abandoning painting Fu Baoshi was commonly used in the patterning method, especially in the so - called blank processing aspects of the grotesque in painting is not to win, but a rather more literally and natural pictures so as to highlight the sketch in the naturalness, thereby distinguishing the kind of people familiar to Chinese landscape painting of the Picture .
"Simo Lenny palace", the "will to West's car is seen in", "Romania," the Czech landscape "can easily be found in a fresh feel, and Fu Baoshi, creators of the landscape is significantly different,But these works be grasped at a glance is originate in China and abroad in the hands of a painter "Simo Lenny palace", the "will to West's car is seen in", "Romania," the Czech landscape "can easily be found in a fresh feel, and Fu Baoshi, creators of the landscape is significantly different,But these works be grasped at a glance is originate in China and abroad in the hands of a painter . 100 days of the day, Fu Baoshi had completed a total of 49 works, which have been held in Prague and Bucharest previewed at the exhibition, chinese painting art as well as its contribution to the 100 days of the day, Fu Baoshi had completed a total of 49 works, which have been held in Prague and Bucharest previewed at the exhibition, chinese painting art as well as its contribution to the .
Drawing Status
Shaoshan is also in Beijing and Fu Baoshi is a painting that he took the "Four Seasons" in the landscape," Romania's Station "," Spring to the Zhongshan "," Riverboat "," and a number of other works of a number of times at home and abroad took part in the exhibition Shaoshan is also in Beijing and Fu Baoshi is a painting that he took the "Four Seasons" in the landscape," Romania's Station "," Spring to the Zhongshan "," Riverboat "," and a number of other works of a number of times at home and abroad took part in the exhibition . March 1960, Fine Art Publishing House published his" History of Ancient Chinese Landscape Painting Research March 1960, Fine Art Publishing House published his" History of Ancient Chinese Landscape Painting Research .
in August that year, he was elected a member of China Federation of Literary and Art Circles and Chinese Artists Association, vice chairman of the in August that year, he was elected a member of China Federation of Literary and Art Circles and Chinese Artists Association, vice chairman of the . 9 months, the Association of International Trade, Jiangsu Sub - council, he was elected President, while elected as vice president of the Jiangsu Calligraphy Seal 9 months, the Association of International Trade, Jiangsu Sub - council, he was elected President, while elected as vice president of the Jiangsu Calligraphy Seal .
this time, Fu Baoshi in Chinese modern history of painting, the status is now fully established this time, Fu Baoshi in Chinese modern history of painting, the status is now fully established .
Travel Sketch
In September 1960, Fu led a "Jiangsu Chinese Painting missions" started twenty miles of travel sketches and, through this new landscape painting in the mid - twentieth century development In September 1960, Fu led a "Jiangsu Chinese Painting missions" started twenty miles of travel sketches and, through this new landscape painting in the mid - twentieth century development . During a three - month travel sketches during this growth to" spring "of Jiangnan and artists have visited Henan, Shaanxi, Sichuan, Hubei, Hunan, Guangdong province, six of the big cities, to pay respects to the holy land, and visited the achievements of the motherland, visiting scenic attractions, reached", of a mind - expanding, and the fraternal provinces and painters to learn "for the purpose of During a three - month travel sketches during this growth to" spring "of Jiangnan and artists have visited Henan, Shaanxi, Sichuan, Hubei, Hunan, Guangdong province, six of the big cities, to pay respects to the holy land, and visited the achievements of the motherland, visiting scenic attractions, reached", of a mind - expanding, and the fraternal provinces and painters to learn "for the purpose of .
Fu Baoshi,The best part of this trip established his views" ideas change, yet it is not invariant " Fu Baoshi,The best part of this trip established his views" ideas change, yet it is not invariant ". 20,000 miles of travel sketches, beginning in the 1950s, start with sketching and painting in the traditional records and weed out the movement to a climax in the travel history of the 20,000 miles of travel sketches, beginning in the 1950s, start with sketching and painting in the traditional records and weed out the movement to a climax in the travel history of the .
after painting, Fu Baoshi to travel sketch in the themes of" stay put Jiangshan picture "," Xiling Gorge "," Passion for the Yellow River "," ZAOYUAN "spring in a number of other works by these later works and the traditional missions" in other works of artists together," form the "Sunward Xinmao" art exhibition " after painting, Fu Baoshi to travel sketch in the themes of" stay put Jiangshan picture "," Xiling Gorge "," Passion for the Yellow River "," ZAOYUAN "spring in a number of other works by these later works and the traditional missions" in other works of artists together," form the "Sunward Xinmao" art exhibition ". May 1961," "Shanhe New Face"exhibition "in beijing museum of fine arts exhibition, was a huge success, widely praised social May 1961," "Shanhe New Face"exhibition "in beijing museum of fine arts exhibition, was a huge success, widely praised social .
wherein part of the later works published work was the" Sunward Xinmao is a collection of paintings, which paves the way for this sketch and the significance of the exhibition wherein part of the later works published work was the" Sunward Xinmao is a collection of paintings, which paves the way for this sketch and the significance of the exhibition . almost "" Sunward Xinmao "exhibition on display at the same time, by Fu Baoshi in relevant aspects of the arrangements under and the land of opportunity once the Northeast travel sketchbook almost "" Sunward Xinmao "exhibition on display at the same time, by Fu Baoshi in relevant aspects of the arrangements under and the land of opportunity once the Northeast travel sketchbook .
from June 1961 to 9 months, Fu Baoshi successively to Changchun, Jilin, Yanbian Changbaishan, Harbin, Shenyang, Fushun, Anshan, Dalian,Then cross the strait to return to Beijing from Qingdao by Fu Baoshi from June 1961 to 9 months, Fu Baoshi successively to Changchun, Jilin, Yanbian Changbaishan, Harbin, Shenyang, Fushun, Anshan, Dalian,Then cross the strait to return to Beijing from Qingdao by Fu Baoshi . later lamented the fact that the trip was" Sichuan "magnificent life", seen on this trip to make sketches of the influence of Fu Baoshi later lamented the fact that the trip was" Sichuan "magnificent life", seen on this trip to make sketches of the influence of Fu Baoshi .
Fu Baoshi's Northeast travel sketch, the natural and social themes of the play to have been taken to its logical extreme Fu Baoshi's Northeast travel sketch, the natural and social themes of the play to have been taken to its logical extreme . to the "coal city" spectacular "is representative of the social themes, landscape and industrial integration in the subject, has all the modern landscape painting of a suit of rules for the development of the to the "coal city" spectacular "is representative of the social themes, landscape and industrial integration in the subject, has all the modern landscape painting of a suit of rules for the development of the .
to the" Jingbo Feiquan "is representative of the natural theme, is the north landscape by Fu Baoshi in the shock of the soul and appearing on to the" Jingbo Feiquan "is representative of the natural theme, is the north landscape by Fu Baoshi in the shock of the soul and appearing on . should say Fu Baoshi, a far - northern southern temperament of the painter,He took to drinking behavior in the forthright, he helped pen the dash to his unruly should say Fu Baoshi, a far - northern southern temperament of the painter,He took to drinking behavior in the forthright, he helped pen the dash to his unruly .
to Jingpohu is representative of the northern landscape exactly coincided with his talent, so he drew his line: "I can, I can do?"From a historical perspective, Fu Baoshi from Europe to the northeast of the sketching process, its significance has gone beyond art itself range to Jingpohu is representative of the northern landscape exactly coincided with his talent, so he drew his line: "I can, I can do?"From a historical perspective, Fu Baoshi from Europe to the northeast of the sketching process, its significance has gone beyond art itself range . If Europe" is a fresh expression of feelings, and twenty miles northeast of sketching is a subjective exploration, is the result of knowledge permeating into fresh feelings remain, honed through decades of timely in the new scene in the play of incisively and vividly If Europe" is a fresh expression of feelings, and twenty miles northeast of sketching is a subjective exploration, is the result of knowledge permeating into fresh feelings remain, honed through decades of timely in the new scene in the play of incisively and vividly .
Career Peak
In the early 1960s, Fu Baoshi's career reached a new peak, while his life fell into the trough of the In the early 1960s, Fu Baoshi's career reached a new peak, while his life fell into the trough of the . 1962, diseased arm made him all night and sleep, eating, restlessness 1962, diseased arm made him all night and sleep, eating, restlessness .
10 months, Zhejiang aspects relating to the arrangements for his family to recuperate in Hangzhou Hangzhou 10 months, Zhejiang aspects relating to the arrangements for his family to recuperate in Hangzhou Hangzhou . however of the half of year, Fu Baoshi and did not stop writing, from the later publication of "Zhejiang sketch series", we can see his workrate however of the half of year, Fu Baoshi and did not stop writing, from the later publication of "Zhejiang sketch series", we can see his workrate .
in 1963, he was a special trip to Jinggangshan, Ruijin, the revolutionary holy trip although it was short" Jinggangshan ", etc,just to let everyone understand his real meaning in 1963, he was a special trip to Jinggangshan, Ruijin, the revolutionary holy trip although it was short" Jinggangshan ", etc,just to let everyone understand his real meaning . from these works can be seen in the social life at that time in the political background of the from these works can be seen in the social life at that time in the political background of the .
"Cultural Revolution" started brewing on the eve of a wider political movement, the artist as a human being are facing is the survival of choosing "at this period, Fu Baoshi and devoted" winter cloud "," mui "," climbed the Lushan Mountain "series of paintings of Mao Zedong poetry "Cultural Revolution" started brewing on the eve of a wider political movement, the artist as a human being are facing is the survival of choosing "at this period, Fu Baoshi and devoted" winter cloud "," mui "," climbed the Lushan Mountain "series of paintings of Mao Zedong poetry . with comparison to 1950s, Mao Zedong these poetic painting has lost its early simple sensibility, Decorative tend to reflect the changes of the times, Fu Baoshi with comparison to 1950s, Mao Zedong these poetic painting has lost its early simple sensibility, Decorative tend to reflect the changes of the times, Fu Baoshi .
but in the era of the new school buildingto its unremitting efforts and continuous creation, thus making Mao's poetic landscape painting in the new landscape in obtaining special status, also new poetic landscape painting from Mao Zedong's performance in the Chinese painting was the subject of a rare and wide - ranging influence but in the era of the new school buildingto its unremitting efforts and continuous creation, thus making Mao's poetic landscape painting in the new landscape in obtaining special status, also new poetic landscape painting from Mao Zedong's performance in the Chinese painting was the subject of a rare and wide - ranging influence . 1965 - September 29, Fu Baoshi, due to factors like cerebral apoplexy and died at home at the age of 61 1965 - September 29, Fu Baoshi, due to factors like cerebral apoplexy and died at home at the age of 61 .
Other Information
Fu's Theory Of Painting
Construction of the Chinese Beaux is booked his place in the starting time of the mission, and then started to appear in the art to speak of; is a pro - union cause, then started to appear in the "broad" and "solemn" "forever" of the harvest Construction of the Chinese Beaux is booked his place in the starting time of the mission, and then started to appear in the art to speak of; is a pro - union cause, then started to appear in the "broad" and "solemn" "forever" of the harvest . "of the Chinese Beaux Outlook and Construction", "cultural construction" in May 1935; "Proceedings" first 100 pages of art are the largest profession of "of the Chinese Beaux Outlook and Construction", "cultural construction" in May 1935; "Proceedings" first 100 pages of art are the largest profession of .
if this sentence makes no mistake, we are the bonds that unite him to think again over hundreds or thousands of years, what have we, bequeathed to us by hundreds of fellow?There's something I'd like to talk to the times and the national culture?Chinese nation in the history of the white sheet, Shouldn't we go to fill it?- to this question, as the Chinese art, Chinese culture, in other words, i.e. is the nation we allow gently let go!"The outlook for the Chinese Beaux and construction", the "cultural construction" in May 1935; "Proceedings", p. 102 Art, is the pioneer of the national culture and the movement of agents!He has a distinctive head, he was able to help mass close to the national art "of the Chinese Beaux Outlook and Construction", "cultural construction" in May 1935; "Proceedings" article that the spirit of chinese painting, was first seen by the majority of the nation's territory and the thought is, it's most important and special to the countries of the region, there is no point, is the author of" character "of extreme importance, this early in the Zhou had served as a warning for the powers - that - be, again, the screen is gradually thawed from the author of the moral consciousness of individuals, the picture reproduced by the reproduction of the author's personality as "of the Chinese Beaux Outlook and Construction", "cultural construction" in May 1935; "Proceedings" article that the spirit of chinese painting, was first seen by the majority of the nation's territory and the thought is, it's most important and special to the countries of the region, there is no point, is the author of" character "of extreme importance, this early in the Zhou had served as a warning for the powers - that - be, again, the screen is gradually thawed from the author of the moral consciousness of individuals, the picture reproduced by the reproduction of the author's personality as .
therefore, irrespective of the number of flowers, landscapes,fine brushwork and freehand brushwork in traditional Chinese, the word is" also "line" interwoven voices therefore, irrespective of the number of flowers, landscapes,fine brushwork and freehand brushwork in traditional Chinese, the word is" also "line" interwoven voices . "Chinese painting at big times," The China Times on 25 April 1944; "Proceedings" 296 Chinese large - minded person's mind, and I think that the development of landscape painting are closely related both to the nature of "Chinese painting at big times," The China Times on 25 April 1944; "Proceedings" 296 Chinese large - minded person's mind, and I think that the development of landscape painting are closely related both to the nature of .
towards the system of education is living, is of great and undisputed, while Nanjing is the center of the southern landscape, the more sufficient polyester towards the system of education is living, is of great and undisputed, while Nanjing is the center of the southern landscape, the more sufficient polyester . all ears and mind on different thoughts, realism and the relevance of natural mating, rooted in the earlier tradition, it is a very promising way to all ears and mind on different thoughts, realism and the relevance of natural mating, rooted in the earlier tradition, it is a very promising way to .
chinese knot painting idea of progress",1940; "Proceedings", p. 231
Biographical Chronology
In 1904, born in Nanchang, Jiangxi province October 5 In 1904, born in Nanchang, Jiangxi province October 5 . 1911 into juku enclisis, formerly Fu Changsheng 1911 into juku enclisis, formerly Fu Changsheng .
1915 in a china shop apprentice, and I started carving, calligraphy 1915 in a china shop apprentice, and I started carving, calligraphy . in 1917 at the age of 14, was enrolled in the first normal school in Nanchang, Jiangxi Province, late into the fourth grade, renamed Fu Ruilin in 1917 at the age of 14, was enrolled in the first normal school in Nanchang, Jiangxi Province, late into the fourth grade, renamed Fu Ruilin .
1921 high school graduates, the promotion to the First Normal School of Jiangxi province, beginning in art creation and research work, it developed from the "bouldering master Fu Baoshi" 1921 high school graduates, the promotion to the First Normal School of Jiangxi province, beginning in art creation and research work, it developed from the "bouldering master Fu Baoshi" . 1925 he finished his first look at the painting source as described in the following overview " 1925 he finished his first look at the painting source as described in the following overview ".
1926 in Jiangxi First Normal School of Art graduate,the faculty; the Northern Expeditionary Army conquered the city of Nanchang, the Director of the Department of Political Affairs in the Northern Expedition to listen to the speeches of Guo Moruo 1926 in Jiangxi First Normal School of Art graduate,the faculty; the Northern Expeditionary Army conquered the city of Nanchang, the Director of the Department of Political Affairs in the Northern Expedition to listen to the speeches of Guo Moruo . "facsimile", the book was published, the printing material, printing type, Zhuan law, burlesque, knife, Lushi has seven parts "facsimile", the book was published, the printing material, printing type, Zhuan law, burlesque, knife, Lushi has seven parts .
1929 "Brief History of Development of Chinese Painting", published in 1931 and the 1931 1929 "Brief History of Development of Chinese Painting", published in 1931 and the 1931 ., , .
and has taught at the Provincial Nanchang Middle Xia, and Huang Mufu - pu, and a half months to sort out 4,000 square and has taught at the Provincial Nanchang Middle Xia, and Huang Mufu - pu, and a half months to sort out 4,000 square . "Brief History of Development of Chinese Painting", published by the Shanghai Nanjing bookstore "Brief History of Development of Chinese Painting", published by the Shanghai Nanjing bookstore .
1932 Awarded Government - funded,to examine and improve Jingdezhen porcelain in the name of going abroad for studying 1932 Awarded Government - funded,to examine and improve Jingdezhen porcelain in the name of going abroad for studying . 1933 visit to Japan to study, research into Tokyo Imperial Art School, majoring in Oriental art, and learning process, the engraving; is a translation of the Japanese and Mei Ze Xuan "Wang Weis" 1933 visit to Japan to study, research into Tokyo Imperial Art School, majoring in Oriental art, and learning process, the engraving; is a translation of the Japanese and Mei Ze Xuan "Wang Weis" .
May 1934, in Tokyo, Japan held a solo exhibition of calligraphy" in works such as" Yuanming wine "," tang. "," chicken cage "and calligraphy etc 171 member June, Jin was translated from the Japanese original Seigo professor" Tang painting " June, Jin was translated from the Japanese original Seigo professor" Tang painting ".
March 1935, as a tribute to" the Record of Kugua Monk chronology "in Japan May March 1935, as a tribute to" the Record of Kugua Monk chronology "in Japan May .,"The outlook of the Chinese Beaux and Construction" published July ,"The outlook of the Chinese Beaux and Construction" published July .
, Xuecheng repatriation, and has taught at the Department of Nanjing Central University , Xuecheng repatriation, and has taught at the Department of Nanjing Central University . August, in his book, "Chinese Painting Theory Put by Language," a book published October August, in his book, "Chinese Painting Theory Put by Language," a book published October .
, published a paper "On Gu Kaizhi to Jing Hao of Chinese Landscape Painting" , published a paper "On Gu Kaizhi to Jing Hao of Chinese Landscape Painting" . February 1936, the compilation of "Basic State Case Study" February 1936, the compilation of "Basic State Case Study" .
book published in July, in Nanchang, Jiangxi held a painting exhibition, the exhibitor is 100 pieces; essays" On Zhu Qin and Western fine arts and the relationship between "and" Shi Tao's Chronicle "published August book published in July, in Nanchang, Jiangxi held a painting exhibition, the exhibitor is 100 pieces; essays" On Zhu Qin and Western fine arts and the relationship between "and" Shi Tao's Chronicle "published August .," Giuseppe Castiglione Pass to the slightly "," Giuseppe Castiglione Pass to the slightly ".
published in November compile" basic process pattern is" published in November compile" basic process pattern is" . in 1937 to March,"Shi Tao Cong Kao" was published, China's Art chronology " in 1937 to March,"Shi Tao Cong Kao" was published, China's Art chronology ".
published in May," Han - Wei and Six Dynasties; Tomb of brick "published July published in May," Han - Wei and Six Dynasties; Tomb of brick "published July .," Dadi sub poems Postscript, Collated and Supplemented. He published Shi Tao "Re", "since the founding of the Republic of Chinese painting of" and "Conspectus of Chinese Literati Painting"
October, completing the "Shi Tao's Painting", "Shi Tao's Late Years"," Six Dynasties in the Early Period of paintings of " October, completing the "Shi Tao's Painting", "Shi Tao's Late Years"," Six Dynasties in the Early Period of paintings of ". papers in 1938, 1940, in Guo Moruo, presided at the three halls of the Department as the secretary.
constantly Zhuzhou, Hsiangyin, Hengshan, Hengyang, Guilin, etc, to do the anti - Japanese propaganda work constantly Zhuzhou, Hsiangyin, Hengshan, Hengyang, Guilin, etc, to do the anti - Japanese propaganda work . 1939 April,traveled a long distance to travel to Sichuan, Chongqing, inhabited the western suburb of Jingangpo, Official of abode is a "Vajra downhill slope field" 1939 April,traveled a long distance to travel to Sichuan, Chongqing, inhabited the western suburb of Jingangpo, Official of abode is a "Vajra downhill slope field" .
May, compiled by the Chinese Ming Dynasty National Artist Biography published May, compiled by the Chinese Ming Dynasty National Artist Biography published . June, completed "The History of Chinese pipa", "The man Huang Mu father" June, completed "The History of Chinese pipa", "The man Huang Mu father" .
April 1940, and published an important paper, "Jin gu kaizhi Notes on Painting Yuntai Mountain" April 1940, and published an important paper, "Jin gu kaizhi Notes on Painting Yuntai Mountain" . "Yuntaishan Beings", the theme of Mr. Kuo
four in August, the restructuring of the Office of the Department of Political Affairs of the three, with Mr. Guo Moruo exit, back when the school joined the faculty of Arts of Central University .
Shapingba, Chongqing has been moved to September, the" China Seal - Brief History ";"woodcut techniques," a book published in January 1941 Shapingba, Chongqing has been moved to September, the" China Seal - Brief History ";"woodcut techniques," a book published in January 1941 ., published "read Zhou Oak Park" ka - "," , published "read Zhou Oak Park" ka - "," .
April, re - painting of "Mt. Yuntai NanduFanhui Tujuan May, completing the" Shi Tao on human chronicle " May, completing the" Shi Tao on human chronicle ".
March 1942, as" Dadi Cottage", Mr. Xu Beihong is a question for this pond: "Charms, Zhen Zai appeal in August, Mr. Guo Moruo is a" Qu Yuan "," Tao Yuanming "," Gong Fei and Mi On You "and" poetry "," Zhang Ye Shi "and" intent "and other works of his poem
September, Chongqing in" Wang Wu ", the exhibition of a hundred September, Chongqing in" Wang Wu ", the exhibition of a hundred ." Dadi Cottage ', and the "howling at the moon.""The early summer haze" and Mr. Guo Moruo composed the following poem of "Qu Yuan", "Tao Yuanming" and other works in this solo exhibition exhibited at
1943 in Chongqing held a solo exhibition in the Chengdu exhibition 1943 in Chongqing held a solo exhibition in the Chengdu exhibition . .
1944 Jingangpo period, fold - out masterpiece, the masterpiece of "Summer Mountains" rated boutique, in Chongqing Sino - Soviet Cultural Association has organised an exhibition of Fu Baoshi" 1944 Jingangpo period, fold - out masterpiece, the masterpiece of "Summer Mountains" rated boutique, in Chongqing Sino - Soviet Cultural Association has organised an exhibition of Fu Baoshi" . held in Kunming, "Guo Moruo's calligraphy, Chinese painting Fu Baoshi exhibition" held in Kunming, "Guo Moruo's calligraphy, Chinese painting Fu Baoshi exhibition" .
February 1945, "Ruan palm", "Jin - hyun", "Shi Tao's poetry" and "intent", "Dadi Cottage", etc.; to participate in the democratic movement in Chinese art and literature circles" communist manifesto " sign on the march, "Xiao Qing evening rain", etc.
October, as" Vajra CURE "," Hu Xi San Xiao "and the album" a collection of nine machines", etc., October 1946, relocating to Nanjing, continued teaching at the School of Arts of Central University in Nanjing and Xu Beihong and Chen Zhifo as October 1946, relocating to Nanjing, continued teaching at the School of Arts of Central University in Nanjing and Xu Beihong and Chen Zhifo as .
Group exhibition in August 1947, the speech "the spirit of Chinese painting" published October Group exhibition in August 1947, the speech "the spirit of Chinese painting" published October ., in Shanghai, "China's" Collection of Fu Baoshi exhibition, showcasing the works of one hundred and eighty, and most of them, figures, landscapes, lived in isolation for two and a half , in Shanghai, "China's" Collection of Fu Baoshi exhibition, showcasing the works of one hundred and eighty, and most of them, figures, landscapes, lived in isolation for two and a half .
January 1948, and careful preparation of Shi Tao by people on the Chronicle of the publication;In 1949 Nanchang January 1948, and careful preparation of Shi Tao by people on the Chronicle of the publication;In 1949 Nanchang . held solo shows of beginning to Chairman Mao's poems with themes of Chinese painting creation held solo shows of beginning to Chairman Mao's poems with themes of Chinese painting creation .
in works such as" poem ", entitled," Qing Ping Music, Liupanshan " in works such as" poem ", entitled," Qing Ping Music, Liupanshan ". creations such as" the first art exhibition" creations such as" the first art exhibition" .
June 1951, he was elected as a Member of the Standing Committee of the Nanjing Shi Wenlian June 1951, he was elected as a Member of the Standing Committee of the Nanjing Shi Wenlian . July, "Chinese painting" July, "Chinese painting" .
in 1952, the Forestry Department of Nanjing Normal University Fine Arts Professor in 1952, the Forestry Department of Nanjing Normal University Fine Arts Professor . July 1953 he also published "in Nanjing, capital of the Taiping Heavenly Kingdom on Tangzi Street art achievements and modern Chinese painting history of importance" July 1953 he also published "in Nanjing, capital of the Taiping Heavenly Kingdom on Tangzi Street art achievements and modern Chinese painting history of importance" .
September,"First seen in the exhibition" held in Beijing, "Crossing the River," Minshan thousands more hi snow presented his September,"First seen in the exhibition" held in Beijing, "Crossing the River," Minshan thousands more hi snow presented his . April 1954, the Chinese people to safeguard world peace, as the case may be, for a "Dongfanghong" April 1954, the Chinese people to safeguard world peace, as the case may be, for a "Dongfanghong" .
March 1955, in the Jiangsu Province Federation of Literary and Art Circles hosted "week Lecture on Literature", "Ancient Chinese painting" March 1955, in the Jiangsu Province Federation of Literary and Art Circles hosted "week Lecture on Literature", "Ancient Chinese painting" . in Beijing "in the Second National Art Exhibition" was exhibited at the "Xiang Jun" and "Mountain Ghost" painted two portraits of in Beijing "in the Second National Art Exhibition" was exhibited at the "Xiang Jun" and "Mountain Ghost" painted two portraits of .
January 1956, as the Second Committee of the Chinese Peoples Political Consultative Conference (CPPCC) attend the meetings of the Second Committee of the Chinese People's Political Consultative Conference (CPPCC) January 1956, as the Second Committee of the Chinese Peoples Political Consultative Conference (CPPCC) attend the meetings of the Second Committee of the Chinese People's Political Consultative Conference (CPPCC) . August, in Beijing."Cultural celebrities such as Sesshu Yang died and fifty anniversary", "Setsu and Art", and later published the full text of the "renmin ribao"
October Art Association, Nanjing Branch of the founding of the committee, being elected as the chairman of October Art Association, Nanjing Branch of the founding of the committee, being elected as the chairman of . February 1957, and began preparing the Academy of Chinese Painting, which is mainly in charge of the February 1957, and began preparing the Academy of Chinese Painting, which is mainly in charge of the .
between May and August, the rate of the Chinese Artists Delegation visit to Romania, Czechoslovakia, fifty paintings" The web, after publishing two between May and August, the rate of the Chinese Artists Delegation visit to Romania, Czechoslovakia, fifty paintings" The web, after publishing two . July sketching set, "Draw Hill to Act," a book publication, the book first appeared in the North Sea, Takashima of Japan according to "write Hill tips" compiled July sketching set, "Draw Hill to Act," a book publication, the book first appeared in the North Sea, Takashima of Japan according to "write Hill tips" compiled .
August in Beijing."on the occasion of the thirtieth anniversary of the founding of the Chinese People's Liberation Army Art Exhibition", the exhibition to Yaming and pedagogic cooperation on the military history of the army marched south, crossing the flooded and " December, in his book," "landscape, character skills," a book published in 1958 December, in his book," "landscape, character skills," a book published in 1958 .
April, Qi Baishi's art origin "of" Wen Wei Po "published July April, Qi Baishi's art origin "of" Wen Wei Po "published July ., in his book" China Painting, "a book published December , in his book" China Painting, "a book published December .
," Paintings by Fu Baoshi is published, the preface by Mr. Kuo and topic chosen from 1942 to 1957 "Tong Yin of Painting", "pole million in a Misty Rain," "," Beauties", "Wild Geese Landing", "Westerly under Red rain","Twilight Rhymes"," Crossing the River and forty amplitude; in Beijing "exhibition in Jiangsu Province", the exhibition "Dielianhua", "Ode to Yuhuatai" topic chosen from 1942 to 1957 "Tong Yin of Painting", "pole million in a Misty Rain," "," Beauties", "Wild Geese Landing", "Westerly under Red rain","Twilight Rhymes"," Crossing the River and forty amplitude; in Beijing "exhibition in Jiangsu Province", the exhibition "Dielianhua", "Ode to Yuhuatai" .
June 1959, "Painting Exhibition in Karachi, Pakistan, showpiece of landscape painting" Spring "," Xia "," autumn "," Winter "and" Romania Station "; to the Hunan Changsha, Shaoshan sketching, sketching sets after publishing" Shaoshan ", the" Shaoshan map "," the former residence of Chairman Mao "series of paintings June 1959, "Painting Exhibition in Karachi, Pakistan, showpiece of landscape painting" Spring "," Xia "," autumn "," Winter "and" Romania Station "; to the Hunan Changsha, Shaoshan sketching, sketching sets after publishing" Shaoshan ", the" Shaoshan map "," the former residence of Chairman Mao "series of paintings . from July to September, in cooperation with Beijing's Guan Shanyue, She draw the jumbo is the Great Hall of the Chinese painting" hol "Law of the People's Republic of China, Chairman Mao Zedong on October from July to September, in cooperation with Beijing's Guan Shanyue, She draw the jumbo is the Great Hall of the Chinese painting" hol "Law of the People's Republic of China, Chairman Mao Zedong on October .
pro - sentences,National Advanced Worker Qunying pro - sentences,National Advanced Worker Qunying . of the General Assembly in 1960 and January, "to the Zhongshan Spring", "Riverboat", "Nowy hate is not high and a thousand" of the General Assembly in 1960 and January, "to the Zhongshan Spring", "Riverboat", "Nowy hate is not high and a thousand" .
Nanjing exhibition in March, and the formal establishment of the Academy of Chinese Painting, the president of the academy; "Ancient Chinese Landscape Painting in the study of the history of book publishing Nanjing exhibition in March, and the formal establishment of the Academy of Chinese Painting, the president of the academy; "Ancient Chinese Landscape Painting in the study of the history of book publishing . April, Artists Association of International Trade, Jiangsu Sub - council was formally established, was elected chairman of the Jiangsu April, Artists Association of International Trade, Jiangsu Sub - council was formally established, was elected chairman of the Jiangsu .
Calligraphy seal of the province since its founding, August Calligraphy seal of the province since its founding, August . Ren, vice - president, was elected vice - chairman of Chinese Artists Association, member of China Federation of Literary and Art Circles Ren, vice - president, was elected vice - chairman of Chinese Artists Association, member of China Federation of Literary and Art Circles .
September, the Jiangsu Province Artists of domestic rates in six provinces and cities for more than a dozen travel sketch, stroke 23,000, many outstanding works after September, the Jiangsu Province Artists of domestic rates in six provinces and cities for more than a dozen travel sketch, stroke 23,000, many outstanding works after . held exhibitions, published "A New Face of SUNVO Company is a collection of paintings by held exhibitions, published "A New Face of SUNVO Company is a collection of paintings by .
February 1961, the" Daily "published" ideas change, yet it is not invariant " February 1961, the" Daily "published" ideas change, yet it is not invariant ". march, to the People's Daily published a" Qi Baishi's art collection, Qi Baishi TongXiangXuShiYinPuXu sequence " march, to the People's Daily published a" Qi Baishi's art collection, Qi Baishi TongXiangXuShiYinPuXu sequence ".
May," Xinmao Shanhe Exhibition "was held in Beijing."stay for the Jiangshan picture", "Xiling Gorge", "Yellow River Qing", "Spring in the jujube orchard", "Northern landscape", "Red Crag Village", "mountain city" equestrian " masterpieces are on display from June through September, to the northeast of China travel sketch," Jingbo Feiquan "," Lin Tianchi "," forest "," coal city "spectacular", "lake", etc., were published after sketching set
February 1962, "Zheng Banqiao set" Foreword "Banqiao" in the "Daily" published August February 1962, "Zheng Banqiao set" Foreword "Banqiao" in the "Daily" published August ., in "Nanjing Fine Arts Exhibition" was exhibited at the "Tianchi Waterfall" , in "Nanjing Fine Arts Exhibition" was exhibited at the "Tianchi Waterfall" .
October, in the "portrait exhibition in Jiangsu Province" was exhibited at the "qu","Du Fu" paintings to the exhibition October, in the "portrait exhibition in Jiangsu Province" was exhibited at the "qu","Du Fu" paintings to the exhibition . october to april the following year, the rest go to Zhejiang, sketching, resulted in the publication of "Zhejiang sketching sets", the" Xin - an impression "," Three Pools Mirroring the Moon "," tiger "," nine "," Early spring Longjing "and other works october to april the following year, the rest go to Zhejiang, sketching, resulted in the publication of "Zhejiang sketching sets", the" Xin - an impression "," Three Pools Mirroring the Moon "," tiger "," nine "," Early spring Longjing "and other works .
January 1963, and He Xiangning, Pan Tianshou cooperation Chinese painting images January 1963, and He Xiangning, Pan Tianshou cooperation Chinese painting images . March, as the People's Republic of China to the Burmese embassy in big to Picture of Huashan Mountain" March, as the People's Republic of China to the Burmese embassy in big to Picture of Huashan Mountain" .
November, back to Jiangxi province, Jinggangshan, Ruijin, old revolutionary bases, appeared later wrote "Huangyangjie", "ciping", "Long March", the first bridge ","Revolutionary Cradle" Ye Ping "etc., January 1964 as" Jinggangshan" January 1964 as" Jinggangshan" .
march, written of a "update in progress on the road" in September, the 3rd was elected deputies to the National People's Congress, the General Assembly to attend march, written of a "update in progress on the road" in September, the 3rd was elected deputies to the National People's Congress, the General Assembly to attend . January 1965, the "National Art Exhibition" in Beijing, capital of East China works exhibited sharply ", a tiger crouching, a dragon curling, outshines" January 1965, the "National Art Exhibition" in Beijing, capital of East China works exhibited sharply ", a tiger crouching, a dragon curling, outshines" .
September took part in the exhibition, at Shanghai Hongqiao International Airport is a proposed hall painted September took part in the exhibition, at Shanghai Hongqiao International Airport is a proposed hall painted . on july 29, cerebral haemorrhage, and died in the apartment, at the age of sixty - one on july 29, cerebral haemorrhage, and died in the apartment, at the age of sixty - one .
This Week We Look At The Chronology
"Chinese painting source as described in the following overview" 1925 "Brief History of Development of Chinese Painting" 1929 Museum catalogue numbers: J20 / 315 "facsimile" 1926 "On Gu Kaizhi to Jing Hao of Chinese Landscape Painting issue" 1934 "Chinese Painting Theory Put by Language" 1934 "On Zhu Qin and Western fine arts and the relationship between" 1934 "in Ming Dynasty and Qing Dynasty National Artist", "Ancient Chinese Landscape Painting in the study of the history of" the Museum's 1969 catalogue numbers: J20 / 22 Chinese Fine Art History in 1953 of China's Art chronology "Museum catalogue numbers:J12 / 13 "on the people of Shi Tao's Chronicle", "Ming Shi Tao, born Zhu Ruoji on people The chronology" of Chinese Landscape Painting and Figure Painting "," the Record of Kugua Monk for the chronology of the "Shi Tao's Chronicle", "Shi Tao Cong Shu or the Book of" people skills" "The woodcut techniques" of Chinese Painting", "the character of Chinese landscape painting techniques"" Zhuangyou Wanli session Danqing "Meishu Chuangzuo Jinyantan (Speaking from Experience" (Chinese Figural and Landscape "," How to Enjoy Art "published in 1944" in Wen Tianxiang ", was published in 1940"Chinese painting source as described in the following overview" 1925 "Brief History of Development of Chinese Painting" 1929 Museum catalogue numbers: J20 / 315 "facsimile" 1926 "On Gu Kaizhi to Jing Hao of Chinese Landscape Painting issue" 1934 "Chinese Painting Theory Put by Language" 1934 "On Zhu Qin and Western fine arts and the relationship between" 1934 "in Ming Dynasty and Qing Dynasty National Artist", "Ancient Chinese Landscape Painting in the study of the history of" the Museum's 1969 catalogue numbers: J20 / 22 Chinese Fine Art History in 1953 of China's Art chronology "Museum catalogue numbers:J12 / 13 "on the people of Shi Tao's Chronicle", "Ming Shi Tao, born Zhu Ruoji on people The chronology" of Chinese Landscape Painting and Figure Painting "," the Record of Kugua Monk for the chronology of the "Shi Tao's Chronicle", "Shi Tao Cong Shu or the Book of" people skills" "The woodcut techniques" of Chinese Painting", "the character of Chinese landscape painting techniques"" Zhuangyou Wanli session Danqing "Meishu Chuangzuo Jinyantan (Speaking from Experience" (Chinese Figural and Landscape "," How to Enjoy Art "published in 1944" in Wen Tianxiang ", was published in 1940.
Artist Paintings
"Ce with a lute book", "Takeshita, a donkey," Qiu Lin Shuige "," Pine Bluff on the drink "," landscape "," Mt. Yuntai (local) "," Dadi Cottage "," the fog of the early summer "," Shi Tao's landscape "," landscape "," pole million misty rain "," Summer Mountains", "Beauties"," Invitation ", and" Xiaoxiao Morning Rain "," Dadi Cottage "," landscape "," Bo Ruan ', and the "Ruan dial means" murky", "Jin - hyun", "hillside", "Hu Xi San Xiao", "landscape", "Mountain Ghost", "On the path of the mountain shade", "Chairman Mao" Qing Ping Music, Liupanshan "meaning", "Crossing the River"Nine Old Men", "Yin", "FIG.", "Nine of the Xiang", "Nine Xiang Jun", "Nine Young, commander of the", "Nine Memorial", "Spring landscape", "Four Seasons Landscape Xia", "Autumn Landscape", "landscape of winter", "Wild Geese, liked", "Fawlty Towers" and" poetry "," Qinhuai scenery "," landscape "," "," Westerly under Red rain "," Autumn "," Gong Fei and Mi On You "and" poetry "," Early spring "," Dr. Gaziano than Lenin Hydroelectric Station "," Ancient City grams Roche ","Great hotel in the foothills of Te Da", "Derocher Famosa", "Prague church", "Chairman Mao" IMMORTAL - REPLY LY SHUYI Tune: BUTT ERFLIES LINGERING OVER FLOWERS "," moh "Ode," Chairman Mao "Qing Ping Music, Huichang" meaning "," Korean "," Guan - gong Bridge "," Rifts", "Du Fu", "roaming too Hua", "Spring in the jujube orchard", "Northern landscape", "Red Crag Village", "Mountain", "Yellow River Qing", "Peach Blossom Village", "house yard", "Ho! Changbai Mountain", "Lin Tianchi", "Jingbo Summer", "Jingbo Feiquan", "stay put Jiangshan picture", "Snow", the "Two Xiangs","Tiger from pan" outshines", "Jingbo Feiquan", "Light Beings," the tiger "," covered in lush Astonishing high wind "," unable to tell the sound of jiuzhi spring, suppression of the rain "," Hindustan "," Snow "," Xiling Shan "," Li Taibai "," Epidemiologic Study of Poetry "," defeat "," defeat "," Xiang Jun "," Monster "," Jinggangshan "," Royale Furongguo swarmed Zhaohui "," Red "," Long March ", the first bridge", "Chairman Mao" climbed the Lushan Mountain poem "meaning", "Chairman Mao" bleeding Yuanchun, Changsha "meaning", and "Xiangjun Wading Across the River", "Mausoleum", "Kowloon Abyss" and" poetry ", the" Weicheng Qu "," Resting in the Bamboo ","Xiangji Temple", "Mountain", "Lute Song", "from the Henan civil strife", "Asking Liu Nineteen", "harem", "the guest to", "Climbing", "BOTH SIDES OF THE YELLOW RIVER RECAPTURED BY THE IMPERIAL ARMY", "Beauty", "Lushan Ballad", "grievance", "The River"
Auction Price
Chinese painting masters Fu Baoshi by completion of the "ponds" 1848 million yuan," Shi Tao's poem "intent to 20.5 million yuan in 2009 in Hong Kong by Christie's" Du Fu schematic" 6002 HK 2010 Hong Kong Christie's" Song of a Pipa Player 7008 HK Nov China's Hanhai "Chairman Mao's poetry book" octavo pages by 2. 3 billion yuan, both of which have become the one hundred works by Fu Baoshi
Family Fu Painter
Mr. Fu, a total of six children, all of which are active in the contemporary painting as well as the outstanding painter, which is one of just a handful of Chinese painting in the Xiaoshi Fu, Fu - Shi, Fu Shan Yi, and Fu Yixuan, Yi - Fu - yao, Yu Fu Yi Ye Zonghao. (the son - in - law) beam in force (grandson)
Fu Baoshi Memorial
Fu Baoshi Memorial is located in Nanjing West Road, Hankou CXXXVII No pre - mortem Fu Baoshi's old inner Fu Baoshi Memorial is located in Nanjing West Road, Hankou CXXXVII No pre - mortem Fu Baoshi's old inner . Fu Baoshi, Dr. Henry, since 1904 birth, Mr bouldering, has produced a large number of Chinese painting and seal cutting works industriously cultivate the talented, its loose brushwork) style of Feng, is often referred to as bouldering chapped
Mr since 1963 and his family lived in this land, the creation, until 1965 Mr since 1963 and his family lived in this land, the creation, until 1965 . died during the Cultural Revolution, Fu family whose children had been out of the house, everywhere died during the Cultural Revolution, Fu family whose children had been out of the house, everywhere .
lyke to 1985, to commemorate the twentieth anniversary of the death of Fu Baoshi, government funding and maintenance of places of residence and establishment of Art Museum,The construction and opening in 1987 as the first curator of the lyke to 1985, to commemorate the twentieth anniversary of the death of Fu Baoshi, government funding and maintenance of places of residence and establishment of Art Museum,The construction and opening in 1987 as the first curator of the . is the son of Fu - Shi Fu Baoshi, YushanTV is the famous landscape painter Xu Shan, curator of the province is the incumbent vice president of the Academy of Traditional Chinese Xue bright is the son of Fu - Shi Fu Baoshi, YushanTV is the famous landscape painter Xu Shan, curator of the province is the incumbent vice president of the Academy of Traditional Chinese Xue bright .
Time Chronology
In 1904 at the age of 1 5 October, born in Nanchang City, Jiangxi Province, formerly Changsheng In 1904 at the age of 1 5 October, born in Nanchang City, Jiangxi Province, formerly Changsheng . .
10 - year - old Liu Haisu, Xu Beihong 10 - year - old Liu Haisu, Xu Beihong . 9 9 .
9 - year - old Chen Zhifo's 8 - year - old Zhang Daqian Tian - shou 9 - year - old Chen Zhifo's 8 - year - old Zhang Daqian Tian - shou . .
. 6 - year - old Qian Song 6 6 - year - old Qian Song 6 .
4 - year - old Li Keran was born in 1907 and 1911 revenue 4 - year - old Li Keran was born in 1907 and 1911 revenue . private private .
8 September 1912 at the age of the Republic of China was founded in 1915 at the age of 12 8 September 1912 at the age of the Republic of China was founded in 1915 at the age of 12 . started learning calligraphy, seal cutting, incorporated in a china shop apprentice started learning calligraphy, seal cutting, incorporated in a china shop apprentice .
1917 14 - year - old admitted to the first normal school in Nanchang, Jiangxi province, late into the fourth grade 1917 14 - year - old admitted to the first normal school in Nanchang, Jiangxi province, late into the fourth grade . renamed Fu Ruilin renamed Fu Ruilin .
1921 an 18 - year - old high school graduates for promotion to the First Normal School from 1921 an 18 - year - old high school graduates for promotion to the First Normal School from . .
No."bouldering master Fu Baoshi" 7 months of the founding of the Communist Party in 1922 7 months of the founding of the Communist Party in 1922 .
19 - year - old father Fu poly and died aged 60 from 19 - year - old father Fu poly and died aged 60 from . 1925 a 22 - year - old finished his first book "Chinese Origin referred to in the Summary of the 1925 a 22 - year - old finished his first book "Chinese Origin referred to in the Summary of the .
to make" friends", "Takeshita, a donkey," Qiu Lin Shuige ", and" Pine Bluff on the drink ", etc., starting the" bouldering " signed on 12 March, Dr. Sun Yat - sen died in 1926 at the age of 23
on 4 July, Kuomintang published" Northern Expedition "Declaration of the First Normal School of Art graduate of on 4 July, Kuomintang published" Northern Expedition "Declaration of the First Normal School of Art graduate of . .
. in the Northern Expedition he conquered the city of Nanchang,Director of the Department of Political Affairs in the Northern Expedition to listen to the speeches of Guo Moruo in the Northern Expedition he conquered the city of Nanchang,Director of the Department of Political Affairs in the Northern Expedition to listen to the speeches of Guo Moruo .
"facsimile", the book was published, the printing material, printing type, Zhuan law, burlesque, knife, Lushi has seven parts "facsimile", the book was published, the printing material, printing type, Zhuan law, burlesque, knife, Lushi has seven parts . 1927 - 24 - year - old Spring Festival, she quits her job 1927 - 24 - year - old Spring Festival, she quits her job .
Elementary School is the first middle school (formerly the First Normal School of Art) was employed as a junior instructor Elementary School is the first middle school (formerly the First Normal School of Art) was employed as a junior instructor . 1 August, the cpc front committee, under the leadership of the National Revolutionary Army and more than 20,000 people staged the Nanchang Uprising 1 August, the cpc front committee, under the leadership of the National Revolutionary Army and more than 20,000 people staged the Nanchang Uprising .
1929 was hired by the 26 - year - old high - school teacher and author of Art 1929 was hired by the 26 - year - old high - school teacher and author of Art . lessons" Brief History of Development of Chinese Painting ", the book except preface and introduction, the other can be divided into eight parts: 1. Study on Chinese paintings of the three elements;2. The text paintings with early painting; 3. the influence of Buddhism; 4. of the Tang Dynasty, the government and the opposition; 5. the forces and their influence; 6. Southern Alta Moda; 7. Painting of Zaixing and trompe - l 'of the direction - specific; 8. Youqing
1930 with the 27 - year - old Luo Hui married when 1930 with the 27 - year - old Luo Hui married when . 1931, 28 years old and has taught at the Provincial Nanchang Middle 1931, 28 years old and has taught at the Provincial Nanchang Middle .
"Brief History of Development of Chinese Painting", published by the Shanghai - Nanjing bookstore "Brief History of Development of Chinese Painting", published by the Shanghai - Nanjing bookstore . in early summer, Xu Beihong and Fu met Nanchang Jiangxi bbmb large hostels in early summer, Xu Beihong and Fu met Nanchang Jiangxi bbmb large hostels .
Xu Beihong vigorously campaigned for, as the president of Hsiung Shih - hui; they are promised, went to Japan to study Fu Baoshi Xu Beihong vigorously campaigned for, as the president of Hsiung Shih - hui; they are promised, went to Japan to study Fu Baoshi . thereafter,is the provincial government to investigate its development and improvement of Jingdezhen porcelain in the name of going abroad for studying thereafter,is the provincial government to investigate its development and improvement of Jingdezhen porcelain in the name of going abroad for studying .
1932 29 - year - old eldest son born Xiaoshi 1932 29 - year - old eldest son born Xiaoshi . new Yu back to her hometown, preparing and studying in 1933 new Yu back to her hometown, preparing and studying in 1933 .
30 years 3 months, studying, research into Tokyo Imperial Academy of Fine Arts, Jin Yuan Shi Shengwu, pursue a master's degree in Oriental art history, and learning process, carving 30 years 3 months, studying, research into Tokyo Imperial Academy of Fine Arts, Jin Yuan Shi Shengwu, pursue a master's degree in Oriental art history, and learning process, carving . May, Guo Moruo visited Tokyo suburb apartment May, Guo Moruo visited Tokyo suburb apartment .
Guo Moruo inscription "chicken cage" Guo Moruo inscription "chicken cage" . 1934 aged 31 on 10 May, "Chinese Painting by Fu Baoshi exhibition" held in Tokyo,There are calligraphy of 170 1934 aged 31 on 10 May, "Chinese Painting by Fu Baoshi exhibition" held in Tokyo,There are calligraphy of 170 .
Zhan Guo Moruo and inscribed the name Zhan Guo Moruo and inscribed the name . .
to the exhibition ended on 14 June, a Japanese translation of the original gold Shogo, "Tang and early Song Painting", published by the Commercial Press to the exhibition ended on 14 June, a Japanese translation of the original gold Shogo, "Tang and early Song Painting", published by the Commercial Press . in 1935 at the age of 32, 1 month, at the meeting of the Political Bureau of the Central Committee held at Zunyi Red Army left Zunyi in 1935 at the age of 32, 1 month, at the meeting of the Political Bureau of the Central Committee held at Zunyi Red Army left Zunyi .
thereafter, move thereafter, move . May 4th Front Army begin the Long March May 4th Front Army begin the Long March .
3 months, as a tribute to "the Record of Kugua Monk chronology" 3 months, as a tribute to "the Record of Kugua Monk chronology" . published in Japan in May, the paper "An Outlook of the Chinese Beaux and Construction" published in the "cultural construction" published in Japan in May, the paper "An Outlook of the Chinese Beaux and Construction" published in the "cultural construction" .
thesis" Some reports of Japan Arts and Crafts", published in the "Comments" Volume 6, Issue 4 thesis" Some reports of Japan Arts and Crafts", published in the "Comments" Volume 6, Issue 4 . 6 - 24,MOTHER SERIOUSLY ILL, interrupt their studies by the Japanese on the way back to Nanchang after 6 - 24,MOTHER SERIOUSLY ILL, interrupt their studies by the Japanese on the way back to Nanchang after .
due to changing times, failed to return to Japan to finish 8 - month due to changing times, failed to return to Japan to finish 8 - month ., , .
Xu Beihong, he went to Nanjing's appointment to teach in the Department of Nanjing Central University Xu Beihong, he went to Nanjing's appointment to teach in the Department of Nanjing Central University . "Chinese Painting Theory Put by Language" published "Chinese Painting Theory Put by Language" published .
10 months, in his paper "On Hao Jing Gu Kaizhi's theory to the problems of landscape painting" was published in "East Magazine" (published in 1936, Japan, under the "US" magazine) 10 months, in his paper "On Hao Jing Gu Kaizhi's theory to the problems of landscape painting" was published in "East Magazine" (published in 1936, Japan, under the "US" magazine) . papers in "Chinese national character in art, rejected all traditions and read the original surname of Wu in the Jin provinces of Oriental Art", published in the "cultural construction" papers in "Chinese national character in art, rejected all traditions and read the original surname of Wu in the Jin provinces of Oriental Art", published in the "cultural construction" .
1936 - born 33 - year - old second son Shi 1936 - born 33 - year - old second son Shi . 2 months, as a tribute to the "basic pattern of the Publication of Science 2 months, as a tribute to the "basic pattern of the Publication of Science .
4 months,"Japan Horyuji", published in the "Literary Monthly Journal 8, No. 15 24 July, the calligraphy and painting exhibition held in Nanchang, showcases the works of 100 pieces, LTTE 24 July, the calligraphy and painting exhibition held in Nanchang, showcases the works of 100 pieces, LTTE .
as a tribute to the" Chronicle "Whimsy" as a tribute to the" Chronicle "Whimsy" . published a paper "On the Qin Zhu Art and Western Relationship" was published in the "cultural construction" published a paper "On the Qin Zhu Art and Western Relationship" was published in the "cultural construction" .
8 months, translation of Castiglione Pass to the slightly " 8 months, translation of Castiglione Pass to the slightly ". published November, booz, a basic process pattern is" published November, booz, a basic process pattern is" .
12 months, the" seal of origin ", was published in 1937 was 34 12 months, the" seal of origin ", was published in 1937 was 34 . swim alone in Xuancheng City, Anhui Province, visiting as many as Li Bai, Mei Qing, Shi Tao's old missing swim alone in Xuancheng City, Anhui Province, visiting as many as Li Bai, Mei Qing, Shi Tao's old missing .
3 months,"Shi Tao Cong Kao" 3 months,"Shi Tao Cong Kao" . "of Chinese Art chronology" "of Chinese Art chronology" .
published May, authoring "Dadi sub poems Jayavarman VII. The Correct and Complement" essays of Shi Tao and try it again "," Conspectus of Chinese Literati Painting " essays of Shi Tao and try it again "," Conspectus of Chinese Literati Painting ".
published in July," since the founding of the Republic of Chinese painting ", published in the" Fortnightly "issue 34 published in July," since the founding of the Republic of Chinese painting ", published in the" Fortnightly "issue 34 . on 7 July, the Japanese attack on the Lugou Bridge, the outbreak of war with on 7 July, the Japanese attack on the Lugou Bridge, the outbreak of war with .
15 August, the Japanese bombing of Nanjing 11 months 15 August, the Japanese bombing of Nanjing 11 months ., , .
Nanchang returned home in January 1938 he was 35 years old, with wife, a mother - in - five of them back to the hometown of Yu the new Nanchang returned home in January 1938 he was 35 years old, with wife, a mother - in - five of them back to the hometown of Yu the new . worked at the Department of Political Affairs of the Office of the Secretary of the three, from Zhuzhou, Hsiangyin, Hengshan, Hengyang, Guilin, etc.do the anti - Japanese propaganda work
36 in 1939 at the age of 4 months, to Chongqing 36 in 1939 at the age of 4 months, to Chongqing . Implying Jingangpo, Official of Ju called 'The Diamond mountain slope field " Implying Jingangpo, Official of Ju called 'The Diamond mountain slope field ".
5 months," compiled by Ming China National Artist Biography "published by the end of the foreword for 5 months," compiled by Ming China National Artist Biography "published by the end of the foreword for . .
Guo Moruo, rewriting" facsimile " Guo Moruo, rewriting" facsimile ". 1940, a 37 - year - old eldest daughter Yi Shan 1940, a 37 - year - old eldest daughter Yi Shan .
was born on 21 March, in his paper" Print Origin "(" facsimile "of the" Introduction ") published in the city of Chongqing in China Times supplement was born on 21 March, in his paper" Print Origin "(" facsimile "of the" Introduction ") published in the city of Chongqing in China Times supplement . filed on Apr. 10, in his paper" in the spirit of Chinese art at the view of the Anti - Japanese War of Necessity, "published in the city of Chongqing in China Times supplement
4 months,"Jin gu kaizhi Agreement for the Implementation of the Provisions of the People's Republic of China; Notes on Painting Yuntai Mountain Research" was serialized in the city of Chongqing in China Times Supplement "XueDeng" 4 months,"Jin gu kaizhi Agreement for the Implementation of the Provisions of the People's Republic of China; Notes on Painting Yuntai Mountain Research" was serialized in the city of Chongqing in China Times Supplement "XueDeng" . "Notes on Painting Yuntai Mountain Beings, Guo Moruo is the problem with four "Notes on Painting Yuntai Mountain Beings, Guo Moruo is the problem with four .
8 months, the restructuring of the Office of the Department of Political Affairs of the three, quit due to Guo Moruo, Xu Beihong, he invited back to teach at the University of Central Chongqing shapingba 8 months, the restructuring of the Office of the Department of Political Affairs of the three, quit due to Guo Moruo, Xu Beihong, he invited back to teach at the University of Central Chongqing shapingba . 9 months," the woodcut technique " 9 months," the woodcut technique ".
published" A Brief History of Chinese Engraving " published" A Brief History of Chinese Engraving ".," Chinese painting "Landscape", "freehand brushwork", "Ink" is the sum of "," Chinese painting "Landscape", "freehand brushwork", "Ink" is the sum of ".
on 28 October, the Law of the People's Republic of China on the Huang Mu masters of the Father", published in the city of Chongqing in China Times supplement on 28 October, the Law of the People's Republic of China on the Huang Mu masters of the Father", published in the city of Chongqing in China Times supplement . .
serialised November on 4 November,Survey of Chinese ancient painting " serialised November on 4 November,Survey of Chinese ancient painting ". made - on - the - chart" (paper, 84 x 44 cm to 1.5 cm)
1 January 1941, a 38 - year - old, "Zhou Li, J. H. Park read as ka Zhuan" published in the city of Chongqing in China Times 3 months, as" The Stone "(paper, 46 cm by 56 cm) 3 months, as" The Stone "(paper, 46 cm by 56 cm) .
4 months, as" Yuntai Beings" (paper, 31 cm by 112 cm, Inscription) 4 months, as" Yuntai Beings" (paper, 31 cm by 112 cm, Inscription) . thereafter, Guo Moruo, Shen Yinmo, Xu Beihong and so have the preface and postscript to the thereafter, Guo Moruo, Shen Yinmo, Xu Beihong and so have the preface and postscript to the .
Xia," Qu Yuan "(paper, 58 cm by 84 cm, Collected by Nanjing) in December,Topics of Chen Zhifo's Plum "Angry Birds" Xia," Qu Yuan "(paper, 58 cm by 84 cm, Collected by Nanjing) in December,Topics of Chen Zhifo's Plum "Angry Birds" . in 1942, at the age of 39, 26 January, the essay" Reviewing "Ming painter Seal", published in the city of Chongqing in China Times Supplement 2 in 1942, at the age of 39, 26 January, the essay" Reviewing "Ming painter Seal", published in the city of Chongqing in China Times Supplement 2 .
2 2 . serialised on 19 February, "Xue Weng Chen Zhifo (read) Flower", was published in the city of Chongqing in China Times supplement serialised on 19 February, "Xue Weng Chen Zhifo (read) Flower", was published in the city of Chongqing in China Times supplement .
3 months, as" Dadi Cottage "(paper, 85 cm by 58 cm) 3 months, as" Dadi Cottage "(paper, 85 cm by 58 cm) . is the problem:" Charms, Zhen Zai is the problem:" Charms, Zhen Zai .
Appeal "on 2 May, the general secretary of the Communist Party of China (CPC) Central Committee held in Yenan forum Appeal "on 2 May, the general secretary of the Communist Party of China (CPC) Central Committee held in Yenan forum . 23 artists, were made by Mao Zedong's Talks May 5 23 artists, were made by Mao Zedong's Talks May 5 .
,"Shi Tao's on the face images of people (paper, 132. 58 5 cm.times. 5 cm) 6 months, Guo Moruo wrote a play" Qu Yuan "in Chongqing staged 6 months, Guo Moruo wrote a play" Qu Yuan "in Chongqing staged .
8 months, with Guo Muoruo as" Qu Yuan", "Tao Yuanming", "Gong Fei and Mi On You" and "poetry", "Zhang Ye Shi intention" to write his poem 8 months, with Guo Muoruo as" Qu Yuan", "Tao Yuanming", "Gong Fei and Mi On You" and "poetry", "Zhang Ye Shi intention" to write his poem . 9 months, the National College of Art is headmaster of Chen Zhifo's hired as a professor and head of the vocational art school secretary 9 months, the National College of Art is headmaster of Chen Zhifo's hired as a professor and head of the vocational art school secretary .
8 October, "The Idle Thoughts of an exhibition in Chongqing of the Horse", was published in the city of Chongqing in China Times Supplement, 12, 20 and serialised 8 October, "The Idle Thoughts of an exhibition in Chongqing of the Horse", was published in the city of Chongqing in China Times Supplement, 12, 20 and serialised . 10 October, "Professor Fu Baoshi exhibition" (the Horse) solo exhibition held in Chongqing China Guanyinyan Literary Club,showcases the works of 100 pieces, 12 July 1943 ending 10 October, "Professor Fu Baoshi exhibition" (the Horse) solo exhibition held in Chongqing China Guanyinyan Literary Club,showcases the works of 100 pieces, 12 July 1943 ending .
40 solo exhibition in Chongqing and Chengdu for 40 solo exhibition in Chongqing and Chengdu for . 8 months, the "People's Republic of China's process" 8 months, the "People's Republic of China's process" .
sub jade, bronzes, ceramics, lacquerware, embroidery is made up of five sub jade, bronzes, ceramics, lacquerware, embroidery is made up of five . 1944, 41, the second daughter of Yi Xuan was born 2 months 1944, 41, the second daughter of Yi Xuan was born 2 months .
, Su - wu Tending the Sheep" (paper, 61 cm x 100 cm, the Tibet Academy of Chinese Painting) , Su - wu Tending the Sheep" (paper, 61 cm x 100 cm, the Tibet Academy of Chinese Painting) . 3 months, Wen "China Painting in the Great Era" was published in the city of Chongqing in China Times 3 months, Wen "China Painting in the Great Era" was published in the city of Chongqing in China Times .
Xia, as" On the path of the mountain shad "(paper, 137 cm x 40 cm) Xia, as" On the path of the mountain shad "(paper, 137 cm x 40 cm) . 9 months of Du Fu"The Beauties on the tale of" Beauties" (paper, 61. 7 219 cm * cm and, in 1997, China Guardian International Auctions autumn Hong Kong auction 1078 million) at auction, and later, Xu went to praise his paintings: "This is the big symphonic sound" and "body", and wrote: "Mr bouldering uncorralled and the more recent writings, was an incredibly vast, the landscape changes benefiting electrodeless, Cogent, lucid piece of writhing figures, the so - called non - professional person?""Fu Baoshi exhibition held in Chongqing
" Guo Moruo's calligraphy, Chinese painting Fu Baoshi exhibition "held in Kunming " Guo Moruo's calligraphy, Chinese painting Fu Baoshi exhibition "held in Kunming . as" pole million Yanyu" (paper, 110 cm x 67.7 cm, Inscription)
1945 42 years old, 2 months, to participate in the democratic movement in Chinese art and literature circles" communist manifesto "on signature 1945 42 years old, 2 months, to participate in the democratic movement in Chinese art and literature circles" communist manifesto "on signature . 2 months," Hu Xi San Xiao "(paper, 136 1.5 cm by 36.4 cm, Inscription)
6 months, and" Morning Rain Xiaoxiao "(paper, 103 cm by 59 cm, Inscription) 6 months, and" Morning Rain Xiaoxiao "(paper, 103 cm by 59 cm, Inscription) . 7 months, as" hear" (paper,51. 64 3 cm.times. 3 cm, the Nanjing Museum
) on 15 August, Japan surrendered at the conclusion of the War ) on 15 August, Japan surrendered at the conclusion of the War . .
9 months, as" a collection of nine machine Illustrated Books" (11 web, paper, ink, 1989 in Hong Kong's auction for HK $310 a month) 9 months, as" a collection of nine machine Illustrated Books" (11 web, paper, ink, 1989 in Hong Kong's auction for HK $310 a month) . 10, moved to Nanjing 10, moved to Nanjing .
. university professor in the School of Arts of Central University in 1946, a 43 - year - old in February, as the "Two Xiangs" (paper, 165 cm x 69 cm) university professor in the School of Arts of Central University in 1946, a 43 - year - old in February, as the "Two Xiangs" (paper, 165 cm x 69 cm) .
4 months, as the" Mountain Ghost "(paper, 137 cm by 83 cm) 4 months, as the" Mountain Ghost "(paper, 137 cm by 83 cm) . 12 month, the joss sticks shop in Nanjing Camp Culture Hall which was organised by the Law of the People's Republic of China Xu Beihong and Chen Zhifo, Lu SibaiFu Baoshi, Qin / Xuanfu joint art exhibition " 12 month, the joss sticks shop in Nanjing Camp Culture Hall which was organised by the Law of the People's Republic of China Xu Beihong and Chen Zhifo, Lu SibaiFu Baoshi, Qin / Xuanfu joint art exhibition ".
in 1947, a 44 - year - old female Yao Yi was born three months in 1947, a 44 - year - old female Yao Yi was born three months . 4, thesis" the Ming - Qing Dynasty of Traditional Chinese Painting", published in the "Shanghai Weekly", Vol. 16 Issue 1
Aug. 13, in the synagogue of Nanjing culture as" the spirit of Chinese painting "of speech, on 28 September," Shanghai Weekly, "which was published in Vol. 1 38 10 months," Fu Baoshi exhibition "held in Shanghai China, featured 180 10 months," Fu Baoshi exhibition "held in Shanghai China, featured 180 .
1948 held their 45 - year - old in January, the" Shi Tao on human Chronicle "published by the Shanghai Weekly 1948 held their 45 - year - old in January, the" Shi Tao on human Chronicle "published by the Shanghai Weekly . .
lun wrote the foreword for" Fu Baoshi exhibition in Nanchang "YMCA", to be held,There are over 100 works lun wrote the foreword for" Fu Baoshi exhibition in Nanchang "YMCA", to be held,There are over 100 works . 1949 - a 46 - year - old daughter Jade 1949 - a 46 - year - old daughter Jade .
Yi was born on 23 April, and the People's Liberation Army liberated Nanjing Yi was born on 23 April, and the People's Liberation Army liberated Nanjing . 7 months, national artists Association was held in Peiping in 7 months, national artists Association was held in Peiping in .
1 October, the founding of the People's Republic of China in 1950 at the age of 47 1 October, the founding of the People's Republic of China in 1950 at the age of 47 . Mao Zedong poems with themes of creation, 's Long March "and" poetry "," Snow's Snow "," Qing Ping Yue's Liupan Mountain "(paper, 28 cm x 20 cm) in Nanjing to attend the first session of the Fine Arts exhibition Mao Zedong poems with themes of creation, 's Long March "and" poetry "," Snow's Snow "," Qing Ping Yue's Liupan Mountain "(paper, 28 cm x 20 cm) in Nanjing to attend the first session of the Fine Arts exhibition .
6 months, the establishment of Nanjing Shi Wenlian fine paper 6 months, the establishment of Nanjing Shi Wenlian fine paper . was elected a Member of the Standing Committee of the Shanghai Federation of Literary and Art Circles was elected a Member of the Standing Committee of the Shanghai Federation of Literary and Art Circles .
10 months,Resist U.S. Aggression and Aid Korea started .
to Nanjing University where he taught from 1951, 48 years old, "Chinese painting" to Nanjing University where he taught from 1951, 48 years old, "Chinese painting" . 1952, 49 years old, the Forestry Department of Nanjing University of Arts of Nanjing Normal University merged with 1952, 49 years old, the Forestry Department of Nanjing University of Arts of Nanjing Normal University merged with .
. Ren painting art director for the Ren painting art director for the .
in 1953 at the age of 50 on 16 July, "in Nanjing, capital of the Taiping Heavenly Kingdom on Tangzi Street art achievements and modern Chinese painting history of importance", published in the "Guangming Daily" in 1953 at the age of 50 on 16 July, "in Nanjing, capital of the Taiping Heavenly Kingdom on Tangzi Street art achievements and modern Chinese painting history of importance", published in the "Guangming Daily" . 9 months, "the first national exhibition" held in Beijing from 9 months, "the first national exhibition" held in Beijing from .
"Crossing the River," hi Minshan Trinidad snow, " "Crossing the River," hi Minshan Trinidad snow, ". presented as" N.G." (paper,62 cm by 109 cm)
51 in 1954 at the age of 4 months, the Chinese people to safeguard world peace, as the case may be, for a "Dongfanghong" 51 in 1954 at the age of 4 months, the Chinese people to safeguard world peace, as the case may be, for a "Dongfanghong" . 12 months, "Chinese Figural and Landscape" was published by Shanghai tetralogy 12 months, "Chinese Figural and Landscape" was published by Shanghai tetralogy .
is not the same as that of the "Four Seasons" in the landscape (spring, summer, autumn, winter four, paper, 28 cm x 40 cm, the Tibet Academy of Chinese Painting) is not the same as that of the "Four Seasons" in the landscape (spring, summer, autumn, winter four, paper, 28 cm x 40 cm, the Tibet Academy of Chinese Painting) . 1955, 52 years old," Xiang Jun "," Mountain Ghost "in the Second National Art Exhibition in 1956 exhibition 1955, 52 years old," Xiang Jun "," Mountain Ghost "in the Second National Art Exhibition in 1956 exhibition .
the 53 - year - old in January, is supplemented with the Second Committee of the Chinese Peoples Political Consultative Conference (CPPCC) attend the meetings of the Second Committee of the Chinese People's Political Consultative Conference (CPPCC) the 53 - year - old in January, is supplemented with the Second Committee of the Chinese Peoples Political Consultative Conference (CPPCC) attend the meetings of the Second Committee of the Chinese People's Political Consultative Conference (CPPCC) . 4 / 28,Mao Zedong in the enlarged meeting of the art the problem of "letting a hundred flowers blossom and a hundred", to academic matters of the "schools of thought contend", our country should be the development of science, literature, the principle of 4 / 28,Mao Zedong in the enlarged meeting of the art the problem of "letting a hundred flowers blossom and a hundred", to academic matters of the "schools of thought contend", our country should be the development of science, literature, the principle of .
7 months, "Xiang Jun", "Mountain Ghost" 7 months, "Xiang Jun", "Mountain Ghost" . participated in the Second National Art Exhibition, on August 22 in Beijing "Cultural celebrities Setsu died and fifty anniversary of the" on "Setsu and Art" in the report of the People's Daily, "published Aug. 23
10 months), is a Nanjing Branch of the founding of the committee, being elected as the chairman of 10 months), is a Nanjing Branch of the founding of the committee, being elected as the chairman of . as" Wild Geese Landing" (paper,44. 3 cm by 61 cm)
"Westerly under Red rain" (paper, 45. 7 cm by 48 cm) "Jimingsi" (paper, 79. 7 cm by 27. 9 cm, the Nanjing Museum in 1957)
54 years 2 months, 5 months 54 years 2 months, 5 months . helped to build the Academy of Chinese Painting, Chinese Artists Delegation, led a delegation to visit Czechoslovakia and Romania helped to build the Academy of Chinese Painting, Chinese Artists Delegation, led a delegation to visit Czechoslovakia and Romania .
subsequently wrote the screenplay for "Lenny's palace" (paper, 27. 5 cm x 46 cm.), "West's scenery" (paper, 48 cm by 58 cm), "en route to Prague" (paper,28 cm by 47 cm), "the Czech landscape" (paper, 49 cm x 57 cm, Collected by Nanjing City Graffiti exotic materials such as The on 8 June, the Communist Party of China (CPC) Central Committee issued the "Notice Concerning MUSTER OUR FORCES TO REPULSE THE RIGHTISTS attack indication" exotic materials such as The on 8 June, the Communist Party of China (CPC) Central Committee issued the "Notice Concerning MUSTER OUR FORCES TO REPULSE THE RIGHTISTS attack indication" .
"Anti - Rightist Movement "Anti - Rightist Movement . began in July, according to Japan's original North Sea Takashima," writes Hill tips" compiled "Mountain Key to write" began in July, according to Japan's original North Sea Takashima," writes Hill tips" compiled "Mountain Key to write" .
published Aug. 2, in the Romanian cultural association of science and technology in the auditorium "in modern Chinese painting" of the report 8 months, with the cooperation of Yaming's army marched south, crossing the flooded and "attend" on the occasion of the thirtieth anniversary of the founding of the Chinese People's Liberation Army art exhibition " 8 months, with the cooperation of Yaming's army marched south, crossing the flooded and "attend" on the occasion of the thirtieth anniversary of the founding of the Chinese People's Liberation Army art exhibition ".
12 months,- "people skills" 12 months,- "people skills" . published" Paintings by Fu Baoshi is published by the " published" Paintings by Fu Baoshi is published by the ".
grosses between 1942 and 1957 masterpiece" Tree Man "," pole million misty rain "," Beauties", "Wild Geese Landing", "Crossing the River and which can be used as the web 40 grosses between 1942 and 1957 masterpiece" Tree Man "," pole million misty rain "," Beauties", "Wild Geese Landing", "Crossing the River and which can be used as the web 40 . Guo Moruo wrote the preface and topic Guo Moruo wrote the preface and topic .
1958 aged 55 in January to a meeting in Beijing, a visit to the" posthumous exhibition Qi Baishi's 1958 aged 55 in January to a meeting in Beijing, a visit to the" posthumous exhibition Qi Baishi's . 2 April, Wen Qi Baishi's Art ", published in the" Wen Wei Po " 2 April, Wen Qi Baishi's Art ", published in the" Wen Wei Po ".
" Chinese Painting "in May " Chinese Painting "in May . 5 months, according to Mao Tse - tung of the Communist Party of China (CPC) Central Committee's initiative, proposed" go all out, aim high and achieve greater, faster, better and more economical results"The general line of 5 months, according to Mao Tse - tung of the Communist Party of China (CPC) Central Committee's initiative, proposed" go all out, aim high and achieve greater, faster, better and more economical results"The general line of .
6 Jan. 1, the first that was held by the Preparatory Committee of the Chinese Painting Exhibition opens in Nanjing 7 months, "Chinese painting" by Chinese classical art publishing house 7 months, "Chinese painting" by Chinese classical art publishing house .
as" Mao Zedong "Big Cypress to meaning" (paper, 34. 9 cm x 49 cm) on 28 December, "The Shinning", "moh" Ode to Beijing "in the exhibition in Jiangsu province" in 1959, at the age of 56 on 12 January, "cheesy when self - obsessed, Guo Lao Tan Picture Story" published in Wen Wei Po " on 28 December, "The Shinning", "moh" Ode to Beijing "in the exhibition in Jiangsu province" in 1959, at the age of 56 on 12 January, "cheesy when self - obsessed, Guo Lao Tan Picture Story" published in Wen Wei Po ".
on 27 March," Chen Laolian Shuihu leaves" preface on 27 March," Chen Laolian Shuihu leaves" preface . 5 months,Organization of Nanjing in Jiangsu province federation of writers and painters for the Theory of Learning 'problem of the traditional Chinese painting " 5 months,Organization of Nanjing in Jiangsu province federation of writers and painters for the Theory of Learning 'problem of the traditional Chinese painting ".
statement on June 6, should be invited to the sketch of Shambahala Shaoshan statement on June 6, should be invited to the sketch of Shambahala Shaoshan . thereafter by Shambahala published" Shaoshan "album, featuring" Shaoshan panorama "and" the former residence of Chairman Mao paintings about the " thereafter by Shambahala published" Shaoshan "album, featuring" Shaoshan panorama "and" the former residence of Chairman Mao paintings about the ".
" in Mao's hometown Shaoshan Journo to paint ", published in the" Rainflower "17 " in Mao's hometown Shaoshan Journo to paint ", published in the" Rainflower "17 . 6 month period," Spring, summer, autumn, winter "four screen and" Romania a station "in Karachi, Pakistan to participate in the exhibition" Painting 6 month period," Spring, summer, autumn, winter "four screen and" Romania a station "in Karachi, Pakistan to participate in the exhibition" Painting .
7 month,Beijing is a Guan Shanyue and creation of the Great Hall of the People "- - - - So More Charming 7 month,Beijing is a Guan Shanyue and creation of the Great Hall of the People "- - - - So More Charming . .
completed from mid September to 27 September, was drafted by Comrade Mao Tse - tung wrote this painting - - - - So More Charming completed from mid September to 27 September, was drafted by Comrade Mao Tse - tung wrote this painting - - - - So More Charming . 8 months," recalls, patches of Romania, the People's Republic of China and the National Day to celebrate the 15th anniversary of "published" Art "and" No. 8
8. On 17 December, "the spirit of the age" from personal exhibition "Impressions", published in the" renmin ribao " on 13 September," a new page in Chinese painting history talk about ten years to the development of Chinese painting ", published in the Myanmar New Rangoon News on 13 September," a new page in Chinese painting history talk about ten years to the development of Chinese painting ", published in the Myanmar New Rangoon News .
on 14, 15 serials on 14, 15 serials . 10 May 2005"National Advanced Worker Qunying Assembly" 10 May 2005"National Advanced Worker Qunying Assembly" .
on 10 October, "Beijing Painting", published in the "Daily" on 10 October, "Beijing Painting", published in the "Daily" . 12 months, "Du Fu" (paper, 134 centimetres by 80 centimetres, Inscription) 12 months, "Du Fu" (paper, 134 centimetres by 80 centimetres, Inscription) .
1960 aged 57 in January, "to the Zhongshan Spring", "Riverboat", "Nowy hate is not high and a thousand" attend "of Jiangsu Province in general line - - under the wise guidance" art exhibition 1960 aged 57 in January, "to the Zhongshan Spring", "Riverboat", "Nowy hate is not high and a thousand" attend "of Jiangsu Province in general line - - under the wise guidance" art exhibition . 3 months, founding president of the Academy of Chinese Painting 3 months, founding president of the Academy of Chinese Painting .
. "studies of the history of Chinese ancient landscape" by the show's Fine Art Publishing House "studies of the history of Chinese ancient landscape" by the show's Fine Art Publishing House.
edition as" The Yuhuatai Ode "(3. 6 m by 2.4 m, 2006 in Beijing Jiaxin artware auction to RMB8. 4620) 4 months of Chinese Artists Association, International Trade, Jiangsu Sub - council, was elected as the President and the establishment of the 4 months of Chinese Artists Association, International Trade, Jiangsu Sub - council, was elected as the President and the establishment of the .
. Jiangsu Calligraphy Seal SOCIETY Jiangsu Calligraphy Seal SOCIETY .
. was elected vice - president in May, as" outshines" (paper, 60 cm by 87 cm, Inscription) was elected vice - president in May, as" outshines" (paper, 60 cm by 87 cm, Inscription) .
6 months," the former residence of Chairman Mao "to participate in Beijing's National Art Exhibition ( 6 months," the former residence of Chairman Mao "to participate in Beijing's National Art Exhibition (. 8 months, was elected vice - chairman of Chinese Artists Association and was elected a member of China Federation of Literary and Art Circles 8 months, was elected vice - chairman of Chinese Artists Association and was elected a member of China Federation of Literary and Art Circles .
. 9 months, the rate of Jiangsu traditional Chinese painting sketching tours missions,travel twenty miles, reach the six provinces and more than half a dozen cities 9 months, the rate of Jiangsu traditional Chinese painting sketching tours missions,travel twenty miles, reach the six provinces and more than half a dozen cities .
followed by the creation of the "to - be - fine to Jiangshan pictures", etc followed by the creation of the "to - be - fine to Jiangshan pictures", etc . as" Guan - gong Bridge" (paper, 68 cm x 93 cm), "Mausoleum" (paper, 28 cm x 39 cm) as" Guan - gong Bridge" (paper, 68 cm x 93 cm), "Mausoleum" (paper, 28 cm x 39 cm) .
1961 aged 58 on 26 February, at the above - mentioned "ideas change, yet it is not invariant" published in renmin ribao " 1961 aged 58 on 26 February, at the above - mentioned "ideas change, yet it is not invariant" published in renmin ribao "." Literary Gazette ", the" Xinhua Daily "and the like are successively reproduced " Literary Gazette ", the" Xinhua Daily "and the like are successively reproduced .
on 29 March, Qi Baishi's art of" Qi Baishi's Works: TongXiangXuShiYinPuXu "(Fine Arts Press published in September, 1963), published in the" renmin ribao " on 29 March, Qi Baishi's art of" Qi Baishi's Works: TongXiangXuShiYinPuXu "(Fine Arts Press published in September, 1963), published in the" renmin ribao ". 4 months,"Wen" This Land Is So Beautiful "for an episode of" Jiangsu Chinese Painting missions" travel sketch of landscape painting ", published in the" Rainflower " 4 months,"Wen" This Land Is So Beautiful "for an episode of" Jiangsu Chinese Painting missions" travel sketch of landscape painting ", published in the" Rainflower ".
5 months, Jiangsu Province Chinese Painting mission travel life drawing and creation of 200 composed of their" New Face of the rivers" exhibition in Beijing featuring 5 months, Jiangsu Province Chinese Painting mission travel life drawing and creation of 200 composed of their" New Face of the rivers" exhibition in Beijing featuring . "stay put Jiangshan picture", "Xiling Gorge", "Spring in the jujube orchard", "Northern landscape", "Red Crag Village", "mountain city" equestrian "took part in the exhibition "stay put Jiangshan picture", "Xiling Gorge", "Spring in the jujube orchard", "Northern landscape", "Red Crag Village", "mountain city" equestrian "took part in the exhibition .
6 months sketching trips to Northeast China, in May and ending in September as 6 months sketching trips to Northeast China, in May and ending in September as ." Jingbo Feiquan "(paper, 45 cm x 117 cm, Nanjing Museum)," coal city "spectacular",The Guerrilla " Jingbo Feiquan "(paper, 45 cm x 117 cm, Nanjing Museum)," coal city "spectacular",The Guerrilla .
etc. thereafter. The publication is sketching sets two on 19 August, and on the other hand, Dongling made "Dongling South Point" (paper, 28 cm by 47 cm) on 19 August, and on the other hand, Dongling made "Dongling South Point" (paper, 28 cm by 47 cm) .
11 months, "Fu Baoshi northeast of Drawing from Nature Exhibition" held in Nanjing in the Jiangsu Provincial Art Gallery showcases works 11 months, "Fu Baoshi northeast of Drawing from Nature Exhibition" held in Nanjing in the Jiangsu Provincial Art Gallery showcases works . .
100 pieces on 15 November, "Northeast Painting Miscellany" was published in the "Xinhua Daily" as" rich Chunxiao color "(paper, 56. 9 cm by 61 cm, Inscription) 1962 59 on 26 February," Zheng Banqiao Tries" ("qiao" preamble,Song Book, published January 1962) was published in the "renmin ribao" 1962 59 on 26 February," Zheng Banqiao Tries" ("qiao" preamble,Song Book, published January 1962) was published in the "renmin ribao" .
30 April, the CPC Central Committee Propaganda Department to finalize the approval of the Law of the People's Republic of China on the current work of literature and the Opinions of the People's Republic of China (draft) (hereinafter referred to as the "eight" - month) 30 April, the CPC Central Committee Propaganda Department to finalize the approval of the Law of the People's Republic of China on the current work of literature and the Opinions of the People's Republic of China (draft) (hereinafter referred to as the "eight" - month) . 8, "" Tianchi "Waterfall" in "Nanjing art exhibition" 8, "" Tianchi "Waterfall" in "Nanjing art exhibition" .
begins on 8 July, as" unable to tell the sound of jiuzhi spring, suppression of the rain "(paper, 82 cm by 50 cm, the Nanjing Museum) begins on 8 July, as" unable to tell the sound of jiuzhi spring, suppression of the rain "(paper, 82 cm by 50 cm, the Nanjing Museum) . 10 months," Qu Yuan "," Du Fu "in the" portrait exhibition in Jiangsu Province "was exhibited at the 10 months," Qu Yuan "," Du Fu "in the" portrait exhibition in Jiangsu Province "was exhibited at the .
take the whole family go to Zhejiang to recuperate take the whole family go to Zhejiang to recuperate . therebetween to adhere to the sketch, 1963 to April paint batch,Later he published "Zhejiang Fu Baoshi to sketch the" therebetween to adhere to the sketch, 1963 to April paint batch,Later he published "Zhejiang Fu Baoshi to sketch the" .
"Hupao late autumn" (paper, 80. 3 cm by 45 cm) 1963 aged 60 years and 1 month, in Hangzhou and He Xiangning, Pan Tianshou cooperation painting 1963 aged 60 years and 1 month, in Hangzhou and He Xiangning, Pan Tianshou cooperation painting .
3 months, the Chinese embassy in Burma as" FIG. " 10 months, according to NPC membership of Chinese visiting the memorial, paid a visit to 10 months, according to NPC membership of Chinese visiting the memorial, paid a visit to .
, , . 19 Bada Shanren Memorial Day, attending the forum held by the Art Society of Jiangxi Branch 19 Bada Shanren Memorial Day, attending the forum held by the Art Society of Jiangxi Branch .
thereafter successively to Jinggangshan and Ruijin, Ganzhou, created" Huangyangjie "," Jinggangshan Mountain Range of the "Long March" first bridge ","ciping" and other works to 10 thereafter successively to Jinggangshan and Ruijin, Ganzhou, created" Huangyangjie "," Jinggangshan Mountain Range of the "Long March" first bridge ","ciping" and other works to 10 . .
Jiangxi leaves at the end of October, as" the sea - like mountains" (paper, 113. 5 cm x 67 cm, Inscription) 61 - year - old 1 January 1964, "Jinggangshan" (paper, 117 cm by 87 cm, Inscription) 61 - year - old 1 January 1964, "Jinggangshan" (paper, 117 cm by 87 cm, Inscription) .
9 months, during which he will attend the third meeting of the npc 9 months, during which he will attend the third meeting of the npc . 1 January 1965, aged 62, "a tiger crouching, a dragon curling, outshines" was held in Beijing to attend the National Exhibition of Fine Arts Exhibition in east China 1 January 1965, aged 62, "a tiger crouching, a dragon curling, outshines" was held in Beijing to attend the National Exhibition of Fine Arts Exhibition in east China .
3 months, as" Mausoleum" (paper, 53 cm x 69 cm, Inscription) 3 months, as" Mausoleum" (paper, 53 cm x 69 cm, Inscription) . 5 months,"Complex inflamed left arm pain, sudden and violent, sleep - eating both. It's"
Xia, as" Maoshan majestic appearance "(106 278. times.14. 5 cm, and in 2004 the Hanhai autumn auction to 2090 RMB8. ) in late September, Shanghai's invitation, a visit to Shanghai Hongqiao Airport is prepared to lobby painting ) in late September, Shanghai's invitation, a visit to Shanghai Hongqiao Airport is prepared to lobby painting .
. back to Nanjing on the morning of July 28 - 29, due to factors like cerebral apoplexy and died in the Nanjing back to Nanjing on the morning of July 28 - 29, due to factors like cerebral apoplexy and died in the Nanjing .
1 1.
